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Indonesia Aerial from DiamondSky production on Vimeo.

A view from above of a land of diversity with its magnificent volcanoes, mighty waterfalls, rainforests, rice fields and wild beaches . Bali, Lombok, Nusa Penida

Phantom 4 pro Diamondsky production

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Lesimore Altay from DiamondSky production on Vimeo.

Лес и Море на Алтае – это уникальный палаточный мини отель в дикой природе. Lesimore in Altay is a unique camping site in the wild nature.

Diamondsky production

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The Lake Baikal from DiamondSky production on Vimeo.

DiamondSky production

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Clubcamping | The legend of Pedro Rodríguez | Director's Cut from Clubcamping on Vimeo.

Racing driver Pedro Rodríguez was one of a kind, a legend in Latin America, and an idol to Porsche fans all over the world. And not only because he was a crazy skilled driver: he made history driving the iconic Porsche 917k, which we can only assume was based on a discarded Batmobile design deemed too unrealistic.

Fifty years after his tragic demise while racing in Germany, we teamed up with The Community and Porsche to honor some of his feats.

Crank up the volume and get ready for a 60-second trip at 300 km/h.

This is our director's cut version for: The Legend of Pedro Rodríguez!

Let’s start by saying we were granted unprecedented creative freedom in this project by both the agency and the client.

But even before the slightest idea came to our minds, we knew one thing for sure: we needed the car to look perfect in 2D. Animating the Porsche 917k frame by frame, without a reference, sounded like the premise of the next Saw movie, so we decided that a 3D model of the car to produce some sweet 3D layouts was a fundamental asset to get our hands on.

To build Pedro’s world we thought about ‘60s and early ‘70s graphic design, movies, cartoons and tv shows, and discussed with Juan what pop culture and art milestones had left a mark on our styles. We agreed we wanted an overall vintage vibe but with modern visuals and animation ideas that would challenge our craft.

“Speed Racer meets Akira” was our pitch.

In a process we like to call “blind parkour design”, we started importing materials into After Effects and mixing it to see what happy accidents we encountered.

Jumping from After, to Animate, to Photoshop, to C4D, trying things out, not thinking whether something might work or not but simply doing it. Letting our subconscious sublimate. An intense animatic process ensued, where tons of new ideas and references kept flowing and popping up spontaneously.

We wanted the animation timing to feel a little limited, but with lots of super-sharp poses and eases. We chose to work at 24fps and its multiples, focusing mainly on animating in 3s, with 4s and 1s as extremes.

The comp was going to be extra heavy⁠—we knew it and wanted it to be that way. Lots of glows, defocus, and grain. But the hardest comp ever was the one with the oil monster. It required a tremendous amount of coordination, organization and patience, constantly going back and forth between layout, animation, cleanup and comp. That shot alone took about a whole month to produce.

We promise you everything was under painful control.

One last thing you might be wondering: what about the square format, with rounded edges? We worked in a 2202 x 2202 1:1 format so as to easily come up with different versions later. The idea all along was to deliver a 16:9 format. As we went on, new details and compositions increasingly made sense when displayed in 1:1. We sat on it a little, and then El Señor Rodriguez himself inspired the final touch: what if we added a nice frame with rounded corners, giving it a lovely super-8 vibe like the footage of Pedro we were already showing at the end?

That was the last touch. The vintage vibe was exactly what we needed to close the circle.

We raise our cups to Pedro and what his star at 300km/h might bring us.

Credit list:

Clubcamping Creative direction: Mariano Fernández Russo. Art Direction: Juan Barabani. EP: Ana Sieglitz & Juliana Millán. Line Production: Carolina Cantero. Animation Direction: Mariano Fernández Russo. Animatic: Mariano Fernández Russo. Illustration: Juan Barabani & Victoria Farelli. 2D and Motion animation: Mariano Fernández Russo, Maricel Piazza, Emmanuel Zampalo, Franco Pelliciaro, Pablo Rago, Fernando Lamattina, Katherine Pryor, Ana Artaza, Penblade Animation & Alcides Izaguirre. Clean up: Alan Mohamed, Sofía Díaz, Gabriela Bosco, Daniela Donato, Julieta Culaciati, Clara Riavec & Rafael Pires. Compositing: Mariano Fernández Russo. BTS Editor: Juan Raimondi Render: Yago Lopez.

