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why you should keep writing your story
because it’s a puzzle no one else will ever arrange the same way as you.
because there are ideas that simply won’t come to you until you write down the wrong words.
because all the bad scenes are the bones of the wonderful scenes.
because someone will love it: someone will read it once, and twice, and thrice; someone will ramble to you about the complexity of it; someone will doodle your characters out of love; someone will find it in exactly what they were looking for with or without knowing it.
because they have things to say, your characters. they’ve told you all those secrets and they have more to tell you, if you will listen.
because you love it even when you don’t; even when it drives you mad or when it accidentally turns into apathy; even when you think you’re doing it all wrong; you love it, and it loves you back.
because you can get a treasure even from things that go wrong; because if a story crumbles down you can build a shinier one on the same spot; because you won’t know where it will take you until it takes you there.
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Resources For Writing Sketchy Topics

Medicine
A Study In Physical Injury
Comas
Medical Facts And Tips For Your Writing Needs
Broken Bones
Burns
Unconsciousness & Head Trauma
Blood Loss
Stab Wounds
Pain & Shock
All About Mechanical Injuries (Injuries Caused By Violence)
Writing Specific Characters
Portraying a kleptomaniac.
Playing a character with cancer.
How to portray a power driven character.
Playing the manipulative character.
Portraying a character with borderline personality disorder.
Playing a character with Orthorexia Nervosa.
Writing a character who lost someone important.
Playing the bullies.
Portraying the drug dealer.
Playing a rebellious character.
How to portray a sociopath.
How to write characters with PTSD.
Playing characters with memory loss.
Playing a pyromaniac.
How to write a mute character.
How to write a character with an OCD.
How to play a stoner.
Playing a character with an eating disorder.
Portraying a character who is anti-social.
Portraying a character who is depressed.
How to portray someone with dyslexia.
How to portray a character with bipolar disorder.
Portraying a character with severe depression.
How to play a serial killer.
Writing insane characters.
Playing a character under the influence of marijuana.
Tips on writing a drug addict.
How to write a character with HPD.
Writing a character with Nymphomania.
Writing a character with schizophrenia.
Writing a character with Dissociative Identity Disorder.
Writing a character with depression.
Writing a character who suffers from night terrors.
Writing a character with paranoid personality disorder.
How to play a victim of rape.
How to play a mentally ill/insane character.
Writing a character who self-harms.
Writing a character who is high on amphetamines.
How to play the stalker.
How to portray a character high on cocaine.
Playing a character with ADHD.
How to play a sexual assault victim.
Writing a compulsive gambler.
Playing a character who is faking a disorder.
Playing a prisoner.
Portraying an emotionally detached character.
How to play a character with social anxiety.
Portraying a character who is high.
Portraying characters who have secrets.
Portraying a recovering alcoholic.
Portraying a sex addict.
How to play someone creepy.
Portraying sexually/emotionally abused characters.
Playing a character under the influence of drugs.
Playing a character who struggles with Bulimia.
Illegal Activity
Examining Mob Mentality
How Street Gangs Work
Domestic Abuse
Torture
Assault
Murder
Terrorism
Internet Fraud
Cyberwarfare
Computer Viruses
Corporate Crime
Political Corruption
Drug Trafficking
Human Trafficking
Sex Trafficking
Illegal Immigration
Contemporary Slavery
Black Market Prices & Profits
AK-47 prices on the black market
Bribes
Computer Hackers and Online Fraud
Contract Killing
Exotic Animals
Fake Diplomas
Fake ID Cards, Passports and Other Identity Documents
Human Smuggling Fees
Human Traffickers Prices
Kidney and Organ Trafficking Prices
Prostitution Prices
Cocaine Prices
Ecstasy Pills Prices
Heroin Prices
Marijuana Prices
Meth Prices
Earnings From Illegal Jobs
Countries In Order Of Largest To Smallest Risk
Forensics
arson
Asphyxia
Blood Analysis
Book Review
Cause & Manner of Death
Chemistry/Physics
Computers/Cell Phones/Electronics
Cool & Odd-Mostly Odd
Corpse Identification
Corpse Location
Crime and Science Radio
crime lab
Crime Scene
Cults and Religions
DNA
Document Examination
Fingerprints/Patterned Evidence
Firearms Analysis
Forensic Anthropology
Forensic Art
Forensic Dentistry
Forensic History
Forensic Psychiatry
General Forensics
Guest Blogger
High Tech Forensics
Interesting Cases
Interesting Places
