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It’s finallly Oasis day for me LFG!!!!

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Sinners is what happens when directors are allowed to experiment with the genres like a horror musical that puts you in a trance and makes you question your existence while also being campy and funny but also breathtakingly beautiful but also haunting and terrifying? Yes please I literally did not want to leave the theater I wanted to just stay there and keep watching it over and over

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god this movie was so amazing

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The thing you gotta understand about Mr. Terrific in the new Superman movie is that he is always the smartest man in the room.

And he HATES it.

It's not that he hates being smart, he just hates how he can never quite predict how dumb everyone else is.

Just when he thinks he knows how low Guy's IQ is: "we are both of the cloth"

No, Lois, we can't repel down there, WHERE WOULD WE GET THE EQUIPMENT?

DO YOU REALLY NOT KNOW THE DIFFERENCE BETWEEN CIRCLES AND SPHERES?!??!?

WHY WOULD YOU BRING YOUR DOG TO THIS TEAR IN THE FABRIC OF REALITY?

And then, when there's someone who actually is intelligent, it's like the intelligence only increases their capacity for dumbassery

Lex, you're supposed to be a super genius so whY WOULD YOU BUILD A GOD DAMN POCKET DIMENSION?!?!!?!

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The Batman (2022) dir. Matt Reeves Superman (2025) dir. James Gunn

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DAVID CORENSWET as SUPERMAN/CLARK KENT

Superman (2025) dir. James Gun

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DERRY GIRLS 3.04 — The Haunting

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Did not expect this man to become my current obsession

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I fear that Steve and Dustin will never recover if one of them dies

How it started vrs How its going Stranger Things, S01E01 vrs S5 Teaser

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Something I find myself returning to about Steve and Nat is how they are so frequently framed together. Not just in the same frame at the same time, but visually linked in a resonant way.

I think back to the first time on the helicarrier. Both are wearing casual leather jackets. Nat has clean, new denim jeans while Steve is in casual trousers - ultimately both casual/work wear for the 1940s. Steve's hair is very Ivy league traditional, while Nat has a voluminous hairdo that is designed to evoke a certain classic spy/femme fatale look. Both are wearing casual leather shoes (plain brown oxfords in Steve's case, black leather wedge boots for Natasha). And this contrasts with Banner or Fury or any of the Shield crew. Banner has a suit on, wears moccasins, has a dress shirt. Fury is much more squared away, but has a cloak like duster/trench coat. The crew are all in military boots and uniforms. But there is a resonance - visually - within Steve and Nat

Throughout they are stylistically matched. As Nat's hair became more modern, so did Steve's. When Steve's suit became more modern military chic, so did Nats. When Nat became scuffed up and her clothes got disheveled, you can bet your ass Steve's were too.

Whenever they were on screen, they were visually coded as connected.

It was all very "This is a set, do not separate" in the very visual language of the movies. And it makes me itch that it's never resolved. That this inherent visual language of unison is never emotionally concluded. Even when Nat makes 'bad decisions' to protect Steve in Civil War, the ultimate undercurrent - their innate link and bond and soulful connection - is never given voice on screen.

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my favorite white collar bit is neal saying "I know a guy" and every single time it is mozzie. neal you could just call mozzie. no one forgot about that man

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Only one person died. Only one singular person. In a superhero movie! The type that love to throw around casualty counts like it’s all a big game, waving off 70 people being killed in a handful of days like it’s no big deal, yet only ONE PERSON died.

And he was mourned. Superman cried for him—this stranger who gave him free falafel and, while facing death, told him that he still believed in him. Metamorpho, this cold-seeming man who is being actively blackmailed to do this, breaking down and taking the risk to believe in Superman, too, because seeing someone murdered right in front of him is devastating enough to take the risk. The newspapers run a front page article talking about how they’re going to memorialize him.

The stakes didn’t have to involve real actual loss of life. The threat of it was enough to convey the severity of the situation. Because human life is that important. All life is that important, at least to Superman who goes out of his way to save dogs and squirrels.

(Hawkgirl does kill SHEIN Netanyahu but genocidal dictators don’t count as human beings lol.)

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Carmy + Sydney + Parallels + Callbacks + Moments of Growth (Season 2)

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Virginia Woolf, from a letter to Ethel Smyth written c. January 1935