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I was forwarding these to a friend and figured it’d be worth sharing them all here too so enjoy some free books and essays and things in no particular order:

Jeanette Winterson - Art Objects

Does Your Daughter Know It’s Okay To Be Angry? - Soraya Chemaly

Braiding Sweetgrass - Robin Wall Kimmerer

Zami, Sister Outsider, Undersong - Audre Lorde

Garments Against Women - Anne Boyer

Laziness Does Not Exist - Devon Price

Learn Socialism Resources

Do Economists Actually Know What Wealth Is? - Nathan J. Robinson

Love Dialogue: CÉLINE SCIAMMA on Portrait of a Lady on Fire - Carlos Augilar

Teaching To Transgress - Bell Hooks

Sexing the Cherry - Jeanette Winterson

Sinister Wisdom Archives

Why Pop Culture Links Women and Killer Plants - Amandas Ong

How To Suppress Women’s Writing - Joanna Russ

Women’s Voices Now

The Life of Tove Jansson

Unbearable Weight; Feminism, Western Culture and the Body - Susan Bordo

‘A Simple Favour’ and That Whole Lesbian Psycho Thing - Ciara Wardlow

OUTWEEK Archives

AirPods Are a Tragedy - Caroline Haskins

Devotions - Mary Oliver

Go Tell It On The Mountain - James Baldwin

Nevertheless, She Feasted: Why Girls Get Hungry in Horror Movies - Francesca Fau

Written on the Body - Jeanette Winterson

Sula - Toni Morrison

Not Vanishing - Chrystos

The Fever - Wallace Shawn

Portrait of a Lady on Fire director Céline Sciamma: ‘Ninety per cent of what we look at is the male gaze’ - Alexandra Pollard

Minimalism Is Just Another Boring Product Wealthy People Can Buy - Chelsea Fagan

AIDS, Art and Activism: Remembering Gran Fury - John d’Addario

In the Day of the Postman - Rebecca Solnit

Blood and Guts in Highschool - Kathy Acker

Mark My Words: The Subversive History of Women Using Thread as Ink - Rosalind Jana

Exploring Frida Kahlo’s Relationship With Her Body - Rebecca Fulleylove

Ravens have paranoid, abstract thoughts about other minds - Emily Reynolds

The Lady in the Looking Glass - Virginia Woolf

Angela Carter talks beauties and beasts with Terry Jones

A Girl is a Half-Formed Thing - Eimear McBride

Why Female Cannibals Frighten and Fascinate - Kate Robertson

Lesbian Herstory Archives

Bartleby

Guggenheim Books

We Are Lisa Simpson: 30 Years with the Smartest and Saddest Kid in Grade Two - Sara David

On Beauty - Zadie Smith

Her Body and Other Parties - Carmen Maria Machado

How Millennials Became The Burnout Generation - Anne Helen Petersen

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some of my favorite tiny love stories

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i do not pity israel. never have, and never will.

each night that gaza experiences is deadlier than the last, as idf soldiers record propaganda tiktoks, make rave parties and grwms and fit checks, gloat over having food and water, and film themselves deriving sadistic pleasure from torturing their hostages and victims and desecrating the dead.

Palestinians have to display their martyred before the camera for you to believe the atrocities that the zionist entity has subjected them to. they cannot even mourn in private. the apartheid entity murders them in cold blood, and you deliver the killing blow by doubting them.

babies whose families have been killed will never get to know their own name.

i can't reshare a tenth of the videos and photos that cross my timeline. i have seen more dead children in the past month than i have known death my entire life.

israeli settlers burn olive trees, bomb bakeries and fishing boats, shower white phosphorus and earthquake bombs on the captive civilians of gaza. you already know about the disastrous effects of white phosphorus, but earthquake bombs were last used during ww2 to wipe out entire cities.

how holy is the land that seeks to be built over the mass graves of thousands of children? is it holier than the miracle of a child being born in this hypocritical world?