Interviews
Medical History
Medical Issues
Misc
Multiple Murderers
On This Day
Poisons & Drugs
Police Procedure
Q&A
serial killers
Space Program
Stupid Criminals
Theft
Time of Death
Toxicology
Trauma
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Random mansion generator


The Procgen Mansion Generator produces large three-dee dwellings to toy with your imagination, offering various architectural styles and other options. Each mansion even comes with floorplans:
https://boingboing.net/2019/07/12/random-mansion-generator.html
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Writing Websites
1. a website with a list of superpowers and what they are
2. a website that generates random au ideas
3. a website that generates names, basic info and futures in a bunch of languages
4. a website that checks your grammar
5. website that lists types of execution in the states
6. a website with info on death certificates
7. a website with info on the four manners of death
8. a website with info on the black plague
9. website with information on depression
10. a website with info on the four types of suicide
11. website that lists famous quotes
12. website with different kinds of quotes
13. a website with info on food in every country
14. a website with a list of different colors
15. website with a list of medieval jobs
16. website with a list of fabrics
17. website with a list of flowers and pictures
18. website with a list of flowers and no pictures
19. website with a list of poisonous plants
20. website with a list of poisonous and non-poisonous plants
21. website with a list of things not to feed your animals
22. website with a list of poisons that can be used to kill people
23. website with info on the international date line
24. website with a list of food allergies
25. website with a list of climates
26. website with info on allergic reactions
27. website with info on fahrenheit and celsius
28. website with info on color blindness
29. website with a list of medical equipment
30. website with a list of bugs
31. website with an alphabetic list of bugs and their scientific name
32. website with a list of eye colors
33. website (wikipedia sorry) with list of drinks
34. website with a list of religions
35. website with a list of different types of doctors and what they do
36. website (wikipedia again sorry) with a list of hair colors
37. website that generates fantasy names
38. website with a list of body language
39. website with a list of disabilities
40. website with an alphabetic list of disabilities
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oh to be covered in blood that is not mine, walking around in a run down apartment with papers scattered around the floor as I hum a calm tune, the only light coming from the moon through the curtains and the dim, buzzing yellow light from the kitchen
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me: ugh i never have any time to write
*goes on tumblr for hours, makes aesthetic moodboards and gifsets, picks up a book from my tbr and puts it back down 17 times, stares at a blank document for hours, can’t focus for shit*
me:
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spots to kiss. since y’all like kissing prompts—and who wouldn’t, honestly–so have a collection of places to press your lips to. many of these work perfectly fine for platonic or familiar affection while some are a bit steamier, though what counts as what is of course naturally dependent on the muses and the context. send ‘ SPOTS TO KISS + [number] ’ to kiss my muse there, or with # for dealer’s choice. context and description allowed and encouraged. feel free to use the last option ( 57 ) to give the kiss on any fantasy or scifi body parts not listed here.
a kiss on the top of the head.
a kiss to hair.
a kiss on the forehead.
a kiss on the space between eyebrows.
a kiss on the temple.
a kiss on the cheek.
a kiss on the eyelid or the undereye.
a kiss on the nose
a kiss on the ear.
a kiss on that space where jaw connects.
a kiss on the corner of the mouth.
a kiss on the cupid’s bow.
a kiss on the lips.
a kiss on the chin.
a kiss on the jawline.
a kiss on the back of the neck.
a kiss on the underside of the jaw.
a kiss on the throat.
a kiss on the side of the neck.
a kiss on where the back of the neck turns to shoulder.
a kiss above the collarbone.
a kiss along the collarbone.
a kiss on the space between collarbones.
a kiss on the shoulder.
a kiss on the bicep.
a kiss on the forearm.
a kiss on the elbow.
a kiss on the outside of the wrist.
a kiss on the inside of the wrist.
a kiss on the back of the hand.
a kiss on the palm.
a kiss on a finger. ( which one? )
a kiss on the side of the ribs.
a kiss on the shoulder blade.
a kiss on the space between shoulder blades.
a kiss along the curve of the spine.
a kiss on the upper back.
