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She was the prettiest hell I have ever been in; I didn’t mind burning at all. - Matt Baker
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The final scene in The Big Combo (1955) remains one of the most iconic images in film noir. John Alton’s incredible cinematography captured the very essence of film noir and has been compared to Fritz Lang’snoir classic, The Big Heat (1953), in terms of styling. The film is considered to be one of John Alton’s best works.
“Shadows and lies are the stars of The Big Combo, a spellbinding black-and-white chiaroscuro with the segmented texture of a spider’s web … John Alton’s lush camera work is so dominant here you wouldn’t know Joseph H. Lewis was also behind the camera.” - Ed Gonzalez
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Looking through the Zines I made in the beginning of college and found this page. “I guess that sometimes we feel very big, and other times we feel quite small, but in the end if we tough it out for a little while , and if we are lucky, we get to find the holy place between big and small when everything turns out just right. Am I too much of a dreamer?” #zines #zine #handwritten #zinelife #dreamlife #life #angst #matryoshka
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The Best of Astounding, 1978 // Alex Schomburg
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KMM remember when you used to send me love notes via tumblr?

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When You Expect An Aries To Apologize, But They Don’t Feel The Same Way
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An Aries lives for the moments when they can put someone in their place. Shut a person up for good. You know, the “know-it-alls” who really don’t know a damn thing....those moments.
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