bryantspeed - Tumblr blog

[bryantspeed]

all goofing aside I genuinely don't understand the urge to reimagine Taylor Allison Swift as a secretly queer icon when the pop music scene(TM) is like. literally overflowing with women who actually like women. Gaga and Kesha and Miley and Halsey are right there. Rina Sawayama and Hayley Kiyoko and Rebecca Black and Kehlani and Victoria Monét and Miya Folick if you're willing to get slightly less top 100. Janelle and Demi for them nonbinary takes on liking girls. like what are we doing here. like I'm not even saying you can't enjoy Taylor but why would you hang all your little gay hopes on her.

[bryantspeed]

I don't think Buddy asks Helio any questions.

Kristen asked 'Why do bad things happen to good people?' because she believed in all the good things she was taught, but noticed the strange disconnect between the world as it was and the world as it was taught to her. So she thought, surely, if I can't come up with the answer, Helio will have it. And she hates him for dodging her question.

Buddy is far more deluded than Kristen ever was. And he is far, far angrier inside as a result, even if he deliberately conceals this fact from himself to protect himself from the inevitable mental breakdown this would cause. Buddy is not as altruistic and giving and caring as Kristen is. He wouldn't question why he was betrayed or dig into a question like 'Why do bad things happen to good people?' Those aren't the answers he needs, because of course he'd be betrayed by someone outside the church, that makes perfect sense. Of course bad things happen to good people, we simply live in a fallen world.

Or, well. He used to live in a fallen world. Now he's dead here. In Helio's divine domain.

I think Buddy, as he wanders through fields of corn to the big farmhouse where Helio is chilling out, privately thinks about the fact that Kristen Applebees' horrified expression was the last thing he ever saw before a sharp pain in his throat. I think Buddy assumes Helio knows he's thinking this and apologizes for bringing thoughts like that into paradise. I think he thanks Helio for recognizing his devotion and bringing him here once he died and dutifully deceives himself about his own rising emotions at contending with the fact that he's dead now.

After all, he was raised to die. He was raised to want to die.

To want to be here with his god whenever it was he called Buddy to him. So he doesn't feel upset, no, of course not. He's just a little surprised at how sudden it was. (How completely random. How unceremonious and unfair.) He's a little bit worried how his grandparents would react to the news is all. (He cracks a joke that maybe he'll see them here shortly after they do get the news. He doesn't laugh at it.) He had his own plans for how he'd spread the good word in life, but of course, Helio had other plans. (Nothing Buddy ever wanted really mattered. He knew that, he knew the will of Helio was the real thing that mattered, and everything else was just a small list of preapproved extracurriculars in the syllabus of his life.)

He can't be upset about this.

He shouldn't be upset about this.

This is his reward.

This place and these people and this god are his reward for a life of service and devotion and walking in the light.

It's not his place to be upset about his own reward. Kristen got upset when she went to heaven, when she met Helio, and look where that got her.

Look... look where that got her.

He thinks he hates her. For looking at him like that. All the ways she looked at him. Like he was something pitiful and contemptible. Someone she needed to threaten away from her little brother. Someone she has to double and triple check if he's going to revive her when he's under magical oath to do just that or lose his connection to a divinity she threw away after being chosen.

And then. In that last moment, she looked at him and he saw grief and horror and caring. Like his death was awful and unfair and tragic.

And he thinks maybe he hates her for that. For challenging him every conversation they had and looking at him like she knew something he didn't. Like she was above him. Like killing your own god twice in life is a preferable fate to living for the promise of eternal sunlight and cornbread in death. A promise which was kept to him.

Kristen was promised to Helio, too.

And he can't unsee her face. He can't move along and focus on what truly matters (Helio, the church, spreading the word, doling out divine punishment when needed) because he's reached the end. There is nothing left. Only this bright sunny cornfield and a god who... is nice. And who cares about him, personally. He got Buddy's name wrong the first and only time they held audience.

He thinks he hates Kristen, and he hates that that hatred isn't immediately squashed out of his soul just by being here. In paradise. Where he belongs. Where every follower of Helio belongs. Where he never has to have anyone look at him the way Kristen did ever again.

I don't think Buddy Dawn asks Helio any questions. Because how do you ask the god you devoted every waking minute of your life to, 'Why do I hate it here? Why does this feel like hell?'

