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aridrawzz · 22 days

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Ruby and the Splendor Solis

Here comes a quick alchemy meta! Alchemy is an ancient practice, whose goal is to create the philosopher stone. This stone gives immortality, transmutes lead into gold and creates new life (homunculus). From a philosophical point of view, alchemy's aim is to nurture the spirit and to make it perfect.

As @hamliet has explained in several metas, RWBY is an alchemical story, which metaphorically illustrates the procedure to create the stone (RWBY/Ruby).

Today's post will explore Ruby and Maria's interaction in volume 6 episode 8 (Dead End):

As a matter of fact the scene references the 6th plate of the Splendor Solis.

WHAT IS THE SPLENDOR SOLIS?

The Splendor Solis is an alchemical text, which describes how to make the philosophical stone through 22 illustrated plates:

4 introductory plates present the protagonists of the alchemical journey

7 parables illustrate the alchemical death and rebirth

7 flask plates explore the alchemical process from a practical point of view

4 final plates describe the alchemical process from a spiritual point of view

How does Ruby and Maria's scene reference plate 6?

PLATE 6 AND VOLUME 6

Let's begin with describing what plate 6 is like:

This plate has three philosophers under a tree with golden fruits. The tree is a metaphor for the alchemical process as whole. It is the philosophical tree and if you climb it you reach the golden fruit (perfection/the philosopher stone).

The three people embody the phases of alchemy:

The young man climbing the ladder is nigredo (black)

The man who wears white outside and red inside is albedo (white)

The man who wears red outside and white inside is rubedo (red)

Citrinitas (the yellow stage) is instead symbolized by the yellow flowers and by the golden bough the men are pursuing. The scene as a whole represents a transformation, which is why the birds that fly in the sky have some green shades. Green is, thus, the color of transformation.

How does all of this rely to Ruby and Maria?

First of all, the two silver eyed warriors speak under a tree:

With golden fruits:

Secondly, this scene frames Maria as the teacher and Ruby as the student. Maria is initiating Ruby to very important knowledge, so that our young alchemist can continue her journey.

Ruby: I don't know… I don't know anything… What do I tell Jaune and his team when we don't even have a plan? Qrow's out drinking, Ozpin hasn't come back and even if he did, I don't know if I could trust him. And there's always Jinn, but… we only have one more question we can ask her. I feel like I'm letting everyone down… Maria: If you're tired of not knowing anything, how about we discuss those eyes of yours?

MARIA, THE TEACHER

Maria embodies the archetype of the old wise woman. She is a mature version of Ruby (an older silver-eyed warrior), who comes in our protagonist's life to offer guidance. She is the more expert alchemist:

Maria grabs the golden fruit. Symbolically, this shows that she is far ahead of Ruby in the alchemical quest.

This is made clear by her:

semblance

weapon

Preflexes lets Maria sense everything better than others. Metaphorically, it means she has a better understanding of reality than others. This ties with her having wisdom.

Life and Death is made by two kamas that can be combined in a staff:

They can be separated (solvet) and united (coagula). Solvet and coagula is the mantra of alchemy, as this process aims to create the philosophical stone by separating and uniting the elements. Over and over. Until perfection is obtained. Metaphorically, it means a soul is refined through creation and destruction. Life and Death.

RUBY, THE STUDENT

Ruby is young and ignorant. She doesn't know what to do and she doesn't know about her eyes. She is the alchemist apprentice, who is going through a transformation:

Differently from the Splendor Solis plate, there are no birds in the scene. However, the scenery is full of butterflies, which are another symbol of change. Of death and rebirth:

As far as the nature of Ruby's transformation is concerned, the setting gives us some hints, as Maria and Ruby are speaking in a garden full of white snow. That is because RWBY is approaching albedo (the white phase). In particular, volume 6 climax marks Ruby's passage from nigredo to albedo. This process if metaphorically foreshadowed in Ruby and Maria's conversation thanks to a specific visual cue:

Let's look at Maria's plate:

The grapes are purple/black = nigredo, the black phase

The plate is white = albedo, the white phase

The lemons/oranges are yellow = citrinitas, the yellow phase

The strawberries are red = rubedo, the red phase

The kiwis are green = transformation (plus prima materia, aka the beginning)

In short, the plate and fruits are a metaphor for the alchemical process as a whole. What's interesting is that a little butterfly flies on them:

It pauses for a little while on top of the grapes (nigredo) until Maria gently takes it and has it fly forward (towards albedo). The meaning is clear. Maria acts a mentor, who helps Ruby leave the black phase and enter the white one. She gives Ruby the knowledge she needs to face her "trial of fire":

Maria: The light will only work in the presence of Grimm. Meaning the only practice you'll get will be a trial by fire.

