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Cover art for “Le Samouraï” - 1967 by Jean-Pierre Melville.
#Tony Stella#Le Samourai#Jean-Pierre Melville#Alain Delon#Poster#Artwork#Noir#Birdcage#Art#Graphic Design
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Photo study of Fincherian fetishs
" What did you ever do about it ? Oh yeah, I forgot. You went to the library ".
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"I was a ghost. I didn’t see anyone. No one saw me. I was the barber."
The Man Who Wasn’t There (2001)
#The Man Who Wasn't There#Coen Brothers#Joel & Ethan Coen#Billy Bob Thornton#Roger Deakins#Film Noir#Chiaroscuro
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CHUNGKING EXPRESS (1994)
Director : Kar Wai Wong | Cinematographers : Christopher Doyle & Wai-keung Lau
#Chungking Express#Wong Kar Wai#cinema-snaps#Christopher Doyle#Andrew Lau#Cinematography#Tony Leung#Faye Wong#Takeshi Kaneshiro#Brigitte Lin#Color#California Dreamin#Pineapples
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BRICK (2005)
Director : Rian Johnson | Cinematographer : Steve Yedlin
#Brick#Rian Johnson#Steve Yedlin#cinema-snaps#Cinematography#Stills#Neo-Noir#Faveee#Dashiell Hammett#Pin#Tug
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youtube
"Towards the end it’s always good to whip the songs a little bit, scare ‘em, and then make fun of them. And then they change. You come back the next day and they’re better behaved." - Tom Waits
You know he means business when he whips out the bullhorn
#Tom Waits#Gun Street Girl#Big Time#Rain Dogs#Faveee#Love This Man#Blues#Soul#Bullhorn#Used erotica#Ya follow me?#XXXXXXX#Papa Was a Rollin' Stone
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B minor waltz (for Ellaine) played by great Bill Evans Trio.
Really inspiring piece of jazz.
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These two are adorable
Life Itself (Steve James, 2014)
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vimeo
Secret handshakes & lizard strippers
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"You see, in this world there’s two kinds of people, my friend. Those with loaded guns. And those who dig. You dig"
Blondie | The Good, The Bad And The Ugly (1966)
#The Good The Bad and the Ugly#Sergio Leone#Clint Eastwood#Blondie#Spaghetti Western#RIP Eli Wallach
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Stunning film
2001: A Space Odyssey dir. Stanley Kubrick
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Director Martin Scorsese claims that the most important shot in the movie is when Bickle is on the phone trying to get another date with Betsy. The camera moves to the side slowly and pans down the long, empty hallway next to Bickle, as if to suggest that the phone conversation is too painful and pathetic to bear. [x]
#Taxi Driver#Martin Scorsese#Cinematography#Michael Chapman#Composition#Tracking Shot#unmotivated camera movement#Robert De Niro#dat 70's film grain look
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