a kiss on the lower back.
a kiss on the sternum.
a kiss on a pec / breast.
a kiss under the breast.
a kiss on where the sternum ends.
a kiss on the stomach.
a kiss on the navel.
a kiss on the hipbone.
a kiss on the ‘v’.
a kiss on the front of the thigh.
a kiss on the back of the thigh.
a kiss on the inner thigh.
a kiss on the knee.
a kiss on the calf.
a kiss on the ankle.
a kiss on the heel.
a kiss on the foot.
a kiss on a toe.
a kiss on an nsfw body part not listed here. ( where? )
a kiss on a sfw body part not listed here. ( where? )
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Writing Websites
1. a website with a list of superpowers and what they are
2. a website that generates random au ideas
3. a website that generates names, basic info and futures in a bunch of languages
4. a website that checks your grammar
5. website that lists types of execution in the states
6. a website with info on death certificates
7. a website with info on the four manners of death
8. a website with info on the black plague
9. website with information on depression
10. a website with info on the four types of suicide
11. website that lists famous quotes
12. website with different kinds of quotes
13. a website with info on food in every country
14. a website with a list of different colors
15. website with a list of medieval jobs
16. website with a list of fabrics
17. website with a list of flowers and pictures
18. website with a list of flowers and no pictures
19. website with a list of poisonous plants
20. website with a list of poisonous and non-poisonous plants
21. website with a list of things not to feed your animals
22. website with a list of poisons that can be used to kill people
23. website with info on the international date line
24. website with a list of food allergies
25. website with a list of climates
26. website with info on allergic reactions
27. website with info on fahrenheit and celsius
28. website with info on color blindness
29. website with a list of medical equipment
30. website with a list of bugs
31. website with an alphabetic list of bugs and their scientific name
32. website with a list of eye colors
33. website (wikipedia sorry) with list of drinks
34. website with a list of religions
35. website with a list of different types of doctors and what they do
36. website (wikipedia again sorry) with a list of hair colors
37. website that generates fantasy names
38. website with a list of body language
39. website with a list of disabilities
40. website with an alphabetic list of disabilities
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So many writing tips I find are people who have issues giving their characters proper, proportiate flaws.
I'm the opposite. I need to remember that even some of the biggest piece of shit characters should have redeeming qualities.
Antagonists and villains are some of the most important characters. They create stakes and cause the majority of problems. But the villain can't be 100% evil, flaws, and cruelty.
If your protagonist's good points create flaws (for example, intense loyalty leading to naivety) then the antagonist's flaws would realistically create good points, too.
I need to remember that the villain has a motive for what they're doing, and in their eyes, it would seem right. I also need to remember that said villain would get nowhere if people didn't agree with them or find certain aspects of their personality charming.
The reader needs to be able to see the villain in a bad light, but also needs to have enough good points to comprehend how the villain reached that point and why certain people would stand with them.
Giving heroic characters proportionate flaws is easy. Giving disturbed, flawed, or otherwise evil characters redeeming qualities is what's difficult, especially when you, as the writer, disagrees with everything your villain stands for.
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Little romance tropes and other cute occurrences that I love 🥺
The title basically explains it but feel free to use these as prompts because I feel like this could work for that too :) I love cliches.
- I like you so I’m going to “accidentally” bump my leg up against yours and if you don’t move away I’m gonna keep my leg there and try to hide the smile on my face as electricity shoots up my spine
- insults that eventually become petnames. (F*ck you dumb*ss becomes f*ck me dumb*ss and never leave my side ‘cause I love you).
- I’m scared of thunder and lightning and I don’t want you to know but you can tell I’m terrified by the way I’m shaking and you comfort me in an intimate way that has my heart pounding even harder
- THERE WAS ONLY ONE BED
- so it turns out I don’t like you in a brother/sister way, unless incest is socially acceptable now
- singing songs at the top of our lungs in the car even though we’re both equally bad but I don’t care because the smile on your face is so big that it makes mine grow even wider
- little innocent touches without thinking. (Rubbing circles on my/your wrist out of habit ‘cause it’s comforting.)
- sitting on the same side of the booth at a restaurant when we go out to eat because I want to be close to you
- being so in synch that you can tell what I want/need without saying a word.