Sound (CC Director's Cut Version) Music: Facundo Capece Sound Design: Felipe Barandalla Client: Porsche Agency: The Community Global CCO, Founder Jose Molla / Joaquin Molla Executive Creative Director: Ricky Vior Associate Creative Director: Gabriel Da Silva Associate Creative Director: Rodrigo González Content Creator Lead: Rosario Avila EVP, Head of Integrated Production: Laurie Malaga Maker/s (Producers) Executive Producer: Debi Rubiani Sr. Production Lead: Juan Manuel Sosa Account Team: VP, Managing Director Latam: Julieta Rey, Brand Lead Regional Latam: Sandra Giraldo, Brand Supervisor: Barbara Palacio/Julia Isabel Hernandez, Connections Strategy: Sebastian Ibarr Digital Content Director: Monica Godoy Brand Strategy Director: Alessandra Noceda Brand Strategy Planner Alejandra Margain Business Affairs Business Affairs Director: Natalie Greenman Business Manager: Priscila Hourihan Production Assistant: Aldana Bea PHOTOGRAPHER / ILLUSTRATOR Photographer: Richard Monning

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NFL Network Identity from Imaginary Forces on Vimeo.

creative director: tosh kodama producer: ryan burcham art director: brandon savoy animators: brandon savoy, alejandro robledo, jan sládečko designer: brandon savoy, henry chang, isabell hacker flame artist: eric mason design intern: eddie livingstone production coordinator: jake fritz head of production: melody alexander

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Foundation Main Title from Imaginary Forces on Vimeo.

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Phildel: The Deep (Animated Music Video) from Youri Dekker on Vimeo.

The official music video for Phildel's new single, "The Deep".

Apart from the music, I am responsible for all the work herein, including concept, animation, design, backgrounds, coloring, compositing, and editing.

See the making-of video here: vimeo.com/294061420

Created and Animated by Youri Dekker Website: youridekker.wixsite.com/portfolio Instagram: instagram.com/youridekker05

"The Deep" performed by Phildel Ng Website: phildel.com Facebook: facebook.com/Phildel.Official Instagram: instagram.com/phildelofficial Twitter: twitter.com/PHILDEL Tumblr: phildel.tumblr.com

Purchase the single here: radi.al/PhildelTheDeep View "The Deep" on YouTube: youtube.com/watch?v=mSrKaYHNTxs

Copyright 2018 Yee Inventions Limited, under independent distribution via The Orchard.

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Deep Space Music @Ars Electronica 2011 from Nohlab on Vimeo.

Deep Space Music brings together sound and image, music and computer animation in a way that transforms the projection space into a setting for intimate experiences. In it, Japanese pianist Maki Namekawa plays a program of works by three visionary composers who are also regarded as great thinkers. Her piano concert musically celebrates the 60th birthday of Ryuchi Sakamoto (JP) and Philip Glass’ (US) 75th, and commemorates the 100th anniversary of the birth of John Cage (US).

In order to provide Ms. Namekawa with latitude for spontaneous improvisation, with Candas Sisman’s and Deniz Kader’s interactive visual art direction, the performance was supported by Plato Media Lab team Zeynep Nal, Bager Akbay, Ismail Kasarci, Osman Koc and Kaan Kaner. The team worked live in real time, though, in doing so, they had recourse to a repertoire of prepared graphic elements that are the outcome of an intensive process of encounter with the respective pieces of music.

The project offered an immersive experience which was associated with Maki Namekawa’s abstract notes, place’s atmosphere and enchanted the audience.

Ars Electronica Festival 2012 - 1-3 September - Linz, Austria

Art Direction: NOHlab (Candas Sisman, Deniz Kader)

Music: Maki Namekawa

Technical supervising: Bager Akbay

Live Visuals & Programming: Plato Media Lab ( Bager Akbay, Osman Koc, Zeynep Nal, Kaan Kaner, Ismail Kasarci)

Pre–rendered Visuals: NOHlab (Candas Sisman, Deniz Kader)

Thanks to: Zeynep Ozkazanc, Senem Umut, Güliz Turan, Mehmet Kalaman

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Deep House Euphoria Campaign from Bolder on Vimeo.

Continuing our relationship with Ministry of Sound, we worked on the visual campaign for their new compilation release, Deep House Euphoria featuring some of the world’s biggest dance anthems. We designed the album artwork and then extended this into the TV commercial where we created vast audio reactive algorithm simulations, with soundscapes and particles creating a unique audiovisual experience over the duration of the commercial.

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KAZAKHSTAN - KYRGYZSTAN from GUILLAUME JUIN on Vimeo.

