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amanita-rubescens · 2 hours
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caught yellow handed at the scene of the turmeric spilling crime
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amanita-rubescens · 12 hours
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“Am I in the wrong game?”
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amanita-rubescens · 12 hours
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illustration by Korean artist SilllDa
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amanita-rubescens · 12 hours
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farcille ⭐️🌙
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amanita-rubescens · 12 hours
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Laurent Pernot - Hope, 2024 - Burnt wood, marble and painting
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amanita-rubescens · 12 hours
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hey im broke and temporarily unable to work atm due to hand problems, could i get some money for weed to treat my ptsd symptoms
Paypal.me/violetlk
Venmo: @Vivian-Kessler-1
Cashapp: $viviv6
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amanita-rubescens · 12 hours
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amanita-rubescens · 12 hours
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How did magicians back in the day make seals? Was there a science behind it or was it intuitive?
That's a really good question! The answer is extremely complicated!
When most people these days think of seals they think of goetic seals. But the terminology of "seals" actually comes from the idea of sealing a letter. Specifically, it refers to one of the many apocryphal versions of the story of Solomon and Ashmedai, in which king Solomon uses a signet ring with a special magical symbol on it to command demons.
Now, this is one of those biblical stories that people went absolutely nuts for. Jews, Christians, Muslims, damn near every abrahamic faith has their own take on the story, because let's be honest here it's cool as fuck.
But! The original story from the Tanakh doesn't refer to the seal at all, and focuses much more on controlling the sheyd with manacles inscribed with a secret name of God. The inherent magical power of names of God is a common trope in Jewish literature, but later versions of the tale also include greco-egyptian ideas about the inherent magical properties of language, forms, and mathematics.
So when we look at a contemporary English version of a goetic seal, we are looking at something with literally thousands of years of compiled knowledge behind it. I wouldn't necessarily call it science, or intuition, I would describe it as systematic, and narrative. Closer to how campfire stories are improved over generations as people tell and retell them.
Look at this seal of Belial:
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The idea of the seal itself? That goes back to Babylonian Jewish ideas about written text having power to control supernatural entities. (Google Babylonian curse bowls if you haven't already.)
See how the letters are spaced? That's important. That goes back to neopythagorean ideas about regular polygons being fundamental building blocks of the universe.
The little crosses? Those are probably cruciforms! That's how you can tell Christians were involved at some point.
See how some of the lines of the seal end in little loops? That goes back to ptolmaic Egyptian ideas about magic. If the crosses are cruciforms, these are probably ankh-forms! You see shapes like that all over magical texts from the 2nd-6th century Mediterranean!
These symbols are the result of dozens of cultures and people and languages collectively yes-anding each other for literally thousands of years. They are DENSE with meaning.
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amanita-rubescens · 13 hours
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DC superheroes house ad from November 1992
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amanita-rubescens · 13 hours
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mmotherr ii. gouache watercolor
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amanita-rubescens · 14 hours
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amanita-rubescens · 14 hours
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religion is the copium of the masses
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amanita-rubescens · 14 hours
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Deeply unfair that you can't read and draw at the same time
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amanita-rubescens · 15 hours
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amanita-rubescens · 16 hours
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My take on Farcille <3
(experimenting with my style too)
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amanita-rubescens · 21 hours
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amanita-rubescens · 21 hours
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Ron Cobb’s ornithopter concept for Jodorowsky’s Dune
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