- I suck at sports but you’re good at them and I challenge you to a game because I’m stubborn and petty but what did start as a competition quickly just turns into an excuse for our bodies to make contact in a not so game regulation way (but it’s doesn’t need to be dirty lol).
- I’m sick and whiny and you take care of me
- making up after an argument in a wholesome way
- cooking dinner together
- being on a video call with each other before we go to bed and still being on the same video call when we both wake up
- being that couple who everyone thinks are really just close friends but act so different and lovey when they’re by themselves (um yeah we’ve been dating for a year now. You didn’t know??).
- having one (1) shared brain cell between the two of us which either consistently puts our lives in danger or gets us into an unbelievable amount of drama.
- AND THEY WERE ROOMMATES
- my one sole mission in life is to make you laugh although I’m not funny at all so I usually never succeed but you appreciate the sentiment anyway
- terrible dancing together. That’s it.
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How would one write a realistic argument?
How to Write a Realistic Argument
Everyone argues.
Whether it be with a friend, sibling, parent, or coworker—arguments usually break out whenever there’s a stark contrast in opinion over certain things, which can happen a lot.
There are a variety of different kinds of arguments involving a wide range of people with different tempers. Because of this, writing arguments can be a bit difficult, but fear not, for this post is here to help!
1. Know The Writing Style of an Argument
For a very serious argument, the characters probably won’t stop and listen to what their opponent has to say.
It’s quick, choppy, and broken—each character shoving their emotions at one another and trying to get their point across without bothering to understand the other side’s opinions.
There should be a lot of em-dashes and italicized words for emphasis, and if it’s between two people, you want as few speech tags as possible; because there’s going to be a lot of back and forth, speech tags can serve to trip up the flow of the argument rather than help them.
When you do want speech tags or if there are multiple people arguing at once here’s some examples you can use:
Roared
Screamed
Yelled
Bellowed
Barked
Hissed
Shouted
Accused
Interrupted
Growled
Snarled
Spat
Screeched
Shrilled
But you also must know that your characters won’t just be standing stock still and yelling at one another; they’re going to be moving around, so here are some things you can describe your character doing during an argument
Expression contorting
Eyes narrowing
Speaking through clenched teeth
Baring their teeth
Lips twisting (into a sneer/into a snarl)
Hands balling into fists
Trembling
Breaking things/knocking stuff over
Pointing accusingly
Shoving
Spittle flying from their mouth
Stamping their feet
Face getting hot
Vein in forehead popping
Blood roaring in their ears/heart pounding
And if you want, to build tension you can put it in a dangerous place, like at the edge of a cliff or something—so you know fully well that if one of them goes too far it may end up with the other’s accidental death.
Afficher davantage
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Hii!! I just want to ask if you have any tips or resources in writing character relationships?? Like I want to build a relationship between two characters in a relatively short time but i dont want it to feel rushed,,,,thank you so much!! Your blog has helped me alot!!
I have quite a few resources and advice on the topic of building romantic relationships in a story, so I’ve linked some relevant resources below that you might find useful:
How To Fit Character Development Into Your Story
Creating A Love Interest For An Introvert
Writing Opposites Who Attract
Resources For Plot Development
Guide To Plot Development
Describing Heartbreak
Developing Complicated Plots Around Characters
Writing Great Fanfiction
How To Write The Perfect Kiss
On Romantic Subplots
Resources For Romance Writers
Tips On Writing Skinny Love
Guide To Writing Friends To Lovers
Guide To Writing Enemies To Lovers
Guide To Writing Faded Love
Resources For Writing YA Fiction/Romance
Guide To Writing Will-They-Won’t-They
Rivalry vs. Abuse
Guide To Writing Forbidden Love
20 Mistakes To Avoid in YA/Romance
Balancing Fluff and Conflict
Best Friends To Lovers Resources
How to develop an Emeies-To-Lovers story
—
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50 Questions about your OC
How old are they?
What gender are they?
What is their romantic/sexual orientation?
How tall are they?
What do they look like?
What are their defining features?
Does their name have a meaning?
What family do they have?
Do they have a good relationship with their family?
If not, why not?
Where do they live?
Is it a safe place?
Are they poor, middle-class or wealthy?
Do they look up to anyone?
Who is their best friend?
Do they have any enemies?
Who is the person they hate most in the world?
Do they have any love/hate relationships?
