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SHAKING VIOLENTLY
Edit hey if you like this post consider boosting and possibly donating to Mahmoud, or his brother in law Ahmed, to help them survive genocide.
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Bright Apollo, King of Gold Arrow, Lord of Silver Bow.
Bring Health and Happiness to your followers in the new year.
And plague my enemies with cold so that they sneeze on every inappropriate occasion🙂
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Word of mouth really kept me away from Tim Drake comics at first.I joined the DC fandom due to becoming a Jason Todd stan from watching Utrh so naturally i heard all the usual anti Tim points-He's a spoiled ungrateful brat,he thinks he's better than everyone else and rubs it in their face at the most purposefully insensitive moments,he gets everything handed to him instead of earning it,he's a raging misogynist and white privilege on legs in a domino mask.But then i got around to reading his Robin run for Stephanie Brown,followed by 90s Young Justice and Red Robin,plus some misc main Batman stuff with him as a major player and it was like.This is Tim Drake,he sucks at everything but it works for him.He has no manners but he's not malicious,just oblivious and a control freak for what he believes is the best for everyone at the sacrifice of his own safety and health because he considers others worth more than him.He's genuinely hilarious and he's a legit skapunk and not a poser.Most of his important relathionships are with women and the only sexist things he says are very tame and rare compared to normie male teenagers and a product of their time rather than Tim's actual character.Almost all the adults in his life failed him so he has no good coping mechanisms and dosen't know what they look like on other people either so he can't properly socialize as a cause of it.He openly shows affection to all his loved ones in extremely cheesy ways sometimes with no shame and is so earnest and passionate about everything it gives secondhand embarrasment.All his fumbles were made with good intentions and the cast rarely properly communicates with him enough to help him fix that problem on him.The 'mistreatment of Damian' was acting like a petty teenager to his little brother and his 'superiority complex over Jason' is trumped by Jason beating him to a pulp as a grown ass man out of self-motivated 'vengeance' on someone he'd never met and who owed him nothing.Like damn,this that 'greasy white incel' y'all were talking about?
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Pfp for you and your partner cause they somehow had to represent the organization that they were running away from.
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not over the fact that Apollo has been around for over 4000 years and this is the first time a sibling has tried to prevent his father abusing him
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ma meilleure ennemie by stromae and pomme from arcane S2 (IT'S BEEN WEEKS PLS I CAN'T MOVE ON I CANT I CANT I CANT)
ATTENTION
If you see this you are OBLIGATED to reblog w/ the song currently stuck in your head :)
#arcane#arcane season 2#more specifically ep 7#no spoilers#ma meilleure ennemie#I CANT BE THE ONLY ONE#arcane act 3
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Does Cupid shooting Apollo with a love arrow and Daphne with a hate arrow in the myth (that i'm displeased to find out is Ovid's version) not make Apollo also kinda a victim too?
one shaft that rouses love and one that routs it. The first gleams bright with piercing point of gold; the other, cull and blunt is tipped with lead. This one he lodged in Nympha Peneis' [Daphne's] heart; the first he shot to pierce Apollo to the marrow. At once he loves; she flies the name of love, delighting in the forest's depths, and trophies of the chase, a Nympha to vie with heaven's virgin huntress Phoebe [Artemis];
.............
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And Venus' [Aphrodite's] son [Eros] replied : ‘Your bow, Phoebus, may vanquish all, but mine shall vanquish you. As every creature yields to power divine, so likewise shall your glory yield to mine.’
—Ovid, Metamorphoses
Like...does that not mean Cupid's arrows overide all other feelings and therefore make Apollo an unwilling participant here?
Not to say Daphne also wasnt a victim, she definetly was but it seems it was non-consensual for both parties?
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Bruce's "You're my reason to live (affectionate)" to Dick and Jason vs. "You're the reason I'm alive (derogatory)" to Tim (and maybe "I'm the reason you're alive (ambiguous)" to Damian?)
Do you know the amount of pressure it puts on a child to be told you're the reason you parent(s) is alive? It's exhausting. And it had to be exhausting for Dick, Jason and Tim.
Dick had to be terrified of losing another parent and that probably translated into anger, into trying to push Bruce's buttons until he got fed up. Into trying to force the other shoe to drop because then he couldn't be the reason Bruce died (like he felt he was the reason his parents died).
