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brothervinny4 · 5 years
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THE FULL KENNY OMEGA SANS ENTRANCE IS ABSOLUTELY AMAZING.
HOLY FUCK.
TOBY, DID YOU HELP WITH THIS LADS.
HE’S CALLING ON THE POWER OF SANS UNDERTALE.
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brothervinny4 · 5 years
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jessie doesn’t understand meme culture
*sound warning*
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brothervinny4 · 5 years
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hmmm
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brothervinny4 · 5 years
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hmmm
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brothervinny4 · 5 years
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brothervinny4 · 5 years
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This is an award-winning studio
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brothervinny4 · 5 years
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Anyone know what breed this is?
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brothervinny4 · 5 years
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Ayy it’s mermay again
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brothervinny4 · 6 years
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And that’s a wrap! Here’s the whole set together! It was real fun and a really good learning experiment working on all of these. I hope you enjoyed!
(Please do not repost without permission!)
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brothervinny4 · 6 years
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Commission
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brothervinny4 · 6 years
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Modern MoGal # 37 - Bandit
//////////
Supporting me for more comics! ▲ https://www.patreon.com/shepherd0821
You can buy my past reward and comics on Gumroad: ▲ https://gumroad.com/shepherd0821#
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brothervinny4 · 6 years
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“Lounging In Ink” 19 x 24 inch ink on paper.
https://www.facebook.com/equineartbystevemessenger?ref=bookmarks%C2%A0
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brothervinny4 · 6 years
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brothervinny4 · 6 years
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Just some bros
[Commissions are open! Click here for details :v mwah]
Instagram post | Twitter post
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brothervinny4 · 6 years
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brothervinny4 · 6 years
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Kirby trying save the world is cute and all but WHY IN DEAR GOD IS NO ONE TALKING HOW SONIC REACHED OUT TO PIKACHU TRYING TO SAVE HIM. SONIC COULD HAVE DEFINITELY OUT RUN THOSE BEAMS BUT CHOOSE TO SAVE PIKACHU INSTEAD! 😭😭
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brothervinny4 · 6 years
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“Above all, Tex Avery steered the Warner Bros. house style away from Disney-esque sentimentality and made cartoons that appealed equally to adults, who appreciated Avery’s speed, sarcasm, and irony, and to kids, who liked the nonstop action. Disney’s “cute and cuddly” creatures, under Avery’s guidance, were transformed into unflappable wits like Bugs Bunny, endearing buffoons like Porky Pig, or dazzling crazies like Daffy Duck. Even the classic fairy tale, a market that Disney had cornered, was appropriated by Avery, who made innocent heroines like Red Riding Hood into sexy jazz babes, more than a match for any Wolf. Avery also endeared himself to intellectuals by constantly breaking through the artifice of the cartoon, having characters leap out of the end credits, loudly object to the plot of the cartoon they were starring in, or speak directly to the audience.”
-Gary Morris (Bright Lights Film Journal)
“He wasn’t Bugs without the gags we gave him.”
-Tex Avery
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