TRIALS BY FIRE

Ruby faces her trial by fire in the climax of volume 6, as she fights the Leviathan:

There she uses Maria's teaching and the relic of Knowledge to defeat her foe through her internal light. This moment is when Ruby and the group leave Mistral and the Black Phase once and for all. They are ready to face Atlas and the White Phase.

Still, this isn't the only trial by fire our Little Red Riding Hood has to go through. She struggles through a second one in volume 9, as she and the group leave the White Stage (Atlas) through the Yellow Stage (the Ever After), so that they can enter the Red Phase (Vacuo). Once again this passage is shown through the Splendor Solis.

There is a giant tree:

A wise woman:

Butterflies:

Once again, Ruby is given guided by an older and wiser woman under a tree. This time she has to make a choice to go through a transformation. A process of death and rebirth:

In volume 6 Ruby learns about her internal light, whereas in volume 9 she discovers her inner shadows. In volume 6 she is given knowledge, while in volume 9 she is offered a choice. At the same time, in volume 6 the Splendor Solis reference is focused on a single meaningful scene, while in volume 9 it is more pervasive and present throughout the entirety of the season. In volume 6 the Splendor Solis comments Ruby's journey (the microchosm). In volume 9 this alchemical texts conveys RWBY's adventure (the macrochosm).

However, this isn't the only difference between the two transformative trials.

IDEAL AND REAL

Volume 6 has Ruby become an ideal:

Volume 9 has Ruby grow into herself:

Similarly, in volume 6 she latches on an idealistic idea of Summer (the Huntress), whereas in volume 9 she accepts Summer as a person (the Mother):

This passage from ideal to real isn't something unique to our heroine's arc, but it ties to everyone's story. Here come two examples.

Jaune's arc

In volume 6 Jaune is inspired by Pyrhha to push forward no matter what:

He wants to become more like Pyrrha, his ideal self.

In volume 9 Jaune is taught by Weiss to stop and accept a loss:

He realizes he is good as he is, despite his flaws.

Chemical weddings

In volume 6, Bumbleby goes through their second chemical wedding, where they kill Adam. The focus of Yang and Blake's relationship is that both girls have to become "worthy" of the other:

And now I know I'm worthy of you (Oh can't you see, you could be with me) With every smile you told me, "I love you" (I am your dream, I love you)

They push each other to grow and to become their ideal selves. Yang has to overcome her anger and abandonement issues to stay with Blake. Blake has to stop running away to be by Yang's side. Their fight with Adam tests their progress on their respective flaws.

In volume 9, White Knight has their second chemical wedding, where Jaune dies and is reborn thanks to Weiss. Their bond is about letting go of childish fantasies (the charming prince and the beautiful princess) and to accept the other for who they are:

Weiss: I think you’re asking too much of yourself. We’ve been telling ourselves that failing means we’re no good. But I can guarantee even the best Huntsmen in history… they’ve all lost. But they were still incredibly brave… and good.

They let go of paragons and come to love their real selves with both strengths and flaws. Their conversation in front of the Genial Gems conveys exactly this.

Interestingly, Bumbleby and White Knight foil each other in another way, when it comes to alchemical symbolism.

Bumbleby focuses on death and separation. They represent the "solvet" part of the process.

White Knight is linked to rebirth and union. They explore the "coagula" part of the process.

To be clear, the solvet and coagula parts are present in both relationships. Yang and Blake go through destruction to come back stronger and more beautiful than ever. Similarly, Weiss and Jaune have to face death, so they can be reborn.

