approximateknowledge

[approximateknowledge]

it's interesting to look at jane crocker's political career not always in terms of how it makes her a ""fascist monster"" so to speak - along the lines of homestuck's literal fascist monsters like the condesce and lord english - but in how it plays into the crucial fact at the heart of her character that she is "normcore". jane is a character of the context she was born in, the almost-exact midpoint of the barack obama presidency; superficially and popularly, a time of great optimism for a liberalising america, but through this facade of optimism a time which also saw a great deal of "normalisation" of deeply evil american imperialism both abroad and at home.

jane's love of the NBC's Parks & Recreation is emblematic of this. homestuck and parks & rec are similar in one respect, which is that p&r also began and ended over the course of the obama presidency - and like jane, p&r is deeply of that era. in many senses it is the ancestor to the "copaganda" of programming like Brooklyn 99 which took over its position of popularity into the trump era: at the core of its comic dynamic is the interplay between leslie knope, a progressive-liberal "girlboss" and champion of big government, and ron swanson, the hard-working, moustache-toting libertarian sentinel of private capitalist interest. but in the classic mode of liberal american thought, the core message of the show is that these two characters are friends. despite the complete incompatibility of their respective ideologies, the two must work together and make compromise at every stage, ensuring that the political landscape of america - implicitly the perfect state - never changes or progresses from where it is now. and it's telling that, despite being the liberal "girlboss" with visions of political ascendancy, jane's love and admiration is for the male character. like obama himself, swanson serves to put a friendly, sometimes goofy but always loveable face on american patriarchal hegemony.

because by the time homestuck had closed up and the post-canon had opened america had crossed that threshold from obama's presidency into the next, it's impossible not to draw parallels between jane's descent into xenophobia and the overt isolationism of the trump republican administration. but i think putting jane on this trajectory is also in a very real sense just as much an indictment of the democrat majority of homestuck's genesis; xenophobia is not a "trump problem" but rather an AMERICA problem, and in fact the political landscape of the late 2010s and 2020s is an inevitable progression of the kind of politics that were considered "normal" in 2011, not the result of some freak misstep of electoral probability in 2016.

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「私だけに作ってくれた曲、未来の今でも聴いてます。」

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yuniko kouzuki's introduction is so fucking funny

like she's just suddenly *there* in haruyuki's appartment pretending to be a family member he knows he doesn't have being all cliché 'moe little sister' to the point of ridiculousness

and haruyuki's just side-eyeing her suspiciously the entire time while being simultaneously weirded out and embarrassed and then he figures out her *deal*

and then niko stops acting

and it's so fucking funny

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i didnt know you were allowed to do things for the sake of wanting to do things. i thought you were just supposed to keep that locked inside your ribcage and let it rot you inside out until youre limping around as the desiccated corpse of who you could have been

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infantry and adultery sound like they'd be opposites but they're in fact completely unrelated

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"I'm always saying this" --me when I've never been saying this

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feeling Extremely Fucking Normal about the car crash scene in accel world again

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nothing cooler than seeing "alarm set to go off in 6 hours."

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We can put them back together....we have the technology...

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my brother is like. Halfway asleep and he was just babbling on about how "it should be calcifer's moving castle. He's the one who does the moving. Put that- pos- put that on your tumblr. Free post right there."

So here's your free post guys. Everybody say thank you kerry

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the magus situation, or, "ak remembers log horizon exists and it exacerbates the brainrot"

(gonna be a long one)

so to the surprise of absolutely nobody i did in fact watch log horizon at one point in the past, and also tried reading the light novel but never ended up finishing it. my opinion on it is mostly "solid and had good potential, with some unfortunate quirks to how it's written". the anime is better than sao's, but the novel is worse

this isn't what this post is about

it's instead about a certain *spinoff manga*

the fuckign west wind brigade manga in all its janky beauty. it's a story that takes place in parallel with (and overlaps with) the main story while focusing on different parts of the world and a completely different cast of main characters. it tends to be somewhat more light-hearted than the main story (but not by a lot)

it's also technically a harem story, but in the same way UQ holder is, which is to say that soujirou seta has that touta konoe charm that makes me go "yeah i fully get it this guy is impossible to hate"; he's more the guild dog than the guild leader half the time (affectionate)

*anyway*

spoilers for the west wind brigade manga incoming

so the afformentioned soujirou seta (middle character on the manga cover) is in fact the very first person to die after the catastrophe, and in the process he proved that even after the world became real, *respawning was still a thing*

which suddenly made the prospect of pk'ing much less ethically daunting, leading to a massive explosion in guilds of bored disillusioned trapped people with nothing better to do starting to kill and loot en masse, as was already a massive plotpoint in log horizon proper. some are big guilds, some are smaller

and some are technically solo

which brings us, finally, to magus

*fucking magus* (affectionate?)

edgelord in a longcoat with the cringy speeches

but it's not exactly sincere is it? it's all forced, constantly like he's talking as much to himself as to his "audience"

like he really *wants* to believe what he's saying

"it's all a game anyway, i can do whatever i want! definitely! right? RIGHT?"

it is, in fact, a coping mechanism

because to admit it's real would mean it matters. would mean you're not actually hidden away anymore. no walls to hide behind. no mask

because it's all mask

it was the whole time

because it's easier that way

the persona and the longcoat an the fancy explanations for why it's totally correct and real, trust me! definitely not fucking desperate over here, no sirree!

it's the beater again. there's a beater in log horizon but you never meet them in the main story. because for this beater, the game doesn't end because it's over. but because they finally admit to themself it was never a game to begin with. which was of course the only way out, because log horizon doesn't have a win condition

if you can't "win", you need to stop playing

but that's not quite the whole story, is it?

because you know how it is with beaters

there's always a little footnote at the end

this funny little common thread that all examples ive found so far seem to share

yeah there's a massive very explicit gender angle to all of this because it's just part of the package at this point

and that is how magus' redemption arc also has her turning into a girl

it's frankly amazing, the thematic parallels write themselves, it's so delightfully on the nose!

this whole thing is in fact one giant transgender allegory that's barely an allegory at all

the "edgy longcoat-wearer with terrible coping mechanisms" to "cute akward goth girl" pipeline is real

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environmental storytelling

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Just had this horrible realization lol

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If I got turned into a slime girl and I still had bones inside the slime I would walk into heaven and stab God in the face

[approximateknowledge]

Bad Content #31

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the maids have unionized. the king is nowhere to be seen and is likely already dead. the bratty prince has already been forced to dress in a big puffy gown. the kingdom is facing some dire times.