a-rspray
a-rspray
Head&shoulders
1K posts
Do not spray into eyes  Niet spuiten in de richting van ogen
Don't wanna be here? Send us removal request.
a-rspray · 9 years ago
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Art Nouveau letter A’s in different fonts
details of lithographs from Lettres et Ensignes Paris c1900 - 
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a-rspray · 9 years ago
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a-rspray · 9 years ago
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“The Toilet” by John William Godward, 1900
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a-rspray · 9 years ago
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Antonio Canova, The Three Graces, 1815-1817
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a-rspray · 9 years ago
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Still Life with Wild Strawberries, Adriaen Coorte, 1705.
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a-rspray · 9 years ago
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EVA BESNYÖ :: Nicole Dumont, Amsterdam, 1934
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a-rspray · 9 years ago
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Laszlo Moholy-Nagy (Hungarian, 1895-1946)
Composition A XXI, 1925
Leuk 4, 1945
More Moholy-Nagy on hideback
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a-rspray · 9 years ago
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Dude cowgirls pose at a Wyoming ranch, the second one from the right wearing fancy beaded gauntlets, circa 1930. Buffalo Bill Historical Center, Cody, Wyoming.
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a-rspray · 9 years ago
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Anna May Wong, 1929, photo by Fred Daniels
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a-rspray · 9 years ago
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Josef Hoffmann, Palais Stoclet, (1905-1911)
The Stoclet Palace was the first residential project for the Wiener Werkstatte (Vienna Workshops), co-founded by Hoffman in 1903. Josef Hoffman as his colleagues designed every aspect of the mansion, down to the door handles and light fittings. The interior is as spartan as the exterior, with upright geometric furniture and an avoidance of clutter. This was a fashionably avant-garde approach, presenting a ‘reformed interior’ where functions dictates style. The interior of the building is decorated with marble paneling and artworks, including mosaic friezes by Gustav Klimt and murals by Ludwig Heinrich Jungnickel. This integration of architects, artists, and artisans makes Stoclet Palace an example of Gesamtkunstwerk, one of the defining characteristics of Jugendstil. The sketches of Klimt's work for the dining room can be found in the permanent collection of the Museum fur Angewandte Kunst
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a-rspray · 9 years ago
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Palais Stoclet, Brussels. 1905 - 1911. Josef Hoffmann
www.szecesszio.com
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a-rspray · 9 years ago
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Barnett Newman sees the history of art as an aesthetic struggle, between “the exaltation to be found in prefect form” on the one side, and, on the other, “the desire to destroy form, where form can be formless.”
Kasimir Malevitch, Red square on the black (1924)
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a-rspray · 9 years ago
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LE LOUVRE Franck Bohbot
Le Louvre, Paris, France, 2013 When the Musée du Louvre asked me in 2013 (before leaving paris) to photograph the Museum. It was such an honor.
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a-rspray · 9 years ago
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a-rspray · 9 years ago
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Tanya D. at Iris van Herpen HC F/W 2011
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a-rspray · 9 years ago
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a-rspray · 9 years ago
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