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You were avoiding the truth by escaping into a fictional world. Neon Genesis Evangelion: The End of Evangelion (1997) dir. Hideaki Anno
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The Witch (2015) & The Lighthouse (2019) dir. Robert Eggers
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Kay Redfield Jamison, from “An Unquiet Mind: A Memoir of Moods and Madness,”
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Judy Garland in MEET ME IN ST. LOUIS (1944) dir. Vincente Minnelli
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Wei Ying-wu, tr. by David Hinton, from “Classical Chinese Poetry; An Anthology,”
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Rino Stefano Tagliafierro, Untouched.
Time doth transfix the flourish set on youth And delves the parallels in beauty’s brow, Feeds on the rarities of nature’s truth, And nothing stands but for his scythe to mow:
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When you’re observing me, who do you think I’m observing?
Portrait of a Lady on Fire (2019) — dir. Céline Sciamma, cinematography by Claire Mathon
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Ana de Armas by Thomas Whiteside for Vogue Spain, April 2020
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The Harvest Moon is seen rising in the sky above the domes of the Smolny Cathedral in St. Petersburg, Russia on Sept. 8, 2014, marking the third and final “supermoon” of 2014. The phenomenon, which scientists call a “perigee moon,” occurs when the moon is near the horizon and appears larger and brighter than other full moons.
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- You’re a witch. - Of course I’m a witch.
Amanda Michalopoulou, tr. by Karen Emmerich, from “Why I Killed My Best Friend,” (via violentwavesofemotion)
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