armageddonpitchman

[armageddonpitchman]

"I'm you, sweetie. You just give it a little time." — FALLOUT (2024-)

[armageddonpitchman]

#fallout is a comedy (inspired by [x][x])

[armageddonpitchman]

The Good, the Bad and the Ugly

[armageddonpitchman]

like lookin' in a funhouse mirror

[armageddonpitchman]

it's ghoul hours

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my love for y'all (and him) is infinitive

[armageddonpitchman]

ride a horse, fuck a ghoul, or something like that

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[armageddonpitchman]

Cooper Howard/The Ghoul | Figure

[armageddonpitchman]

I don't care, he is my new babygirl

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Ain't no grave gonna hold him down

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Finding out Walton Goggins absolutely scared the shit out of himself after waking up from a nap in his trailer and seeing his reflection in ghoul makeup is the funniest fucking thing I ever heard

[armageddonpitchman]

Starter Call

[armageddonpitchman]

"Oh, I'm you, sweetie. You just give it a little time."

An Independent, and Highly Selective RP Page for Cooper Howard, aka The Ghoul from Amazon Prime's Fallout series adored by Mishan. Mun and Muse are 35+, NSFW content. Icons and Graphics by @supergirlrph

[armageddonpitchman]

𝐒𝐔𝐁𝐓𝐋𝐄 𝐍𝐒𝐅𝐖 …

✦ a collection of prompts that can be considered nsfw, with a lot of teasing and tension driven prompts. adjust as needed ; send ‘ + reverse ‘ for sender and receiver to switch spots. Combine prompts by sending more than one.

「 SQUEEZE 」 : for sender to rest their hand on the receivers thigh , giving it a squeeze .

「 LINGER 」 : for senders touch to linger on the receiver.

「 MASSAGE 」 : for sender to give receiver a massage .

「 LOTION 」 : for sender to rub lotion into the receivers skin

「 SLIP 」 : for senders hand to slip between the receivers legs.

「 TUG 」 : for sender to tug on the receivers hair

「CLIMB 」 : for sender to climb into receivers lap

「PULL 」 : for the sender to pull receiver into their lap

「BITE 」 : for sender to bite the receiver ( include the location )

「 MARK 」 : for sender to leave hickies on receiver

「 BARE 」 : for sender to undress in front of receiver

「 HELP 」 : for sender to help receiver undress

「 GRIND 」 : for sender to grind against the receiver

「 HOT 」 : for sender and receiver to share a heated kiss

「 OOPS 」 : for sender to accidentally send receiver a risqué image.

「 CHIME 」 : for sender to purposefully send receiver a risqué image.

「 WHISPER 」 : for sender to whisper something suggestive in receivers ear

「 HOLD 」 : for sender to hold receivers throat

「 THROW 」 : for sender to throw receiver onto the bed

「 PRESS 」 : for sender to press receiver against a wall and kiss them

「 CAUGHT 」 : for sender to catch receiver pleasuring themselves

「 LIGHT 」 : for sender to touch the receiver with a feather light pressure.

「 INNER 」 : for sender to kiss along the inside of receivers thigh

[armageddonpitchman]

✎ㅤ. . .ㅤ𝑩𝑳𝑶𝑶𝑫 𝑨𝑵𝑫 𝑫𝑨𝑹𝑲𝑵𝑬𝑺𝑺.

₊˚⊹ ㅤa collection of loose quotes taken from various characters from hades (supergiant games). these quotes are from the first game of the series. writing/roleplaying prompts. from fluff to angst! feel free to edit as you see fit, especially since some are gendered.

