SO! I just found out through my friend that someone has stolen my IT poster and is selling it! (baby’s first art theft lmao)
Their shop is literally just stolen poster art, some of which I recognise but haven’t been able to track down the artists for.
Looks like a lot of it has probably come from PosterSpy (which is where I uploaded my poster for their competition) so if you’ve posted any designs on there it might be worth having a look to see if they’ve stolen any of your work.
>>THEIR ETSY SHOP >>THEIR WEBSITE
Reblogs are appreciated! They have over 200 items listed, and I’ve been trying to track down some of the artists but unfortunately reverse image search just brings up lots of Pinterest results so I haven’t had much luck.
grown ass men are out here not eating fruit or vegetables or washing their face and having a list of things women must do to be attractive to them and thus gain their respect like grow the fuck up and eat a carrot literally no woman needs you
Take Me To Church by Hozier except he’s practicing it alone in the front of an empty cathedral, while you watch, hidden, from far behind the pews. He’s at least physically alone, because when you search for the source of the backing vocals, you see no one else.
Any wlw who’s ages from 16-25 on here are like “I wanna live on a cottage with my wife and we can plant vegetables and knit blankets together uwu” and honestly, that’s so fucking rad, keep it up.
Reading about nonwhite cultures and their history irritates me because they made so contributions that white people get credit for.
I was reading about a Persian Muslim scientist named Al-Tusi who wrote a book discussing about the concept of evolution DURING THE THIRTEENTH CENTURY. He discusses about evolution almost 600 years before Darwin and never had I heard about him until I decided to dive into the depths of the internet.
Peter Parker would literally be the WORST on stakeout missions, he lasted 37 minutes trapped in that storage facility in homecoming and for every moment of it he was active in some way. I think if he sat still and ‘watched an entrance’ for more than three seconds he’d just immediately start vibrating at a frequency that would tear his body apart.
Netflix does not yet have a Best Picture Oscar, but Steven Spielberg is still apparently none too happy about the prospect of it winning one soon. The iconic filmmaker has long made his thoughts about Netflix known, saying last March that he flat-out doesn’t think Netflix movies should be eligible for Oscars. He compared Netflix originals to TV movies, saying, “I don’t believe films that are just given token qualifications in a couple of theaters for less than a week should qualify for the Academy Award nomination.”
Now, in the wake of three Oscar wins for Netflix’s Roma, including Best Director, Spielberg is prepared to propose a rule change that would rule Netflix films ineligible at an upcoming Academy Board of Governors meeting (he represents the Directors branch on the board). The news comes courtesy of Indiewire, though it’s unclear specifically what rules Spielberg would propose to be changed, and whether Netflix increasing the length of a theatrical window ahead of a streaming release would ease his concerns.
A spokesman for Amblin had this to say:
“Steven feels strongly about the difference between the streaming and theatrical situation. He’ll be happy if the others will join [his campaign] when that comes up [at the Academy Board of Governors meeting]. He will see what happens.”
This puts Spielberg in direct conflict with his friend and fellow filmmaker Martin Scorsese, whose new film The Irishman will debut on Netflix later this year. The streaming service has already committed to a theatrical release for the film, but Scorsese reportedly wants them to give the film a wide release. That poses a challenge. Roma was released in theaters three weeks before it hit the streaming service—a first—but only in limited release, and it followed a smaller platform rollout in the ensuing months.
In order to convince major theatrical chains like AMC or Regal to carry The Irishman, either Netflix would have to bend to their rules and release the film in theaters a full 90 days before it hits Netflix, or theater chains would have to break their long-held standards that hold fast to the 90-day window. That window of exclusivity is there to ensure that exhibiting films is worth a theater’s while—if a movie’s on Netflix at the same time it’s in theaters, chances are most people aren’t going to pay extra to go see it in a movie theater.
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Aww his white male identity in Hollywood feels threatened. Good.
it’s so funny when capitalists are like Stopping climate change is TOO EXPENSIVE. like money isn’t even fucking real you know what is? Earth and you know what’s about to not be real anymore? Earth
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