alcheramist

[alcheramist]

I know you, I walked with you once upon a dream…

[alcheramist]

Me rediscovering my love of Sanditon:

Me, remembering season two has still not been confirmed:

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I keep rewatching Sanditon from start to finish, as if more episodes would magically bloom out of nowhere. That’s how desperate I am for S2. 

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Mr Darcy: “I’m not going to another Ball.”

Mr Bingley: “I heard Elizabeth Bennet is attending.”

Mr Darcy:

insta: books.read.in.nooks

[alcheramist]

It’s another Monday, but we’re back with another original score that never ceases to stun us. While Sanditon as a series may have ended with the type of heartbreak that makes the show hard to revisit, it’s original score by Ruth Barrett is an addicting beauty.

From the track that serves as the series’ opening theme to “Charlotte and Sidney,” “Blue Shoes,” “Esther Takes the Reins,” “Possibility of Love,” “No Regrets,” and my personal favorite, “Sidney and Charlotte Dance,” the score is a melancholy wonder that features a multitude of tracks that are hard to take off of replay.

Barrett’s compositions are full of such longing that the large part of why the dance in episode six is so special is due to the score moving the story along. The original score encapsulates the playful serenity within the resort town and its residences. There’s a sense of joyous escapism to each of the tracks that makes them both fun and moving to write along to. Yes, I wrote that right, I did mean write (as in what I’m doing right now), if I had a horse or perhaps a carriage, I imagine it’d also be fun to ride along to.

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[alcheramist]

Sanditon so much better than Bridgeton.

[alcheramist]

The nights you remember. #pascalcampion

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I love this film. Oscar snub doesn’t mean anything. It is still a great film. 

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That smashed little guy is me.

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Up, Alejandro Burdisio

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🌓 (CerModern)

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Surf’s up

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O M G

Saint Maarten

[alcheramist]

Sifon kaave ☕️ mis gibi #Ethiopian (Dört Kadıköy)