❝ i’m leaving. try and stop me. ❞ ❝ that could have gone better. ❞ ❝ why can’t you just stay? ❞ ❝ i wish you could come with me. ❞ ❝ you’re coming with me. ❞ ❝ i have to take you back. ❞ ❝ but for you, i will be making an exception. ❞ ❝ whew… they’re gone. ❞ ❝ now, come on, we got places to be! ❞ ❝ may the fates favour your journey. ❞ ❝ oh you know, i’d rather have my eyes put out, but thanks for offering! ❞ ❝ if only… ❞ ❝ you should be ashamed of yourself, and learn your place. ❞ ❝ ahh, so you are taking pity on me, then? ❞ ❝ i’m sorry that it has to be this way. ❞ ❝ you’re late. ❞ ❝ will i see you soon? ❞ ❝ did you miss me? ❞ ❝ i’m home. ❞ ❝ we’re heading home. ❞ ❝ you… came back? ❞ ❝ i hope i didn’t keep you waiting very long, did i? ❞ ❝ is something wrong? ❞ ❝ i can’t believe this. ❞ ❝ i’m in your debt. ❞ ❝ there’s going to be payback, you know. ❞ ❝ … damn you. ❞ ❝ this is for you. ❞ ❝ do you remember me? my name is—ah, nevermind. ❞ ❝ i’m not who you think i am. ❞ ❝ keep following that heart of yours. ❞ ❝ to hell with this place! ❞ ❝ fear is for the weak. ❞ ❝ oh, look at you, you poor, poor thing, you’re hurt! ❞ ❝ you’re such a sweetheart. ❞ ❝ you brought this on yourself. ❞ ❝ no need to thank me, mate. ❞ ❝ please, i don’t want to do this… ❞ ❝ you don’t have to do this… ❞ ❝ only the best for you. ❞ ❝ i hope you’re right. ❞ ❝ gods grant me strength… ❞ ❝ that is the worst idea i think i’ve ever heard. ❞ ❝ do you understand how little sense that makes? ❞ ❝ look what i found! ❞ ❝ something’s changed about the beating of your heart. ❞ ❝ no wonder they don’t like you. ❞ ❝ wish i could be there to see your face. ❞ ❝ i’ll earn your favour yet. ❞ ❝ how bad could it be? ❞ ❝ hello there, handsome. ❞ ❝ … this is the cheesiest thing i’ve heard from you. ❞ ❝ what has gotten into you? ❞ ❝ blood and darkness! ❞ ❝ lucky for you, i’ve no pride like many others here. ❞ ❝ it’s over. i’m sorry. ❞ ❝ go. away. i won’t repeat myself. ❞ ❝ i knew your heart was true. ❞ ❝ let’s kiss and make up! ❞ ❝ mischief, me? oh please! ❞ ❝ i don’t know how you can stand this kind of thing… ❞ ❝ you tried. that’s what matters. ❞ ❝ a man after my own heart… ❞ ❝ why won’t you give up? ❞ ❝ ever so stubborn, aren’t you? ❞ ❝ life and death, one and the same. ❞ ❝ you’re running from yourself. again. ❞ ❝ what do you want from me? leave me alone. we’ve nothing to discuss anymore. ❞ ❝ i cannot bring myself to stay upset with you forever. ❞ ❝ the truth is i’m a lover, not a fighter. ❞ ❝ i have to see her! ❞ ❝ so how goes wilful disobedience of late? ❞ ❝ you think all these gifts will make things go back to the way they were? ❞ ❝ we’re older now—i’d hope we’re wiser, too. ❞ ❝ i have to go. ❞ ❝ we were having such a good time! ❞ ❝ time is up. ❞ ❝ you’re so reckless. ❞ ❝ thank you for always keeping me on my toes. ❞ ❝ your luck’s run out. ❞ ❝ i don’t know why i bother with you, honestly. ❞ ❝ may i call you my friend? ❞ ❝ i’d like to make a toast, to you! ❞ ❝ no need for special thanks. ❞ ❝ i’ve some memories i’m not quite ready to give up on yet. ❞ ❝ i’ll break your heart. ❞

[armageddonpitchman]

REASONS TO CARRY SOMEONE. ( A PROMPT LIST! )

listen, i'm back home now, i'm thinking about things, and i saw the maxton hall gifset floating around and i was like. yk what. carrying people is elite content, and gdi y'all deserve elite content! as always, DO NOT ADD OR EDIT THIS LIST! and there's a lil spicy addition under the readmore, but i left it there just in case people prefer to have a not-so-spicy version.

[ SLUMBER ]: sender picks up and carries the receiver because they're so sound asleep that they won't easily wake up.

[ INTERCEPT ]: sender picks up and carries the receiver out of the room because they're angry and on the brink of engaging in a fight with someone.

[ ASSIST ]: sender picks up and carries the receiver away for medical attention because they've been injured and can't walk easily.

[ HELP ]: sender picks up and carries the badly wounded receiver as fast as possible to the nearest hospital or the nearest place to administer urgent first-aid.

[ ELATION ]: sender scoops up the receiver and carries them away after a mutual victory, or having just received very good news (or maybe they're both just very happy for some reason!)

[ HOME ]: sender picks up the receiver to carry them over the threshold of their new home.

[ AID ]: sender finds the receiver too weak to move, and scoops them up to carry them to get some help.

[ UP ]: sender finds the receiver and picks them up to carry them a distance after learning they're unable to get up.

[ BAREFOOT ]: the sender picks up the receiver and carries them inside because they're not wearing any shoes.

[ WEARY ]: sender notices the receiver about to fall asleep during a task, and picks them up to carry them to bed so that they can actually sleep properly for once.

[ TWIRL ]: sender catches the receiver in their arms and spins them in a neat twirl just because they want to.

[ HERO ]: sender notices the receiver about to fall from a height, and manages to intervene just in time, catching them before they get hurt.

[ FLASH ]: the sender and receiver are part of a photoshoot, and in order to finish the last of the photos, the sender scoops up the receiver in their arms for the final pose.

[ TRAIN ]: during a training session (for a fight or a performance, dealer's choice!) the sender ends up holding the receiver in their arms during their session together.

[ URGENCY ]: sender carries the receiver away from danger after the receiver is revealed to be unable to move, either due to panic or injury.

[ OUT ]: sender grabs the receiver and lifts them into their arms after noticing them swaying and beginning to lose consciousness.

[ SCREAM ]: sender spots the receiver in a terrified or considerably panicked state, and picks them up to carry them to a less terrifying place to calm down.

[ LAZY ]: sender concedes to receiver's requests for a piggy-back ride home because they don't want to walk anymore, and carries them the rest of the distance home.

[ CAREFUL ]: sender gently lifts the receiver out of their seat and carries them carefully to bed after noticing they fell asleep and not wanting to waken them.

[ HASTE ]: in urgent need of getting to safety as fast as possible, the sender scoops up the receiver and starts running because it's quicker and easier to just carry them than expect them to keep pace.

[ FURTHER ]: sender, during an increasingly passionate make-out session with the receiver, suddenly takes them in their arms and carries them towards the bedroom to continue their evening in private.