Jason was also terrified of losing the only adult that had cared for him in so long, so he tried to be the perfect son and as quiet and well-behaved as possible. Maybe if he had been better, if he had been perfect, his mom wouldn't have died.
Tim, however, took the role of the caretaker with who should've been his caretaker. And Bruce wasn't happy about it, because maybe, if he died, he could be with Jason again. There were only three people between him and his son: his father who was more than used to tragedy and death, his other son who wanted nothing to do with him, and this annoying child who just wouldn't let him die. No wonder he was angry and ungrateful.
It had to have been exhausting for all three of them, for completely different reasons but also the same, at its core. Feeling like you're constantly carrying a weight you never asked for, holding someone else together when you feel like you're falling apart. They have more in common than they think.
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Ares is not the protector of women in greek mythology.
He is never presented as such in any source, there is no evidence such a role was ever assigned to him in any account, and as far as I'm aware this popular yet unattested assertion is born from the echo-chambers of tumblr. In fact quite the opposite could be argued. CW for sexual assault.
This baffling claim seems to originate from a sort of shallow examination of the way Ares "behaves in myth", and the following arguments are the most frequently presented:
1. Ares protects his daughter Alkippe from assault, and is therefore morally opposed to rape. (Apollodorus 3.180, Pausanias 1.21.4, Suidas "Areios pagos", attributed to Hellanikos)
Curiously this argument is never applied to, for example: Apollo for defending his mother Leto from Tytios, Herakles for defending Hera from Porphyrion (or his wife Deianeira from Nessos), or Zeus for defending his sister Demeter from Iasion (in the versions where he attacks her), among other examples. The multiple accounts of rape of the previously mentioned figures did not conflict with these stories in greek thought: they're defending family members or women otherwise close to them. This sort of behaviour is not uncommon, even in contemporary times, e.g. a warrior has no ethical problem killing men, but would not want his own family or loved ones to be killed. The same goes here for sexual assault.
2. There are no surviving accounts of Ares sexually assaulting anybody.
The idea that the ancient greeks pictured that, among all the gods, Ares was the only one who shied away from committing rape borders on ridiculous. In this case absence of evidence is not evidence of absence.
The majority of surviving records of Ares' unions are presented in a genealogical manner, and do not go into details about the nature of said unions. This is by no means uncommon for most mythographers, where most sexual encounters are presented as such, and details of specifics are to be found elsewhere. However, common motifs that are found in other accounts of rape also appear in stories concerning Ares' relationships, e.g. tropes like shape-shifting/the use of disguises, the victim being a huntress, secrecy, and the disposal of the concieved child, are to be found in the stories of Phylonome and Astyoche respectively:
Φυλονόμη Νυκτίμου καὶ Ἀρκαδίας θυγάτηρ ἐκυνήγει σὺν τῇ Ἀρτέμιδι: Ἄρης δ᾽ ἐν σχήματι ποιμένος ἔγκυον ἐποίησεν. ἡ δὲ τεκοῦσα διδύμους παῖδας καὶ φοβουμένη τὸν πατέρα ἔρριψεν εἰς τὸν Ἐρύμανθο
"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos." (Pseudo-Plutarch, Greek and Roman Parallel Stories, 36)
οἳ δ᾽ Ἀσπληδόνα ναῖον ἰδ᾽ Ὀρχομενὸν Μινύειον, τῶν ἦρχ᾽ Ἀσκάλαφος καὶ Ἰάλμενος ��ἷες Ἄρηος οὓς τέκεν Ἀστυόχη δόμῳ Ἄκτορος Ἀζεΐδαο, παρθένος αἰδοίη ὑπερώϊον εἰσαναβᾶσα Ἄρηϊ κρατερῷ: ὃ δέ οἱ παρελέξατο λάθρῃ: τοῖς δὲ τριήκοντα γλαφυραὶ νέες ἐστιχόωντο.
"And they that dwelt in Aspledon and Orchomenus of the Minyae were led by Ascalaphus and Ialmenus, sons of Ares, whom, in the palace of Actor, son of Azeus, Astyoche, the honoured maiden, conceived of mighty Ares, when she had entered into her upper chamber; for he lay with her in secret" (Homer, Iliad 2. 512 ff)
In neither of these cases is a verb explicitly denoting rape used, though it is heavily implied by the context. The focus of the action is on the conception of sons, the nature of the interaction is secondary.