Still, the focus of BB's weddings is on death/destruction:

Adam cuts Yang's arm and impales Blake

Adam dies

Whereas WK's weddings climax in resurrection/creation:

Weiss is reborn

Jaune and Ruby are reborn

This is because the two relationships are complementary and illustrate different sides of the alchemical process. However, there is a third ship meant to embody both parts.

RUBY AND OSCAR = SOLVET AND COAGULA

Ruby and Oscar's wedding is kicked off by their first meeting, when Qrow (a bird) brings Oscar to Ruby and unites the Solar King and the Lunar Queen:

Ruby and Oscar's wedding references the imagery above.

It is a union of opposites. The scenery of their first scene together has Ruby marked as fire and air, whereas Oscar is associated with earth and water. Moreover, both the moon and sun are present.

In general, Ruby is moon, silver, red and air, while Oscar is sun, gold, green and earth. They complement each other and are perfectly balanced. So, they don't need a specific focus on neither death nor rebirth because theis arcs are gonna explore both the solvet and the coagula. They are the whole.

This complementarity shows also in Oscar paralleling Ruby during the trials of fire.

While Ruby is talking with Maria and going through an internal transformation, Oscar goes through an external transformation (he changes clothes). Ruby connects with Summer (coagula), while Oscar is free from Ozpin (solvet). Both their transformations are tested in volume 6 climax, where Ruby grows into a leader (macrochosm), whereas Oscar grows into himself (microchosm).

While Ruby struggles with herself in the Ever After, Oscar struggles with Ozpin in Vacuo. Ruby separates her perception of the self from Summer (solvet), whereas Oscar is merging with Ozpin (coagula). Ruby is in a fantastical world symbolic of the inside (microchosm). Oscar is in the real world, which is going through big changes (macrochosm).

Right now, Ruby and Oscar are bound to meet again through Raven (another bird), which might kick off their second alchemical wedding. Not only that, but Raven herself might play the part of the Nevermore, as she wears a Nevermore mask and her name alludes to The Raven, Poe's famous poem and the inspiration for the Nevermore Grimm. If so, this meeting might be Rosegarden nevermore wedding, which for RWBY ships is about overcoming grief and death through love. Another declination of solvet and coagula.

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aridrawzz · 22 days

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Villains, Oscar and Ruby

Vol 7

VOL 8

VOL 9

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aridrawzz · 27 days

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Treasure is a Rosegarden Song

HEAR ME OUT OKAY. I've known for a while it could be sort of linked back to them, but it felt easier to brush it off as a general whole team reunion song... Until today's new episode.

⚠ SPOILERS AHEAD, YE HAVE BEEN WARNED ⚠

We got a very big win today with the Bees, they even got a whole new song that Casey has confirmed is bmblb part 2 (check her twitter, i'm not linking it lol). Which... really makes you wonder if they'd have that many Bees songs back to back, right? An argument can surely be made for it being a song about Yang and Ruby as that's the first reunion in Ultimatum that we see, but the lyrics don't really imply a sisterly bond. It could be Renora as the other couple that had a hint of a reunion that scene... but they didn't have a proper one. We got it and their confession in the following episode.

Which leaves the only other focused relationship dynamic in that moment: Ruby and Oscar

And why would it be an RG song? Well, they're the only 'pair' that got separated in v8 that didn't end the volume together. The teams were split down the middle with very clear foils:

Yang to Blake Ren to Nora Weiss to Jaune Ruby to Oscar (Also Ruby to Yang but this ain't about them)

But when Atlas fell, Ren and Nora were together in Vacuo. The bees made it to Ever After. Jaune and Weiss did too... but Oscar and Ruby? They're the only ones that are still apart. And this song is one about absence of another and awaiting a reunion. So lets dive into the lyrics proper, shall we?

Night and day, I've waited

For starters, the sun and moon symbolism that's been thrown around for them since their introductions. Yes, the Bees also have a celestial union going on, but again please bare with me.

All alone in crowded rooms I'm incomplete, my life is paused When you're not here

This is the longest portion of the analysis as the line "all alone in crowded rooms" is so heavy.

