boneysoups
boneysoups
sara hinkley
78 posts
she/her, USA 829 IATSE, costumes for 🎭📺🎥 and novels too, lit rep isabel kaufman @ fox literary
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boneysoups · 3 years ago
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Au Louvre, 1894 by Étienne Azambre (French, 1859–1935)
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boneysoups · 3 years ago
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a lot of newer vampire media has abandoned "can't stand sunlight" as too cheesy or too big of a limitation but it's good it's so good i forgot how good it is. vampirism comes at an immense cost it's both eternal freedom and eternal confinement its unending vigor and beauty is a thin veil over the brittleness of something already dead!!!! fuck yeaaaaaah!!!!!!!!!
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boneysoups · 3 years ago
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Antoni Tàpies (Catalan/Spanish, 1923-2012), El dolor de Brunhilda [Brunhilda’s Sorrow], 1950. Oil on canvas, 89 x 116 cm.
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boneysoups · 4 years ago
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ah yes, the three genders: the broken, the beaten, and the damned
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boneysoups · 4 years ago
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Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for “La Famille Cardinal” by Ludovic Halévy, Edgar Degas, c. 1880-1883, Cleveland Museum of Art: Prints
This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother. In late 19th-century Paris, the ballet was the profession of lower-class girls and young women who were available for sexual hire. Here, in the opening scene, Halévy, the first-person narrator, meets with Madame Cardinal in the coulisses (wings) of the Opéra to arrange for a private rendezvous with one of her daughters. The dancers, whose sexual availability is the subtext of the composition, are conspicuously absent. Size: Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.); Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.) Medium: monotype
https://clevelandart.org/art/1967.167
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boneysoups · 4 years ago
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“I am all in a sea of wonders. I doubt; I fear; I think strange things, which I dare not confess to my own soul.” — Dracula, Bram Stoker. 
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boneysoups · 4 years ago
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1. Anne Sexton
2. Andrew Wyeth
3. Stewart Stafford
4. Arzum Uzun
5. Edgar Degas
6. Stewart Stafford
7. Karen Joy Fowler
8. Caspar David Friedrich
9. Carlene Bauer
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boneysoups · 4 years ago
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the messenger: the story of joan of arc (1999) / anne llewellyn barstow, ‘joan of arc and female mysticism’ / saint joan, george bernard shaw / the passion of joan of arc (1928) / anne sexton, consorting with angels / angela barrett, joan of arc, (1998) / excerpt from the trial of joan of arc / saint joan (2018 production), starring condola rashad
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boneysoups · 4 years ago
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Woman at Her Toilet, 1663, Jan Steen
Medium: oil,wood
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boneysoups · 4 years ago
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Cleopatra (detail), by Benedetto Gennari II, 1674-75. Oil on canvas. 
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boneysoups · 4 years ago
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Maison Margiela SS21
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boneysoups · 4 years ago
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Seated Woman Adjusting Her Hair, 1890, Edgar Degas
Medium: pastel
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boneysoups · 4 years ago
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Court dress (France, circa 1830).
Silk satin, embroidered with metallic threads.
Image and text information courtesy MFA Boston.
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boneysoups · 4 years ago
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A Hare and a Leg of Lamb, Jean-Baptiste Oudry , 1742, Cleveland Museum of Art: European Painting and Sculpture
Size: Framed: 118 x 92.5 x 6 cm (46 7/16 x 36 7/16 x 2 3/8 in.); Unframed: 98.2 x 73.5 cm (38 11/16 x 28 15/16 in.) Medium: oil on canvas
https://clevelandart.org/art/1969.53
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boneysoups · 4 years ago
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Father said leave the village, everybody said leave Paro, Paro said leave alcohol. Today, you said leave home. One day God’ll say, leave the world.
DEVDAS (2002) dir. Sanjay Leela Bhansali
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boneysoups · 4 years ago
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Hellraiser (1987) Directed by Clive Barker
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boneysoups · 5 years ago
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if shes your girl then why have i slowly been replacing her parts until there’s nothing left of her original body? is she then still your girl?
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