amoulerc

[amoulerc]

*violently sobbing* I KNOW ITS FOR THE BETTER I KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER KNOW ITS FOR THE BETTER

[amoulerc]

to this day i still think one of the most endearing things about charlos is how they say each others names… idk but the cahlos and the sharls just do THINGS to me like oh ??? how can two people literally just saying names sound so ADORABLE 😭 it’s unique! and it’s only theirs.

[amoulerc]

Salma Deera, Letters from Medea // Nothing But Thieves, Particles

[amoulerc]

legacy

[amoulerc]

so much depends upon

a red wheel barrow

glazed with rain water

beside the white chickens

The Red Wheelbarrow by William Carol Williams

[amoulerc]

Ferrari's mission statement is literally just "Let's take two hot guys and put them in crisis situations"

[amoulerc]

So apparently Charles is lil soft baby and Carlos is just big... Like REALLY BIG

[amoulerc]

Look at the contrast 🥹

[amoulerc]

no thoughts, simply charlos hands

[amoulerc]

f1 is just a sport full of boys who need to kiss

[amoulerc]

By now Charles is so used to Carlos just touching him for literally no good reason it's funny

he can’t help but gravitate to charles no matter what happens! happy, sad, stressful, etc! anything is an excuse to hit touch charles, and charles just lets him !

[amoulerc]

proof that carlos' love language is violence

[amoulerc]

carlos once again using charles as a stress ball

[amoulerc]

they look like a gay married couple enrolling their child at an exclusive private preschool

[amoulerc]

The possibilities of a new season

Tom Lamont // Jack Bridgland // Miroslav Holub // Zachary M. Schrag // James Moy // Jamie Woodhouse // Wayne Koestenbaum // Scuderia Ferrari Press Office // Andy Hone // Frank O'Hara // Marie Howe // Lydia Mee // glitterburn // Henry IV, Part I // Jakub Porzyck // Rosanna Warren

[amoulerc]

The art of losing isn’t hard to master;

so many things seem filled with the intent

to be lost that their loss is no disaster.

Then practice losing farther, losing faster:

places, and names, and where it was you meant

to travel. None of these will bring disaster.

I lost two cities, lovely ones. And, vaster,

some realms I owned, two rivers, a continent.

I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture

I love) I shan’t have lied.

It’s evident

the art of losing’s not too hard to master

though it may look like (Write it!) like disaster.

Scuderia Ferrari as Excerpts from One Art by Elizabeth Bishop

The intention behind this weave is not to be fatalistic, but to show that we often catastrophise about ferrari more than we ought to. We have failed and failed and failed in the past. and won and won and won. There is something wrong, and it is time for a change. Nothing, thought it may look like it, is a disaster.

Forza Ferrari.

[amoulerc]

and i think… i think that’s what a father is - a blade that never stops cutting.

the new york times, ‘carlos sainz jr learned early to be the hunter, not the prey’   ++   e. schwab, the invisible life of addie larue // marla miniamo, ‘sea salt’ // hermann hesse, demian // frank bidart, ‘the third hour of the night’ // katherine angel, daddy issues // [x] // leah horlick, for your own good // hera lindsay bird, ‘mirror traps’ // mario puzo, the godfather // andrea gibson, ‘i sing the body electric, especially when the power’s out’ // [x] // [x] // deaf havana, ‘caro padre’ // [x] //  [x] // [x] // [x] // rachel mckibbens, blud // [x] // [x] // ocean vuong, ‘someday ill love ocean vuong’ // molly brodak, ‘bee in jar’ // eleanor hsieh, ‘the last scene in the movie’ // andrea abi-karam, villainy // the national, ‘blank slate’ // rainer maria rilke in a letter to lou andreas-salomé // etel adnan, ‘untitled’ // [x] // [x] // [x] // myther, SPEAK FOR YOURSELF, OR SOMEONE ELSE WILL // [x] // [x] // rainer maria rilke, letters to benvenuta // richard siken, ‘little beast’ // erin slaughter, i will tell this story to the sun until you remember that you are the sun // [x] // sigmund freud, die traumdeutung // rachel mckibbens, blud // silas denver melvin - nov 4 2021 // desireé dallagiacomo, ‘origin story’ // james baldwin, ‘they can’t turn back’ // [x] // traci brimhall, come the slumberless to the land of nod // natalie diaz, ‘grief work’ // alain de botton, essays in love // [x] // richard siken, ‘the dislocated room’ // sylvie baumgartel, song of songs // ocean vuong, ‘dear peter.’