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𝔗𝔥𝔢 ℭ𝔲𝔯𝔢 live, 1989  

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Happy National Library Week!! A great time to ask everyone you know if they have a library card.

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David Lynch behind the scenes of "The Straight Story" (1998)

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POSITIVE AFFIRMATIONS: i am not a creep. i am not a weirdo. i do know what the hell i’m doing here. i do belong here

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Can I please just sit on the edge of a crescent moon like once in my life

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parsley sage rosemary and slime

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There’s a particular attitude I often see on the internet that goes something like “If you aren’t part of a particular marginalized group, then you could never understand their experience, so don’t pretend to relate.” And while obviously you’re never going to relate to every aspect of that identity unless you are also of that identity, I feel like this attitude really diminishes opportunities for finding kinship and bonding in similar experiences even if those experiences aren’t exactly the same and/or are the result of different identities.

For example, I’m white and neurodivergent, and I was talking to a Black neurotypical friend about masking, and how I feel like I have to change the entire way I present myself in order to not be considered weird in public. She responded with “Oh, some of that sounds kind of like code-switching— how I have to switch away from using AAVE in white-dominated settings in order to be accepted.” And then we bonded over how frustrating and ridiculous it is that AAVE and stimming are both considered unacceptable in “professional” settings.

Another time, a straight Jewish friend was telling me about a book she had just finished reading, which was written by a Jewish author and had a Jewish main character. She was saying that it was really nice to read a book written by a Jewish author, because even when gentile authors do their research and write a pretty accurate Jewish character, they never quite feel Jewish— you can always tell the author was a gentile. And I said “Oh that sounds kind of like when I read queer characters written by straight authors— you can always tell the author was straight even if they do their research and get things fairly right. So even though I’m happy when any book features queer characters, it’s really especially nice to read queer characters written by queer authors.” And we bonded over this similar experience, and we were both excited that the other understood even if we were coming to this experience from different angles, and then we swapped book recommendations. This conversation is also a great example of when that internet attitude DOES apply— when someone outside of a particular group is trying to understand that group’s entire experience well enough to accurately write the world as seen through their eyes. They’re never quite going to get it right, and that’s ok! It just means it’s important to also have Own Voices authors writing those types of stories also.

Sometimes it seems like people who have been in internet circles exhibiting this attitude for too long are afraid to ever try to relate to the experiences of anyone in any groups other than their own for fear of causing offense, which is honestly pretty counterproductive. Understanding each other and bonding across groups should be the goal! Relating to each other is not a bad thing!

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Twin Peaks: Pilot (1990) dir. David Lynch

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A Crash Course to Kendrick's Super Bowl Performance, from a Black Woman

Note: this does NOT go in depth into all of the song's lyrics. I don't have time to recount two decades of his discography. This is just a summary of the performance itself.

Let's start with the first visual we get:

UNCLE SAM - most notably recognized from WWII American wartime propaganda, Uncle Sam is the personification of American patriotism and freedom. The term "uncle" is also evocative of Uncle Tom from Uncle Tom's Cabin, an abolitionist book that aided in inciting the Civil War. Uncle is also a very common term (both endearment and derogatory) towards Black men (eg. "unc"). Samuel L Jackson was fantastic.

Uncle Sam also resembles a circus ringleader, notable for my next point:

THE GREAT AMERICAN GAME - no, not Super Bowl. The GAG is us the people being pitted against each other: through late-stage capitalism, through the culture war, through class warfare, through being built of the backs of slaves. We are all players in the GAG because none of us on this site were the oligarchs seated at the inauguration.

This is also seen as Kendrick's stage was a Play Station controller. Not only did it remind of circus rings visually, but it was a game battle stage. The Great American Game is a battle royale of the commoners for the amusement of the rich whites.

Remember the foods / Them color was tin and brown / But now they 100 and blue - For this I'll just say, look what the last election said about lowering the price of eggs... and look at the prices now.

The revolution about to be televised / You picked the right time / But the wrong guy - Election 2024 once more.