Other examples are found among the daughters of the river Asopos, who where (and here there's no confusion) ravished and kidnapped by different gods to different parts of the greek world, where they found local lines through children borne to their abductors and serve as local eponyms. Surviving fragments from Corinna of Tanagra tell:
"Asopos went to his haunts . . from you halls . . into woe . . Of these [nine] daughters Zeus, giver of good things, took his [Asopos'] child Aigina . . from her father's [house] . . while Korkyra and Salamis and lovely Euboia were stolen by father Poseidon, and Leto's son is in possession of Sinope and Thespia . . [and Tanagra was seized by Hermes] . . But to Asopos no one was able to make the matter clear, until . . [the seer Akraiphen reveals to him] 'And of your daughters father Zeus, king of all, has three; and Poseidon, ruler of the sea, married three; and Phoibos [Apollon] is master of the beds of two of them, and of one Hermes, good son of Maia. For so did the pair Eros and the Kypris persuade them, that they should go in secret to your house and take your nine daughters." - heavily fragmented papyrus. Corinna, Fragment 654
"For your [Tanagra's] sake Hermes boxed against Ares." Corinna, Fragment 666
It seems that, similarly to the myths of Beroe or Marpessa, the abducted maiden is fought over by two competing "suitors", and though we can infer that the outcome of the story is that Hermes gets to keep Tanagra, apparently by beating Ares at boxing, we don't actually know what happened or how it happened. In any case, Ares does mate with another daughter of Asopos, Harpina, who bears him Oinomaos according to some versions (Paus. 5.22.6) (Stephanus of Byzantium, Ethnica, A125.3) (Diodorus Siculus, Library 4. 73. 1). There is little reason to suppose this encounter wasn't pictured as an abduction like the rest of her sisters.
The blatant statement that each of his affairs was envisioned as consensual is simply not true.
3. He was worshipped under the epithet Gynaicothoinas "feasted by women"
This was a local cult that existed in Tegea, the following reason is given:
There is also an image of Ares in the marketplace of Tegea. Carved in relief on a slab it is called Gynaecothoenas. At the time of the Laconian war, when Charillus king of Lacedaemon made the first invasion, the women armed themselves and lay in ambush under the hill they call today Phylactris. When the armies met and the men on either side were performing many remarkable exploits, the women, they say, came on the scene and put the Lacedaemonians to flight. Marpessa, surnamed Choera, surpassed, they say, the other women in daring, while Charillus himself was one of the Spartan prisoners. The story goes on to say that he was set free without ransom, swore to the Tegeans that the Lacedaemonians would never again attack Tegea, and then broke his oath; that the women offered to Ares a sacrifice of victory on their own account without the men, and gave to the men no share in the meat of the victim. For this reason Ares got his surname. (Paus. 8.48.4-5)
As emphasised by Georgoudi in To Act, Not Submit: Women’s Attitudes in Situations of War in Ancient Greece (part of the highly recommendable collection of essays Women and War in Antiquity), "it is not necessary to see the operation of an invitation in the bestowal of the epithet Γυναικοθοίνας on Ares". The epithet is ambiguous, and can be translated both as "Host of the banquet of women" or "[He who is] invited to the banquet of women". In any case no act of divine intervention occurs, and the main reason for the women's act of devotion lies principally in recognising their decisive role in the routing of the Lakedaimonians. They invite Ares to the banquet, the men are excluded.
Also this a local epithet that isn't found anywhere else in Greece. As such it would be worth reminding that not every Ares is Gynaicothoinas, in the same way not every Zeus is Aithiopian, not every Demeter Erinys, or not every Artemis of Ephesos.
4. He is the patron god of the Amazons
He was considered progenitor of the Amazons because of their proverbial warlike nature and love of battle, the same reason he was associated with another barbarian tribe, the Thracians. In this capacity he was also appointed as a suitable father/ancestor for other violent and savage characters who generally function as antagonists (e.g. Kyknos, Diomedes of Thrace, Tereos of Thrace, Oinomaos, Agrios and Oreios, Phlegyas, Lykos etc.). Also he was by no means the only god connected with the Amazons (they were especially linked to Artemis, see Religious Cults Associated With the Amazons by Florence Mary Bennett, if only for the bibliography).
