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Houses in Arzachena, Marco Zanuso, 1962

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Owen Williams, Boots Wets' Factory, Nottingham, 1930-32.

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Andy Goldsworthy

Early morning calm

knotweed stalks

pushed into lake bottom

made complete by their own reflections

DERWENT WATER, CUMBRIA

20 FEBRUARY & 8-9 MARCH | 988

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The house-shaped Haniwa (clay figure) with a snake patterned roof in the Kofun period, was imagined as a facility of 'Space of axis' for ancestral spirits coming and going between round pillars.

SKELETON DOMINO HOUSE

making from Japanese woods

Tetsuro Kurokawa

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Fina Miralles

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Ciro Najle, Neonaturas. Proyectos para la reserva ecológica de Buenos Aires. Palacio de Karst, de Ana Flor Ortiz y Rodia Valladares, maqueta: perspectiva de sector.

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Marcel Lachat, Cellule Parasite, Grand Saconnex, Geneva (1970). (Foto Pascal Häusermann)

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Kay Fisker, Danish Pavilion, Paris, 1925. Royal Danish Library – Danish National Art Library. "The Danish Pavilion at the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925 was a temporary building, situated between the chestnut trees along the Seine. (...) The pavilion’s walls were made of brick with a brick-on-edge course of red brick on top of a course of pale white-yellow stretchers. " (Martin Søberg, "KAY FISKER, Works and Ideas in Danish Modern Architecture", Bloomsbury 2021).

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Bernard Rudofsky, “Buttons” (1944), 

Exhibition “Are Clothes Modern?”, The Museum of Modern Art, November 28, 1944–March 4, 1945. New York. 

The caption reads, “Fully clothed man carries seventy or more buttons, most of them useless.”

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PRINCETON ILLINOIS (IL) PANORAMIC BY CHICAGO LITH CO 1870

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MARIO DE BIASI (B. 1923) MILANO, PIAZZA DUOMO, 1951

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H.C. Westermann, Mysteriously Abandoned New Home, 1958

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Greta Grossman, Cantilevered House, Beverly Hills, California, 1956-1957

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Justus Dahinden, Holiday House, Rigi, Switzerland, 1953

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John Johansen, American Embassy, Dublin, Ireland, 1959

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Konrad Wachsmann, Project for a city hall, California, 1966