akystaracer22

[akystaracer22]

Rickrolling you via pigeon next summer

[akystaracer22]

"I sort fics by kudos and only kudos on stories with high kudos counts, why aren't there more stories with high kudos, I ran out of things to read." You're part of the problem.

"Authors artificially inflate comment counts by thanking people, I can't find anything with a real comment count to read." No they fucking are not, they're grateful for engagement.

"I can't read anything under 100k." That's the majority of fics you're ignoring, most novels aren't even that long.

"I don't have time to look for the incredibly rare diamond in the rough, so I won't read anything below a certain amount of kudos, comments, and hits." Those fics are popular because people gave them a chance and then snobs like you found them.

"I won't read anthing with a single typos." You made typos in that sentence, get off your high horse.

"One singular author didn't thank me for commenting, I'm never commenting on any fic again so I don't get burned." You're punishing people because someone didn't give you engagement they don't owe you that they might not have seen.

"This fic is three months old, it's so old, it doesn't matter if I comment or kudos, it's old." Fics do not have expiration dates, comment and kudos.

You're killing your fandoms with your snobbish behaviors.

[akystaracer22]

The conversation surrounding cultural appropriation has been so severely mutilated by white “allies” that the original intention behind that conversation has become almost unrecognizable in most social contexts.

[akystaracer22]

[akystaracer22]

[akystaracer22]

this terrible distant blurry shot of two pigeons is one of my favourite photos out of any pic I’ve ever taken I think

[akystaracer22]

first art post kinda nervous 😛

drew this way back last November when Act 3 came out, as you can see I was coping.

[akystaracer22]

u gotta be careful reblogging posts cuz what if you see it drowned in water later

[akystaracer22]

When you've been a writer for long enough, commas become more of a spiritual practice than a grammatical one.

Could I explain the actual rules of how they’re used? Absolutely not.

Do I rely on sensing a tremor in the force to tell me where to use them? Yes and this has never failed me even once.

[akystaracer22]

imagine dealing w an international crisis involving precious artifacts and someone is like ‘don’t worry I know a guy’ and it’s a dorky connecticut college professor named henry who slips into his slutsona and suddenly he’s capable of saving the world w the power of his whip & fedora

[akystaracer22]

there's a jewish story about a rich man who goes to his rabbi to ask him about building an orphanage, and the rabbi is like "yeah duh go for it!!" and then later the rich guy comes back and is like "actually I've decided not to... I was just doing it for my own image and not coz I cared about orphans" and the rabbi was like "bitch the orphans don't care why you're building the orphanage!!!" and sometimes I wish I could say that to lefties who haven't unpacked their christian upbringing. sometimes motives don't matter!! who give a fuck why a politician wants to do a good thing? bitch the orphans don't!!

[akystaracer22]

i think it’s really amazing how total strangers who have nothing in common but their shared love of a work of fiction will come together across distances and dedicate their time and energy working collaboratively to build an extensive, richly detailed fanon that completely fucking sucks

[akystaracer22]

civvie gauss protoframe stuff tbh idek anymore

[akystaracer22]

I love other writers so much because every writer I've ever met is genuinely and utterly deranged on a level only writers can achieve

[akystaracer22]

people be like “just sit down and write” as if i’m not already fighting 12 inner demons, a collapsing attention span, and the evil spirit of a plot hole i forgot to fix in chapter two

[akystaracer22]

Tips from a Beta Reading Writer

This one's for the scenes with multiple characters, and you're not sure how to keep everyone involved.

Writing group scenes is chaos. Someone’s talking, someone’s interrupting, someone’s zoning out thinking about breadsticks. And if you’re not careful, half your cast fades into the background like NPCs in a video game. I used to struggle with this so much—my characters would just exist in the scene without actually affecting it. But here’s what I've learned and have started implementing:

✨ Give everyone a job in the scene ✨

Not their literal job—like, not everyone needs to be solving a crime or casting spells. I mean: Why are they in this moment? What’s their role in the conversation?

My favourite examples are:

The Driver: Moves the convo forward. They have an agenda, they’re pushing the action.

The Instigator: Pokes the bear. Asks the messy questions. Stirring the pot like a chef on a mission.

The Voice of Reason: "Guys, maybe we don’t commit arson today?"

The Distracted One: Completely in their own world. Tuning out, doodling on a napkin, thinking about their ex.

The Observer: Not saying much, but noticing everything. (Quiet characters still have presence!)

The Wild Card: Who knows what they’ll do? Certainly not them. Probably about to make things worse.

If a character has no function, they’ll disappear. Give them something—even if it’s just a side comment, a reaction, or stealing fries off someone’s plate. Keep them interesting, and your readers will stay interested too.

[akystaracer22]

kids deserve so much more respect and it turns out that saying that is a great way to locate the horrible people in any community <3