Central Asia was epic! The landscapes were incredibly beautiful and diverse, in such little areas. The people were really nice also. This a great underrated destination to travel.

Shot on a7sII, and phantom4advanced.

Places visited: Kazakhstan: - Ustyurt plateau (manguistaou region, near Aktau) - Altyn emel - Charyn Canyon - Lake Kolsai

KYRGYZSTAN: - Song Kul lake and its surroundings (horse trekking) - Karakol, Ala-kul lake, Altyn Arashan (3 days trek).

Thank you Philippe Henry and Paul Le Bret for your great sound design!

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Abstraction 22 - Selection From from Morgan Beringer Studio on Vimeo.

A selection from ’Abstraction 22’ by Morgan Beringer Studio, 2021.

Watch the complete film here: vimeo.com/ondemand/abstraction22

A 'reboot' of the original created in 2009.

Part of an ongoing series of 64 abstract animations inspired by the 64 Hexagrams of the Taoist I-Ching.

Hexagram 22 (Bi) has been interpreted as ‘elegance.’

1920x1080 HD video, original in UHD. 06:10 duration. Intended for installation on a wall mounted flat screen or projected within a dark space. Suggested home viewing on wall mounted television or coffee table tablet.

Morgan began his art practice in 1998 via the mediums of drawing and printmaking before gaining a degree in the expanded field of painting at Wimbledon College of Art in 2006. Here he found his concern with the unexplored conceptual space between still/moving image. The expressive and experimental possibilities therein inspired an ongoing opus of 64 abstract films that continue to expand his distinct perspective upon the medium.

Today Morgan continues his art practice alongside commercial projects. His work has shown in galleries, installations, and film festivals across several countries and is available for sale, screening, installation, and commission.

View the full library of titles currently available from Morgan Beringer Studio via VOD:

vimeo.com/morganism/vod_pages

If you would like to be kept up to date as to the goings on of Morgan Beringer Studio please join the mailing list via the form present at the top of our website's landing page:

morganberinger.com

Custom sales/installations, licensing, and commissions available via info@morganberinger.com

morganberinger.com patreon.com/morganism instagram.com/morganismvideo/ facebook.com/morganberingervideo twitter.com/MorganBeringer

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Shadows In TheSky (8K, 4K) from Mike Olbinski on Vimeo.

Support me on Patreon! patreon.com/mikeolbinski

Follow me: mikeolbinski.com twitter.com/mikeolbinski instagram.com/mikeolbinski

Music: "The Last Goodbye" Eric Kinny, Danica Dora (through TheMusicbed.com, sign-up for licensing here: share.mscbd.fm/mikeolbinski) ------

Sometimes it takes you months to find the correct song for your next project and other times you find it in about three minutes. When I heard The Last Goodbye, the haunting melody and gorgeous vocals, not to mention the cinematic feel leading to a pulse-pounding finale, I knew instantly I wanted to use this for a black and white film.

Interestingly enough, while I love making these monochrome films, I've had this newfound love of color in storms, the variety, the stunning tones of greens, blues, oranges, reds and everything in-between. So as I was making this film entirely in black and white, I kept getting this unsatisfied feeling. I decided to try something new about halfway through, when the song's pace slowly increases, and I hope it's something you enjoy!

I love this song, I love these clips and I love chasing storms. The scenes in this film have appeared before, and I cannot wait to get out and get some new stuff to share down the road. It may be two years of collecting footage again before I create something new, so I had to put something out now to tide me over until then and also to fire me up for storm season! Hope you enjoy!

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Miller Lite - Networking from Joseph Fraioli on Vimeo.

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Alex Grey & Allyson Grey - Bicycle Day 2015 from CoSMvision on Vimeo.

Alex Grey & Allyson Grey recap the 2015 Bicycle Day event. Thanks to Mister WA and JK Realms for the incredible video.

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Alex Grey - Chakra Kundalini Awakening from Hector Beristain on Vimeo.

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Esoteric Kundalini Animated With Alex Grey Artwork from Ganga Ghat Yoga on Vimeo.

"Our greatest technology lies within every human being on the planet... You are never bound to the current state... You can always transcend beyond." -Yogi (D. Sim)

Video Source: Tool (Parabola) Audio Source: Tool (Lipan Conjuring) + Monks of Tibet (Big AUM Tibet)

Respect to Alex Grey for the powerful reminder.

twitter.com/pranamma

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BODY_MIND_SPIRIT from richard marcello on Vimeo.

Richie Miller Marcello producer of Body, Mind & Spirit