Have they ever fallen in love?
Who is the person they love the most in the world?
Does that person love them back?
Have they ever hurt or lost anyone?
Are they a good shoulder to cry on?
Are they well liked?
How do they handle being complimented?
Are they an affectionate person?
Are they very driven?
Are they very political?
What kind of state is the world that they live in?
What are the world leaders like?
Does the character worry about their place in society?
If the could change one thing, what would it be?
Do they like themselves?
Are they a good person?
Are they very forgiving?
Do they believe in destiny?
Are they trustworthy?
Are they a good liar?
How do they react to criticism?
What is their moral alignment?
Can they fight?
Would they ever purposefully hurt someone?
Have they ever been seriously injured?
Do they know first aid?
Do they have any other survival skills?
Are they a fast learner?
How intelligent are they?
What is the school system like?
What is their job?
Do they enjoy their job?
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5 frustrating workshop rules that made me a better writer
Throughout the 15 workshops I joined in college and grad school, I encountered two types of writing rules.
First, there were the best-practice guidelines we’ve all heard, like “show don’t tell.” And then there were workshop rules, which the professor put in place not because they’re universal, but because they help you grow within the context of the workshop.
My college’s intro writing course had 5 such rules:
No fantasy, supernatural, or sci-fi elements.
No guns.
No characters crying.
No conflict resolution through deus ex machina.
No deaths.
When I first saw the rules, I was baffled. They felt weirdly specific, and a bit unfair. But when our professor, Vinny, explained their purpose (and assured us he only wanted us to follow the rules during this intro workshop, not the others to come), I realized what I could learn from them.
1. No fantasy, supernatural, or sci-fi elements.
Writers need to be able to craft round characters, with clear arcs. While you can hone those skills writing any type of story, it can be more difficult when juggling fantastical elements, because it’s easy to get caught up in the world, or the magic, or the technology, and to make that the focus instead of the characters. So Vinny encouraged us to exclude such elements for the time being, to keep us fully focused on developing strong, dynamic characters.
2. No guns.
Weapons have a place in many stories, but when writers include a gun, they often use it to escalate the plot outside of the realm of personal experience and into what Vinny called “Hollywood experience.” He wanted us to learn how to draw from our own observations and perceptions of life, rather than the unrealistic action, violence, and drama we’d seen in movies, so he made this rule to keep us better grounded in our own experiences.
3. No characters crying.
When trying to depict sadness, writers often default to making characters cry. While there’s nothing inherently wrong with that, tears are just one way to show grief, and they aren’t always the most subtle or emotionally compelling. That’s why Vinny challenged us to find other ways to convey sadness — through little gestures, strained words, fragile interactions, and more. It was difficult, but opened us up to depicting whole new gradients of grief and pain.
4. No conflict resolution through deus ex machina.
This is the only one of the rules I’d say is generally universal. Meaning “God from the machine,” deus ex machina is a plot device where a character’s seemingly insurmountable problem is abruptly resolved by an outside force, rather than their own efforts. These endings are bad for various reasons, but Vinny discouraged them because he wanted us to understand how important it was for our characters to confront their struggle and its consequences.
5. No deaths.
Death is inherently dramatic and can be used to good effect, but many writers use death as a crutch to create drama and impact. Writers should be able to craft engaging, meaningful stories, even without killing off their characters, so this rule challenged us to find other methods of giving weight to our stories (such as through internal conflict).
How these rules helped me grow as a writer
First things first, I’ll say it again: apart from #4 (deus ex machina), these rules were never meant to be universally applied. Instead, their purpose was to create temporary barriers and challenges to help us develop key skills and write in new, unfamiliar ways.
For me, the experience was invaluable. I liked the way the rules challenged and stretched my abilities, driving me to write stories I’d have never otherwise attempted. They made me more flexible as a writer, and while I don’t follow the rules anymore (I LOVE me some fantasy), I’ll always be thankful for how they shaped my writing.
My recommendation to you?
Give some of these rules a shot! Follow them temporarily while writing 2-4 short stories — but remember to always keep their purpose in mind, because the rules themselves will only help if you understand what they’re trying to achieve.
Write with purpose, and you’ll always be growing.
— — —
For more tips on how to craft meaning, build character-driven plots, and grow as a writer, follow my blog.