It gets tricky when we can't see Oscar's state rn (i will come back to him in a minute tho), but we do know Ruby's. We know that she is preoccupied with a lot of things. She's weighed down by Penny's death, by the internalized expectations she has to be just like Summer, this perfect hero from a fairytale, and is alone in her burdens as a leader. Romance is likely the last thing on her mind. But she is feeling loneliness, isolation, and left behind. We can see that in all past volume examples quite literally (like the above photo, the dance, Brunswick farms, her team not wanting to explore Atlas after their first mission, etc.), but it's really being driven home in recent episodes between the Blacksmith (Carpenter?) and Ruby's reaction to the Bees.

"You're doing this all alone?"

Also just... the way they're all positioned in this scene is so intentional. Yang and Blake are together and they are warm by the fire. Weiss is drinking some piping tea and smiling at them. And Ruby is sitting alone at a table with an empty chair, draped in a teal/green cloth, furthest from the fire. Remember the song "Cold" and how it's used as a metaphor for loss, loneliness, and grief throughout the show? Yeahhhh.

Recognizing Ruby is alone in crowded rooms begs the question of who in the cast makes her not feel that way. Well, anyone that's spent any amount of time looking at RG knows their entire dynamic is built on relating to and respecting each other for their similar positions. That out of everyone, Oscar has been the one to see through Ruby's mask and got her to actually open up about her grief. On the opposite side, Ruby helps Oscar in much the same ways he does her. By constantly watching his back, standing up for him, and reassuring him that despite the merge he is his own person... but he is also someone familiar with this feeling.

By virtue of being an Oz, he's already alienated. He joined the party late and doesn't know everyone as well as the others. He's also the youngest of the bunch and that's a lot of pressure that Ruby is familiar with.

So out of every pairing in the cast, these two are the ones that feel the most alone in crowded rooms and, by extension, less alone when they are together.

Though I walk this world I am nowhere to be found Every thought's of you And for now, you're not around

The singer here is saying that they don't feel present or grounded because of the absence of someone else. Their thoughts are with the person they are missing... but the wording about 'walking this world' is so specific when RG is the only pair split between worlds.

If this is from Oscar's POV, then he isn't found on Remnant. He's found in Ever After because that's where Ruby, and therefore his thoughts, are. The reverse POV also works, but in Ruby being very prioritized with the state they left Remnant in and her team consistently trying to pull her back to what's happening right in front of them.

But that's alright I'll be just fine I'm not concerned With sands of time

Sands of time is another very specific wording choice. Hourglass being associated with time is a give-in... but knowing what we know now it could be a lot of things. The Ever After is messy with time; we're seeing that firsthand with Jaune. But with Ruby and Oscar being the only ones still separated, there is an anticipation and a 'waiting' happening.

Beyond sands of time, Oscar - who has clock gears as a constant motif for his character design - is surrounded by sand as far as the eye can see in the deserts of Vacuo.

If forever comes and goes, I won't pay it no mind

Oscar is Oscar, do not misconstrue me here. But who, out of everyone in the cast aside from Salem, is most familiar with the concept of 'forever'? The one currently merging with a man who's lived a thousand lifetimes.

Hour after hour, I spend Dreaming that your voice will wake My slumbering ear Numb and lost I wander with No place to go, just aimless 'til You reappear

This is much like the earlier verse talking about loss and being directionless without their light to guide them. This song has some parallels to a few others, but for now I want to talk about Sky is Falling, which we know is an Oscar song:

Our world, lost without a soul Losing all control, not getting closer Every day is just another dose of torture (Torture) Now we pay the cost, the race is lost This nightmare's our real life

This can easily be linked back to wanting to wake from a bad dream and feeling lost without a (smaller more honest) soul being present. Later in that same song:

Lost all my hopes and dreams

Being numb and lost without hope. Ruby being the embodiment of hope.

Watch my life flash by in scenes And it seems there's no soul on the video screen

I am aggressively reminded of Arkos and Jaune watching Pyrrha's training video on a loop. Would bet actual money Oscar is doing the same of Ruby's broadcast back in Vacuo... because he was the only big name in the cast that wasn't shown watching that video when it went live.

Cold soaked as I'm standin' in rain Feelin' nothin' but pain until I see you again

Once again tying into feeling lost without the other.

Back to Treasure:

'Til you come in view I keep watch with these sore eyes Looking through the tears As the days creep slowly by

Emphasis on seeing each other again which can also be linked to the above stanza from Sky is Falling as well as Until the End with rain and tears being almost synonymous. (Until the End and Treasure have SO many parallels that I can't talk about all of them here without it becoming a whole separate post. Maybe later tho!)