Similarly Poseidon was considered patron and ancestor of the Phaiakians mainly because of their mastery over the art of seafaring, and was curiously also credited in genealogies as father to monsters and other disreputable figures.
On another note I have found no sources that claim he taught his amazon daughters how to fight, as I've seen often mentioned (though I admit I'd love to be proven wrong on that point).
Finally, the last reason Ares is never portrayed as a protector of women is because of his divine assignation itself:
The uncountable references to his love of bloodshed and man-slaying don't just stop short of the battlefield, but continue on to the conclusion and intended purpose of most waged wars in antiquity: the sacking of the city. The title Sacker of Cities as an epithet of Ares (though it is by no means exclusive to him) is encountered numerous times and in different variations (eg. τειχεσιπλήτης or πτολίπορθος), and the meaning behind the epithet is plain. Though it is hard to summarise without being reductionist, the sacking of a city entails the plundering of all its goods, the slaughtering of its men, and the sistematic raping and enslavement of the surviving women (for the most famous depictions see The Iliad, The Trojan Women or The Women of Trachis, to name a small few of the literary references). There is little need to emphasise that war as concieved of in ancient greece, especifically the aspects of war Ares is most often associated with, directly entail sexual violence against women as one of the main concerns. The multiple references to Ares being an unloved or disliked deity are because of this, because war is horrifying (not because his daddy is a big old meany who hates him for no reason, Zeus makes very clear the motive for his contempt in the Iliad (5. 889-891): "Do not sit beside me and whine, you double-faced liar. To me you are most hateful of all gods who hold Olympos. Forever quarreling is dear to your heart, wars and battles.")
Ares was only the protector of women inasmuch as he could be averted or repelled:
"There is no clash of brazen shields but our fight is with the war god, a war god ringed with the cries of men, a savage god who burns us; grant that he turn in racing course backward out of our country’s bounds, to the great palace of Amphitrite or where the waves of the thracian sea deny the stranger safe anchorage. Whatsoever escapes the night at last the light of day revisits; so smite him, Father Zeus, beneath your thunderbolt, for you are the lord of the lightning, the lightning that carries fire. (Oedipus Tyrannos, 190-202)
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All that being said, this is a post about Ares as attested and percieved in ancient sources, made especifically in response to condecending and self-victimising statements about how "uhmmm, actually, in greek mythology Ares was a super-feminist himbo who was worshipped as the protector of women and was hated by his family for no reason, you idiot". It is factually incorrect. HOWEVER, far be it from me to tell anyone how they have to interact with this deity. Be it your retellings, your headcannons or your own personal religious attachments and beliefs towards Ares, those are your own provinces and prerogatives, and not what was being discussed here at all (I personally love retellings where Ares and Aphrodite goof around, or art where he plays with his daughters, or headcannons that showcase his more noble sides, etc.)
~~~~~
I've seen that other people on tumblr have made similar posts, the ones I've seen were by @deathlessathanasia and @en-theos . I have no idea how to link their posts, but they're really good so go check them out on their pages!
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we as a society need to talk about Tim Drake getting SHOT THROUGH THE THROAT. I’M SORRY. HOW DID I JUST FIND OUT ABT THIS?

SOMEONE WRITE A FIC. SOMEONE GIVE ME FIC RECOMMENDATIONS. PLEASE TUMBLR. DO YOUR THING. I BEG OF YOU.
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Need y’all to drop your fav “Tim doesn’t see himself as part of the batfam” angst fics
Idk if there’s a tag for that but I love the e fics where he either doesn’t go to them for help cause he thinks they don’t want to be bothered by him or fics where he plans to leave the fam because he doesn’t see himself as one of them.