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How to write about Grief:
There is no right or wrong way to experience grief. Just as there is no right or wrong way to write it. Everyone is different, each set of circumstances are different.
The point of this post is to show you how different people react in different ways, and give points on how you might write that, depending on your character and story.
Reactions to Grief
Numbness: Your character may go into auto-pilot and be unable to process the events that have unfolded.
Anger: This can be aimed at other people, at a Higher Being, or at nothing in particular.
Unsteady: Your characters may be unsteady. For example, unable to stop their voice from shaking or they may find it difficult to stand.
Focusing on Others: Your character may disregard their own feelings because they are so overwhelmed and instead concentrate on someone else’s well-being.
Seek out routines: Amid upheavals, your character may seek comfort in tasks that are familiar and “safe,” such as working, cleaning, making their bed, making absurd amounts of tea or taking a morning walk.
Pretending that Everything Is Okay: Grief is viewed as an emotion that should cease or be concealed once the funeral is over. So people mention the news in an offhand comment, then talk and laugh as if all is right with the world.
Denial: Some people deny the reality of death and convince themselves that the news is a joke or can’t be true.
Reactions from people surrounding your character:
People may avoid your character as they do not know what to say or simply can’t find the right words.
Some may even go as far as to cross the street when they notice your character approaching.
Even people that the character has known for years may act strange or standoff-ish, simply because they don’t know what to say.
On the other side of that, some people may be overly helpful and friendly.
It is not uncommon for estranged friends, family or others to suddenly reappear in a person’s life after they have experienced grief.
Either because those people want to offer their support and love or because they’re being nosy and they want to be kept up to date on the “drama”.
Most people will move on from the event fairly quickly if they weren’t emotionally invested.
Some people may even get annoyed at your character for still being upset weeks or months later.
When talking about the person they have lost:
Your character may recall a memory or tell a story about their loved one, these are possible reactions. (I have encountered all of them.)
Your character may being to cry or get upset at the thought of the person they have lost.
The person they are talking to may become awkward and avert eye contact when your character brings up the person they have lost.
Others may ask or tell your character to stop talking about the person they have lost. They may roll their eyes, cough awkwardly, or cut off your character mid sentences so that they can change the subject.
Some people may ask inappropriate questions about the circumstances in which the character’s loved one passed away. Depending on the personality of your character then may react differently.
Other things to note:
Grief is not constrained by time.
One of the main problems with grief in fiction is that a character is typically heartbroken for a couple scenes and then happy again. But grief does not evaporate because the world needs saving.
Allow your character to wrestle with their grief.
Your character may feel guilty. Your character may feel a twinge of guilt when they laugh or have a good time with someone else; when they do something to remind them that they’re alive, and their loved one isn’t.
Grief is a game changer. A previously outgoing character may withdraw and isolate themselves. Some people may take grief and/or bereavement as a sign that life is too short; they may make big decisions in an attempt to make themselves feel better and grow away from their pain.
Sometimes grief can help you find your purpose.
At first grief can be all consuming. It hurts and you can’t really control it. It may seem unrelenting. Eventually the grief will become easier to deal with, your character may find the days to be better, but that doesn’t mean that when the grief hits it doesn’t hurt any less.
For most people, grief never really goes away. “Sometimes you have to accept the fact that certain things will never go back to how they used to be.”
It is rare that a person will ever give a long speech about their feelings, a lot of people struggle to even find the words. But that’s okay. Show the reader how your character feels, rather than just telling them.
Don’t pause the plot to deal with the aspect of grief. This could overwhelm the readers and drag the pace down. In reality, life doesn’t just stop due to grief, the world keeps spinning and things still need to be done. Use the character’s grief as a backdrop for the story’s events.
Yes, grief affects the character’s day-to-day life, goals, and relationships. But it shouldn’t drive readers away or stagnate the story. Instead, should engage readers and produce empathy that keeps them turning pages.
You don’t need to tell your readers that everything will be fine. You don’t need to provide all of the answers.
“Skirting grief and treating it lightly is easy. But by realistically portraying it through a variety of responses and its lasting effects on the character’s life, readers will form a connection with your characters.“
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Talented Mr Ripley (1999)
With Matt Damon, Jude Law and Gwyneth Paltrow.
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Royalty aesthetic
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