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me for the last 19 years

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{{Lindsay Lohan is Going To Rehab Soon - Lindsay Lohan’s Last Fan}} Bipp (Tielsie remix) by Sophie Lipgloss (feat. CupcakKe) by Charli XCX Not Myself Tonight (Thunderbird Juicebox Club Remix) by Christina Aguilera Teqkilla (Lost My Fone Out with Nicki Minaj Remix) by M.I.A. None of Dem (feat. Röyksopp) by Robyn Whatever U Like (feat. T.I.) by Nicole Scherzinger Work Bitch (NGUZUNGUZU Remix) by Britney Spears Drunk Text (feat. Paris Hilton) by Manufactured Superstars Invisible by Annie We Found Love (Remix) by Sri Anty Papaya Lipgloss (Club Mix) by Bok Bok + Sweyn Jupiter Move for Me (feat. Deadmau5) [Extended Mix] by Kaskade 「M.E.S.H. on my body edit」 by Arca {{Effy’s First Words from Episode 8 of Skins}} Standard (Abra Remix) by Empress Of Loyal by uli + kamixlo Club Stranger by Nguzunguzu

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imagine being commissioned to write a takedown of JK Rowling’s politics

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Mucha 1902 by Michael

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i just really, really, really, really…want to be with you

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Fox with Swan egg

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Me in the club

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                                                Ed will introduce Ed’s full name,                                          Edward Wong Hau Pepelu Tivrusky IV                                                          That’s a long name.                                          Ed made up that name for Ed, isn’t it cool?                                                    If you made it up, how can you be the 4th?

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When you feel yourself starting to catch feelings and just go "NOPE."

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For a fruitful period between the 1880s and the First World War, European and North American culture deferred to nature. With a symphony of flowing lines and organic shapes, Art Nouveau (“New Art”) inflected architecture, design, painting, graphic work, applied arts, and illustration. Art Nouveau was deliberately nouveau. With a spirit of willful reform, its practitioners sought to distance themselves from the imitative historicism that characterized much 19th-century art and replace it with undulating, decorative qualities. Turning to vine tendrils, flowering buds, and bird feathers as ornamental reference, they pursued not only a linear freedom but also liberation from the weight of artistic tradition and expectation. At the same time, Art Nouveau followed the example of the earlier English Aesthetic and Arts and Crafts movements to reject established hierarchies of artistic practice, to emphasize a return to handcraftsmanship, and to synthesize artistic media and practices into a Gesamtkunstwerk, or total work of art. In this, as in its turn to nature, Art Nouveau is often seen as an aesthetic response to the Industrial Revolution, a recoil from the mass-produced and mechanic, and an elevation of the human hand and wonders of the great outdoors. This fresh TASCHEN edition considers Art Nouveau as a broad historical phenomenon with distinct local features. We consider the style’s wider artistic, economic, and political circumstances, as well as its particular flavor in such hubs as Vienna, Glasgow, Munich, Weimar, and Chicago. Outstanding proponents such as Victor Horta, Antoni Gaudí, and Charles Rennie Mackintosh are featured in connection with the cities of their greatest activity. The result is a vivid portrait of the age and a movement that is as much entrenched in our imagination of the fin de siècle as it is in the trajectory of modernism.

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