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I wish people wrote more Tim centric fics from other people's perspectives. They always hit really hard when done right, especially when they're from Jaosn's pov. I wish more people utilized that slow realization on Jason's end, in fanfics about him in general, of how similar he and Tim are. There's something so important to me about Jason coming to terms witht he fact that Tim looked at Robin and wore the suit out anyways knowing full well what would happen to him eventually. Even if it didn't kill him it's still killed a part of him, and he's never getting that back, and Tim knew it from the start. Jason wasn't raised to sacrifice his life for a cause, at least not blatantly. He was a kid doing it on a whim without recognizing the stakes, believing wholly in an adult who's supposed to protect you. Tim watched Batman fail, and then keep failing harder, and still decided that dying was worth it for the people. Idk just something about how deeply caring (and mildly suicidal) Tim is really gets to me, and I want the people in his life to start recognizing that more often. To either pull him away from the edge or at least give him support, idc, I just want to see more of it.
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It blows my mind the parallels that aren’t fully utilized in Tim angst fanfic
When Jason died Bruce became careless. He didn’t care about his own life. He was passively suicidal and it was because Tim forced his way in that Bruce improved at all.
But Tim wasn’t chosen by Bruce. Tim was a partner not a son, but goddamn was Tim going to pretend for as long as he could. And people hated on Tim. Tim was the perfect Robin after all. Apparently he could do not wrong, and they’re right.
Tim couldn’t do wrong because he was Batman’s partner not his son. All the other Robin’s got more leniency because they were Bruce’s son. Tim didn’t get that luxury. Tim was perfect out of necessity.
Tim was as close to being a Batman replica as could be and that’s not a good thing.
Because after Bruce “dies” Tim becomes reckless. He doesn’t care much for his life outside of finding Bruce. He’s been fired from Robin and kicked out of the family and after he brings Bruce back he doesn’t have much else to live for. Dick may have saved him from hitting the ground after he was thrown off a building, but Tim wouldn’t have cared either way.
The roles have been reversed, but who’s going to play the Robin to Tim’s Batman? Who’s going to save Tim from himself if anyone who should have noticed hasn’t?
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What are Apollo's roles as a chthonic deity?
Chthonic deities are the ones that live underworld, or beneath the earth, so Apollo is technically not a chthonic deity. But if you meant to ask for Apollo’s association with death, then there are some. Though, I think the prominent one would be Soranus, the Roman underworld deity, being replaced by Apollo and His cults (I’ll talk about that in the end since it’s explanation might a bit lengthy).
> Apollo is the God of tombs/cemeteries. He guards the souls in the tomb till the body decays and soul can be separated. Hermes is the god who conducts the souls to underworld, but Apollo separates the soul from the flesh. The Ionian tombs have inscriptions asking Apollo to guard the dead bodies and purify their souls.
> Apollo is the God of disease, and that’s his deadly side. He brings death to old and young alike (especially to the young boys). I know any God can bring death to a mortal if They wished, but it was under immediate care of Apollo and Artemis, and They were famously called as bringers of sudden deaths.
> Apollo is especially concerned with dead bodies and their proper burial. This can also be seen when He scolds the other Gods during Trojan war for letting Achilles drag Hector’s dead body. Apollo also protects the dead body by His magic. He is also the one to retrieve the dead body Sarpedon (a son of Zeus) from the battlefield.
> Apollo’s connection with decaying of dead bodies can also be taken from Apollo’s punishment to Python. Python means “rotter”, and the first ever punishment given by Apollo is rotting. His epithet, Pythios, also derives it’s origin from this feat of His.
> The cycle of life and death is a part of Apollo’s nature. His visit to Hyperborea brings winter to the world (and was considered as His “annual death” in Delphi.) He brought death to everything (vegetation especially)with His departure. With His return, new life would be generated. Through the summer and winter cycle He caused, Apollo was both the bringer of life and death.
> Apollo has “consumed” some Gods. I mean, Python was considered as an oracular deity so Apollo basically killed a deity and established His own cult there. And Python wasn’t the only one. Apollo also replaced Paean, an early Greek deity of healing (Paean is now only an epithet of Apollo). Hyacinthus was a pre-hellenic God as well, whose cults were consumed by cults of Apollo, or rather, both were merged and considered as one God - Apollo Hyacinthus. And the most interesting one - Soranus, a Roman underworld deity, was also subsumed by Apollo (Here He is called Apollo Soranus). Hence Apollo basically has taken over the chthonic responsibilities of the former deity - death and purification.
继续阅读
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JORGE IS THINKING ABOUT MAKING AN ILIAD MUSICAL IN THE FUTURE HELLOOOO??????
I need my Hector & Apollo songs please please please Jay I'm begging you please
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