all 11 universities in gaza have been bombed. academics should be agitating right now, especially those who call themselves "decolonial thinkers." destruction of universities is a sinisterly deliberate act to sabotage the Palestinians who will survive this great catastrophe.

the act of cleansing your hands before prayer is extremely important to muslims. no part of us can remotely comprehend the grief of the mother who refused to wash her hands from the blood of her children after losing them in a zionist airstrike over gaza. "I swear I won't wash them, I won't wash my hands, how else am I supposed to sleep near my kids."

it is only both moral and right when one side defends itself. the other side are the price of war, no better than insects and cattle and sheep left to die within the four walls of the slaughterhouse.

this situation should not be up for debate, but let me finish with one final thing : do your research about Palestine. HOWEVER. you do not need a degree in middle east studies to object to an ongoing genocide. if someone outwits you in a debate about historical details and every nuance of a subject, you were and will remain entirely correct in objecting to a genocide.

may those martyred rest in peace and be reunited again with their loved ones in heaven's eternal vastness.

DO NOT STOP TALKING ABOUT PALESTINE.

glory to Palestinian resistance. from the river to the sea, Palestine will be free.

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This is the Palestine Film Institute website, it offers free access to multiple shorts, documentaries, films etc, as well as suggestions and a long list of cinematic art made by Palestinians.

This is Aflamuna, a non-profit platform dedicated to sharing independent films from the Arab region with audiences worldwide. Handpicked cult, classic, contemporary, and sometimes unreleased films that are mostly inaccessible to the public are made available free of charge every week. It has one of the most impactful Palestinian movies.

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* walking round the supermarket muttering to myself* loneliness is still time spent with the world loneliness is still time spent with the world loneliness is still time spent with the world loneliness is still

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In Middlemarch and Jane Eyre we are conscious not merely of the writer’s character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman’s presence, of someone resenting the treatment of her sex and pleading for its rights. This brings into women’s writing an element entirely absent from a man’s, unless indeed he happens to be a working man or a negro, or who for some reason is conscious of a disability. It introduces a distortion and is frequently the cause of weakness. The desire to plead some personal cause or to make a character the mouthpiece of some personal discontent and grievance always has a distressing effect, as if the point at which the reader’s attention is directed were suddenly two-fold instead of single. The genius of Jane Austen and Emily Brontë is never more convincing than in their power to ignore such claims and solicitations …

- Virginia Woolf, Four Women Novelists

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yeah im still thinking about the minotaur sorry but just . imagine youre born wrong. imagine your entire existence is a punishment from the gods. for something you had no control over. imagine your mother holds nothing but contempt for you. she wont even look at you, not really, & she keeps crying & you keep crying & reaching towards her with your little arms & someone drags you away from her. & they keep you hidden & alone & a stranger comes & builds an impenetrable prison around you so youre doomed to forever haunt these endless corridors & youve never known kindness or companionship or love. & when they call you a monster. well. you believe them

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The Woman with the Knife, 1969

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“Platonic love is vital, essential, and perhaps the one thing left in this wretched landscape that could save us all for a little bit longer than we deserve. I love my friends even when I don’t tell them enough. I have crawled from the wreckage of enough heartbreak to know who will still be standing when I emerge and who won’t, and I hold those still standing close to me.”

— Hanif Willis-Abdurraqib, “Carly Rae Jepsen and the Kingdom of Desire” in MTV (via merulae)

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“Nationalism of one kind or another was the cause of most of the genocide of the twentieth century. Flags are bits of colored cloth that governments use first to shrink-wrap people’s minds and then as ceremonial shrouds to bury the dead.”

— Arundhati Roy, War Talk

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Afrodisiac, photographed by Onyekachi Iloh

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Faces from the road, photographed by Onyekachi Iloh

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“Sometimes I like to dress fancy. Sometimes I do, like, punk cool. But today I just did normal.”

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I consider myself a microinfluencer in the way I can get ten to fifteen people to consume a piece of media if I’m annoying enough about it

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The Color of Pomegranates (Նռան գույնը), dir. Sergei Parajanov (1969)