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leaked set photo from the last jedi

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#WWGotYourBack

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Miniature Food and Plant Jewelry by Allim Yalo Jewelry on Etsy

See our ‘miniatures’ tag

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Smith said that Sarkeesian’s criticism of the first Dishonored made him defensive at first, but played a role in the way Arkane approached the way it wrote the women of Dishonored 2.

“Your comment,” Smith said. “Which I will always remember and I’ll take it to my grave is … ‘While Dishonored is a game that does many things very well, the roles it has for women are very narrow.’”

After hearing Sarkeesian’s criticisms, he said that it made him see the way Arkane depicted the women of Dishonored 1 in a new light. Here are his comments in full:

At first, you take some criticism and go, ‘Wait a minute,’ and then you look and it’s like, ‘Wow, every woman in Dishonored 1 is either a servant, a prostitute, a witch, a queen or a little girl. Or a mistress.’ We have a mistress also. You know, that was not an intentional choice. So, when something like that pops up, you can get defensive if you want, or you can say, ‘Guys, let me just ask this: Did we mean that?’ And the answer is no, we did not mean that. Would the game be worse if we took an action on [this criticism], or would the game be better? The game would be richer and more interesting … and we carried that over into Dishonored 2 and we’re very happy we did.

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“We Wear Culture” is a collaboration between Google and more than 180 museums, schools, fashion institutions, and other organizations from all parts of the globe. It’s part of Google’s Arts & Culture platform, which is digitizing the world’s cultural treasures, and functions as a searchable guide to a collective archive of some 30,000 fashion pieces that puts “three millennia of fashion at your fingertips,” Google says.

But it isn’t just a database. Google has worked with curators to create more than 450 exhibits on different topics—say, how the cheongsam changed the way Chinese women dress—making the site an endlessly entertaining, educational portal filled with stunning imagery touching on everything from modern Japanese streetwear to the clothes worn at the court of Versailles.

i can already tell this has made writing for historical fandoms – the worst part of which, for me, is absofuckinglutely hands-down the clothing – much easier. 

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Commissions Mark Deux

Well, the first wave of five commissions seems to have worked out well in terms of my schedule, and I think I can manage another wave of commissions now. Still going to stick to five at a time, same new pricing guidelines, and hopefully I’ll get into a new groove with, like, one of these a month.

So here are the slots available; I’ll update this as they fill up.

OPEN

OPEN

OPEN

OPEN

OPEN

If you ordered in the last wave, please know that I will be prioritising people who I didn’t make an order for last time. I won’t stop you from putting your name out there, but please consider that slots are limited.

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I’m reading the original wonder woman script by Joss Whedon and YIKES

margaret atwood: male fantasy male fantasy m a l e  f a n t a s y 

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Tai Chi Jian

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I painted a watercolor of my other cat with a samurai helmet. (Source: http://ift.tt/2rQDc9C)

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RPG’s be like

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Robin Wright as General Antiope on Wonder Woman (2017)

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GET WRECKED

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Today’s Aesthetic of the day is: Historically accurate calvary

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Wonder Woman (2017) poster by Tula Lotay for Mondo

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How beautiful is it that we’ve lived long enough to see our childhood princess become generals? And best of all, little girls will always see them as both