[bryantspeed]

[bryantspeed]

on shame and yearning (pt.2)

[bryantspeed]

CAN I GET A WA-HOO??

I'm bacK, yes, you can all see that.

I finally finished this silly little drawing of mine and god I love it, and yes I'm going to make more drawings of them 'cause I have no self-control, also

HELLO, LGBTQ+ COMMUNITY

⚠️Spoilers ahead for both series⚠️

So... about those takes that I have about this two (and a few others that I plan on drawing, don't worry, we'll get there), well, you can see that Phoenix is Crowley while Miles is Aziraphale...

It makes sense, I swear-

At first I was thinking of them but reverse (Phoenix as Aziraphale and Miles as Crowley) because, ngl they could fit either role anyway.

But character-wise? I think this is the best, mostly because of interactions the four of them had on their respective series.

To give an example, this dialogue in Ace Attorney:

It feels strangely similar to Aziraphale's "hereditary enemies" dialogue in the first season.

I might need to write some things down or else I will forget, fuck- (I'm writing this without any plan, help)

But hear me out, I'm not crazy-

Just take a look at Aziraphale's and Miles' fashion sense, that old-timey style they both have (and it's even more obvious with Miles' debut suit), that stubborn personality and undying faith about their side (Prosecutor's Office and heaven), etc.

While Phoenix's and Crowley's personality are more care-free, going their own way, their own side, bluffing away their problems and always chasing or following their "best friend" anywhere.

Phoenix getting a law degree just so he can reach Miles and save him, Crowley always being there for Aziraphale when needed and saving him...

Do you see where I'm getting at?

Also, you remember that scene with the bookshop being on fire and Crowley thinking that Aziraphale was dead?

..."Prosecutor Miles Edgeworth chooses death."

Yeah... the only difference is that Aziraphale didn't dissapear for a whole year and much less left a cryptid ass note behind and it wasn't really his fault-

But the feeling is quite similar, isn't it?

Now, after all the sad or complex feelings aside, let's see more happy things that I noticed:

Crowley's fondness of children / Phoenix's habit of adopting kids anywhere he goes.

Aziraphale liking yellow because it reminds him of Crowley's eyes / Miles finding a particular shade of blue relaxing once in a while.

Crowley's tendency of following Aziraphale like a dog following its owner / Phoenix's constant chasing after Miles (and also having a dog-like personality.)

Aziraphale not admitting that Crowley is his friend (or that he likes his company) / Miles also not admitting Phoenix is his friend (or that he likes his company.)

Yeah... the pattern is getting more obvious the more you look at it...

But I guess this is enough for one post, if you read it all the way, thank you for indulging my delusional brain!

Any comments, requests or... anything, really, will be much appreciated :DD

(If there are some errors, mispellings or anything of the sort, feel free to correct me because even though I've been learning english since I was like five years old, still isn't my first language so yeah👍)

[bryantspeed]

I understand why people think Manfred would be bigoted but honestly I think it would be significantly funnier if he just. Wasn’t. Someone calls him homophobic in court and he’s immediately like “I?? The great prosecutor Von Karma, blinded by the biases of lesser men? I fight only for justice and the holy fire of retribution, how dare you insinuate that I am beholden to the fallacies of the wretched” and everyone immediately tunes out his self-aggrandizement bc they’re just flabbergasted by von karma supporting gay rights

[bryantspeed]

I didn't

It hadn't hit me.

It hadn't hit me because I watched it all in one go and I stayed up all night to do it.

It hadn't hit me why Crowley was so certain that seeking shelter from the rain would make them fall in love.

[bryantspeed]

Season 2 Good Omens spoilers

Long rant incoming

Now that I’ve finished crying I wanna talk about the ending and some gut punch reactions I’ve already seen from other people. A repeated sentiment I’ve seen from Aziraphale and Crowley’s separation after the kiss is that “we don’t need more tragic queer endings” and that Our Flag Means Death and Good Omens suffer from straight writers writing queer love that fails in the end. And there are a few problems I have with those sentiments

The first being, BOTH GOOD OMENS AND OFMD AREN’T FINISHED? Like Neil Gaiman has stated in the past that he and Terry Pratchett envisioned 3 seasons in the TV adaptation of Good Omens, and we have definitely left off on a very interesting note for the third act to pick up from. This is the furthest thing from an ending as we can get.

