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alinorah-j · 20 days ago

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｜ … ️ ⠀ ️ ️ ️ ️ ️GUIDELINES.

I, DJER-KISS., the creative mind behind Alinorah Joan Géricault solemnly affirm that this character is a product of imagination, conceived exclusively for literary and role-playing endeavors. Any resemblance to real persons, places, or events is entirely fortuitous. All media utilized will be duly credited to their rightful owners. I unequivocally state that I am not affiliated with Jennie Kim in any capacity. The narrative and discourse will predominantly unfold in Bahasa Indonesia and English.

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｜ … ️ ⠀ ️ ️ ️ ️ ️ABOUT.

Jennie Kim, known mononymously as Jennie, is a South Korean singer, rapper, songwriter, and actress. Born on January 16, 1996, in Seongnam, South Korea, she spent part of her youth in New Zealand before returning to South Korea to join YG Entertainment as a trainee in 2010. She debuted in August 2016 as the main rapper and lead vocalist of BLACKPINK, one of the most successful K-pop girl groups globally.

Jennie launched her solo career in November 2018 with the single "SOLO," which topped South Korea's Circle Digital Chart and the US Billboard World Digital Songs chart. In 2023, she made her acting debut under the stage name Jennie Ruby Jane in the HBO series The Idol. She is also recognized as a fashion icon, serving as a brand ambassador for Chanel and Calvin Klein.

For more detailed information about Jennie, you can visit her official website at jenn.ie

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alinorah-j · 20 days ago

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｜ … ️ ⠀ ️ ️ ️ ️ ️MONTAGE OF HER.

NAME: Alinorah Joan Géricault. BIRTH DATE: February 6th, 1997. BIRTHPLACE: Lyon, France. OCCUPATION: Musical Theatre Actress. ZODIAC SIGN: Aquarius. MBTI TYPE: INFP. ️

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Alinorah Joan Géricault isn’t the loudest in the room, but you’d remember her anyway—maybe it’s the way she carries herself, with a quiet confidence like she’s always walking through a scene only she can see.

She was born in Lyon, a city rich in history, theatre, and light, to Laurent Géricault, a lecturer in art history who spent most of his time in galleries and libraries, and Saraswati Ayu Winarsih, a Javanese classical dancer from Yogyakarta who moved to France in the late ‘90s through a cultural residency with UNESCO. They met during a shadow puppet exhibition in Avignon, where Laurent was translating old manuscripts and Saraswati was performing Javanese court dance.

They raised Alinorah in a house filled with two kinds of silence: the kind that came from museum air, and the kind that followed the soft echo of gamelan on Sunday mornings. Her father taught her about Caravaggio and the philosophy behind negative space. Her mother taught her how to read emotion with her eyes alone. Even as a child, Alinorah didn’t just watch performances—she studied them.

When she was eleven, she saw a production of The Glass Menagerie at Théâtre des Célestins. She sat stone-still for the entire play and cried afterward—not because the story was sad, but because she knew, without a doubt, that she wanted to live inside stories like that for the rest of her life. She didn’t want fame, she wanted truth—on stage, in characters, in people.

By sixteen, she told her parents she wanted to audition for Juilliard. Her father was cautious, but supportive. Her mother, smiling gently, said, “If the stage calls you that strongly, you owe it to yourself to try.”

She made it in on her second try. At eighteen, she moved to New York alone with one suitcase, a stack of poetry books, and a folder of her mother’s old batik shawls she still keeps in her dressing room. Juilliard was hard—brutal, sometimes—but it shaped her. She learned discipline, precision, and how to dig deep into a role until it scared her. She also learned how to disappear in a crowd, which she liked.

Now based in New York, Alinorah works in contemporary theatre, off-Broadway plays, and the occasional indie film. She gravitates toward emotionally raw stories, ones that leave the audience still and thinking after the lights go down. She’s collaborated on cultural projects back in Indonesia—once for a short film in Bandung, and another time during an experimental stage production at Taman Ismail Marzuki in Jakarta.

That’s where she met him. A lighting designer—quiet, exacting, and just as obsessed with the small, beautiful details as she is. They worked together on one production, shared long conversations over teh tarik, and somehow, something lingered.

People describe her as magnetic on stage, but kind of reserved off it. She claims she’s too busy for love, but her friends swear there’s someone she keeps writing letters to—someone she met during that shoot in Bandung, or maybe during those late nights at Taman Ismail Marzuki.

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