THE FLAG DANCERS - yes, the dancers formed the US flag... off of the backs of Black people. Not a single white person in sight, and that's true of the cotton pickers in the fields. Plantations are part of how the US came to economic prominence after being a "backwater" colony. Remember tobacco? Cotton? Our bloodlines do.

The red and blue dancers are also notable for representing the Crips and Bloods, two infamous street gangs. The dance in Not Like Us is the Crip Walk. I recommend researching more on your own time about them, but just know they are a large part of the stereotype of Black people being "ghetto."

TOO LOUD, TOO RECKLESS, TOO GHETTO. Do you really know how to play the game? - This is exactly what Black people, especially Black men, get told all the time. It's why we change our names on resumes if they sound "too Black." It's why we codeswitch in non-Black company. This is especially rich considering how non-Black people love our culture and love to make money off of us, as the latter part of the quote points to. And it's even more profound during the Super Bowl-- the NFL is majority Black players.

STREET LIGHT A CAPELLA -- "thug" stereotype dancers to counteract the a capella connotations, with Uncle Sam then saying that Kendrick figured out "bringing other street guys around being a culture cheat code." Yes, this is a direct hit at Drake (listen to "Not Like Us") but also politically. Look up "model minority". Notably I would point to Candace Owens, or the Miami Venezuelan political group that's been in the news recently, especially as this directly led to Kendrick being surrounded by...

DANCERS IN WHITE -- it's white America. That's... that's the allegory.

NOT LIKE US TEASER -- Kendrick says "Not Like Us" is "their favorite song." -> he means white people specifically here. It comes after he's surrounded by all white dancers, the women around him who are his call and response are also in white (my opinion, they represent the industry). He's saying "Not Like Us" is the favorite of yts because it is about BLACK MEN FIGHTING. This again is reflected in the video game stage and ringleader Uncle Sam.

SZA -- instead of giving what they want, we see SZA. She's one of Drake's exes and Kendrick has always supported her.

ALL THE STARS -- This was in the first Black Panther movie, which I recommend you watch. Rest in Power Chadwick. Notably, this movie was incredibly mainstream as a major Marvel movie, and then we have Uncle Sam say...

"THAT'S WHAT AMERICA WANTS: NICE AND CALM. DON'T MESS THIS UP" -- translation: Marvel (the industry, America, etc.) wanted a safe, semi-pop song because white American likes safe pop songs, not Kendrick's usual heavy rap style about his life as a Black man! Don't mess up what you've got going mainstream for having this "Black rap feud" with Drake, who is an R&B model minority to white people because he's safe.

So what does Kendrick say?

IT'S A CULTURAL DIVIDE / IMMA GET IT ON THE FLOOR -- He was warned not to be political or apologetically Black for this Super Bowl performance, but he is using this big stage opportunity to speak out.

40 ACRES AND A MULE / THIS IS BIGGER THAN THE MUSIC -- 40 acres and a mule are what the freed slaves were promised. Instead, this land went to white sharecroppers. Research Jim Crow laws.

THEY TRIED TO RIG THE GAME / BUT YOU CAN'T FAKE INFLUENCE -- rig the election, rig the industry like with model minority Drake, rig the Great American Game with culture war to distract from active class warfare.

NOT LIKE US -- the only thing I'll mention because it made me holler is Serena Williams crip walking on Drake's metaphorical grave. She's another one of his exes.

TURN THE TV OFF -- exactly like he said! The TV is a distraction, the Super Bowl is a distraction, the mainstream news is often a distraction. Turn it off and get with your people!

GAME OVER — could not see this on my stream but at the end of the performance, the lights in the stadium spelled this out. The world is watching, America…

In conclusion, Kendrick Lamar is a visionary and thank you for coming to my TED Talk.

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Pink Flamingos (1972) - dir. John Waters

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Learn to garden, to crochet, and to sew. Learn canning, to make preserves, how to store them and how to give them away.

Stockpile books and support the public library. Make bad art and ugly zines. Own physical media.

Get off of twitter. Cancel prime. Read your local newspaper and share it with others.

Volunteer at food pantries and homeless shelters. Buy local when you can. Love each other no matter what.

Shave your head and grow your leg hair. Become unstomachable. Don't hide.

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EVERY BODY KNOWS SHITS FUCKED