Nothing's gonna shake my faith I know you're coming back real soon to my embrace

The emphasis on embrace when RG was the only pair that didn't get a hug.

Though time goes by so slow I'm never letting go I won't give up, if I spend my life I know

The time motif again followed by "I won't give up" paralleled to Ruby's line in her broadcast where she says "Even if Atlas falls, you can't give up."

"Atlas" also meaning Ruby. "You" being Oscar and the rest of the people still fighting. Oscar, who took up her mantle of leadership in a way through his costume change and actions in v6 after Ruby stepped into Oz's role.

And then lastly, the song's namesake:

'Cause the treasure of my life Is being by your side

Treasure, by definition, has two different meanings.

noun 1. a quantity of precious metals, gems, or other valuable objects. verb 1. keep carefully (a valuable or valued item).

The song at face value is talking about treasure as the verb. The act of treasuring or cherishing something precious. But much like some other double meanings in this song, a very strong argument can be made for the noun definition as well.

Ruby, who's first name literally means 'precious red gemstone'. Ruby, who's eyes are Silver and how that has tied into Rosegarden since their very first meeting. Oscar, who's eyes glow Gold with his own magic. Who's first name can also be easily associated with the colour by way of the award show statues of the same name.

If those are symbolisms associated with Oscar and Ruby, while Yang and Blake get a song called bmblb for being the same colour as bees and having a confession in a garden... then I think there is no other duo that the song Treasure can be about.

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aridrawzz · 29 days

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PLEASE LET IT BE DILLON OMG

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aridrawzz · 29 days

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Watching the epilogue animatic in 2023 and seeing the “Remember Her Message” mural and then being hit with this almost a year later 🥲

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aridrawzz · 29 days

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ROSEGARDEN NATION! How are we feeling!?!?!! We got crumbs!! Plus Oscar didn't give up hope that Ruby and the others were truly gone!

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aridrawzz · 3 months

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In RWBY weapons are a part of a person, an extension of yourself, as Ruby puts it in V1. So, a weapon can say a lot about a person in how it appears and what it's used for.

Looking at Crescent Rose compared to our other main characters' weapons and it's immediately one that stands out from the size alone, it immediately draws our attention, it usually takes up the screen.

Like Ruby, it's striking, awe inspiring and larger than life. It's beautiful, resilient and strong, but evolves to be more adaptable during the Atlas Arc, when Ruby herself has to be more flexible and think outside the box, and her worldview is consistently challenged. It's also very easily the most intricate and complicated design, by her own admission:

"I guess I did go a little overboard in designing it..."

Which, while on the surface means it looks cool and flashy, it's also incredibly complex, just like Ruby.

And as we know from V9, a weapon like that would also be a heavy one to carry at all times too, and it weighs on her. Just like being "Ruby Rose" means to shoulder all the responsibilities and entanglements that come with being who she is, a huntress, a leader, a hero, a spark of hope and light who inspires others. In the end her resolve as a huntress and in who she is, and her purpose, is renewed and stronger than ever before, and wields her weapon once more with confidence.

That doesn't mean her burdens have gotten any lighter though, in fact upon returning to Vacuo, because of her message, all of humanity is now looking to her. No matter how strong, confident and resolved she is, that's a heavy weight for one person to carry alone.

Which brings me to Oscar's weapon, the Long Memory. Which is a cane, smaller, simple and straightforward, but has it's own hidden light stored inside. A cane is meant to take someone's weight by design, that's it's purpose. To be something that's leant on as a crutch when you're hurting to alleviate the pain by taking the pressure off yourself, so moving forward is made easier. Because everyone needs that support sometimes and it's okay to be weak, it doesn't make you lesser, it just makes you human. And it is incredibly human for us to care for and lean on one another for support. That vulnerability leads to our greatest strength as humans.

The one who carries the heaviest weapon vs The one who has a weapon that can be leant on to take pressure off yourself. Ruby who carries a heavy burden and Oscar being someone that can be leant on for support. ooooooohhhh the cymbal ism of it all.

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