Second, Season 2 of Good Omens very much shifted away from the idiot plot of Season 1 to truly make it a love story and emphasize that above all else. Hell, both Crowley and Aziraphale both point out romcom tropes that they find attractive and attempt to use them to make Maggie and Nina fall in love! Good Omens may be a self aware romcom, but it would be wrong to say it’s not still a romcom that subscribes to those tropes and utilizes them fully! We are ending the second act on a three act romantic story, and what typically happens then? The romantic leads, despite their mutual attraction and desire, split on ideological grounds and leave each other with regrets heavy on their lips (no matter how powerful a kiss is). Queer love stories do this too! Look at the movie “Bros”, they have this same 3 act structure, as does “But I’m a Cheerleader!” where we are screaming at Graham to please just run away with Megan but she is prioritizing her financial safety and family above her own desires.

Hell's sakes, look at the pinnacle of Romance, the brains behind the 1810 Clerkenwell diamond robbery, Jane Austen! Pride and Prejudice also follows this format where Elizabeth and Darcy are ideologically and emotionally split apart, and it is not until Darcy and Elizabeth grow and change for the better that they come back together in the most romantic scene to ever grace the world! "One word from you will silence me forever. [...] You have bewitched me body and soul". What I am trying to say is, Aziraphale going back to Heaven with Metatron is an extension of that common romance trope, splitting our star crossed demon and the too-trusting angel apart to prepare for the third and final act.

And ya know the funny thing that would have certainly happened even if they ended up together at the end of the second act? They would have been split apart very early into the third act. Stories are born of conflict, no story worth telling is one that culminates in "Nothing bad ever happened and we just watched our two lovebirds go on dates and explore each other's bodies for six hours!" Love stories thrive on setting up conflict, so that the romantic leads can fight and claw and work their way back to each other in a much more satisfying emotional climax than if the sloppy, rushed confession that Crowley gave Aziraphale had worked. Stories where the leads end up together in the middle of the story itself don't tend to end well for them (See Romeo and Juliet, "La La Land," "Titanic," et cetera). That is how you end up creating a romantic tragedy.

Third, while “We want queer stories that don’t end tragically” did have a place in film criticism at one time, and a time fairly recently, I feel that sticking to that now when there are a lot more stories that express queer joy and love (especially if you look beyond just major studios, support indie filmmakers, and support the SAG AFTRA and WGA strikes!!!) limits the kinds of stories we can tell. A genuine benefit of today is that there are a lot of queer stories that we can tell, and I’ve been lucky to read a lot of them. The freedom with which we can create stories about us is breathtaking. I've had the privilege to read many well written queer stories, but I've also had the strange privilege to read poorly written queer stories that I can't fathom how they made it past editing. There’s a fierce joy I carry knowing that there are a plethora of queer stories that I can read now, and that more are being created, good and bad.

My point is, there are so many queer stories to be told, and that are being told, so limiting queer media to “must end happily” is exactly that! Limiting! If we go in to every story with the foreknowledge of a happy ending, well frankly that’d be so boring! I want tragedies! I want fucked up characters not fully resolving their problems and being left in situations arguably worse than where they began!

And while I doubt that's the direction Neil Gaiman and Terry Pratchett wanted to take their supernatural love story, if Aziraphale and Crowley, despite all their struggles, are tragically separated because of metaphysical forces beyond our wildest imaginings, then that would be something new! It'd be interesting if done right! As painful it would be to not see Aziraphale and Crowley together gallivanting off to Alpha Centauri, I'd much rather see a story that has these sorts of stakes for both the characters and the audience!

Anyway, the reason for this rant is just to say that I'm excited for where Crowley and the new Supreme Archangel Aziraphale go in their final act, and by god will I impatiently wait and see.

PS: to those that I saw dismissing Good Omens' and OFMD's cliffhangers for coming from straight writers, Taika Waititi literally came out as queer, and Neil Gaiman had boycotts on Sandman in the 90's because of his queer characters, and his loving portrayal of Wanda, a trans woman that I will protect will all of my heart.

[bryantspeed]

Narumitsu Week 2021 - Day 2: Rewind

Baby mode :)

[bryantspeed]

oh hozier the man you are