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Black Women Photographer’s Meetup in NYC.
Photographs by me.
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Where you at. Where you been.
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IF YOU FOLLOW AND HAVE ASKED HOW TO HELP, here’s what we need you TO DO: 1. ♻️SHARE information urging Americans and registered voters to VOTE by casting their ballot in the primaries. Here are the dates. 2. 🙋🏽♀️ Hey, I’m Black! So support ME, my peers our businesses, Art, efforts and our joy. I’m tagging my business and organization that NEEDS your support. WHY? Because my existence IS resistance and if you know me you know that I constantly advocate to Human rights and Equality through media (never been quiet about that sis!) . @cerebralentertainment, my my production company where our crew is minorities and our Leads are BLACK! @minoritiesinfilm, a new community organized by me and @therealianq to help minorities in film break the glass ceiling! STAY TUNED FOR COMMUNITY EVENTS. . . . 3. EDUCATE YOURSELF, Read the list of literature and films I think you should check out in slide 2/3. 4. ❤️DONATE and Support community organizations if you haven’t already! Slide 4 . . 5. ✊🏾When you don’t support Black Businesses (for whatever reason) you are unintentionally contributing to economic inequality. Statistics show that Black Owned businesses are less likely to receive access to capital and financing. People often seek the alternative big brands or companies because institutionalized racism has told you that non-black business are more respectable and legitimate. So seek alternatives to your everyday items and purchases by checkinf out the following: ......... A Market for Everyday Items: @ourbomdotcom Restaurants and shops: @blackownedbklyn @odessadelights Creative services: @addierawr @grantingwishesstudios @odessablackofficial @creativewomenbuild @creativebusinessschool @themakerswell Health & Welness: @spikedspin @healhaus Community: @ethelsclub @jallohstudios @wearemadeinherimage @thecirri @blackfilmspace News & tech: @blavity @afro.tech BANKING: @carverbanknyc (These are just a few. Feel free to tag more business and organizations.) If you’ve done any or all of these things thank you. #blacklivesmatter #amplifymelanatedvoices (at Black Lives Matter) https://www.instagram.com/p/CA8rPS_JwDP/?igshid=y8bgl5zrq1vm
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I used to be a data analyst in local politics, aggregating information for elected officials so that they can assess the best way to maximize their impact on the lives of people in their communities. Humans became numbers and my job was to make the numbers move in favor of their campaigns and initiatives. But I cared too much. I listened to the humans, their stories, their pain and I cried for them sometimes at night when a mother lost her son because the gang that was trying to initiate him for the past few months finally got a hold of him and killed him, her number 300813 under NYCHA Emergency Transfer, Priority T2. - She was waitlisted for months and never got the chance to relocate her son. . . I cried when a young girl, not too far in age from me at the time, came into an office with a man who claimed that he had took her in after seeing her on the streets. Him and his wife were trying to help her, his intention may have been pure but I still asked to speak with her alone. She came to the office frequently by herself, she was nice. I was able to get her an internship. She had said she found a job and thanked me for being a friend. I saw her a few months later at the Hudson River Pier, it was late. Eyes glistened when she saw me, as much as dilated pupils can glisten. I never saw her again. I refused to close her case, but after 60 Days it must close, “Case Resolved” they said, improving overall performance and reducing the number of At-Risk-Youth in that area. . . My cousin was a number. Case Closed. You can’t resolve a case if the doctor of a malpractice goes MIA after the patient dies. . . . Burnout does sneak up on you, and you can love what you do and be great at it! I’m damn good with technology, data, software, logistics but I’m even better at being human. Even worse, I’m a creative. I’m glad I left that position to pursue my art but that profession never left me. Social Impact is important, data is important. . . But you can’t save others unless you save yourself. You can’t show up for other people more than you show up for yourself. . This quarantine is the force majeure that some of our souls needed. #preorder #TheNightShift #ActofGod #burnout (at New York, New York) https://www.instagram.com/p/CAIjFXHpUvy/?igshid=19z45zfmurart
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Say hi to the panelists! @blacktvfilmcollective once again brings together a diverse group Of accessibility specialists and creatives who will share tips on navigating your online events during COVID-19. Our Speakers (R -L): ✨ Sheri Byrne-Haber Senior Accessibility Evangelist, Head of Accessibilit/CX Ambassador at @vmware ✨ @asheakin , Disability Advocate + Writer/Director of SXSW nominated short SINGLE ✨Marie Paulino, Tech Project Manager, Accessibility Soecialist & Founder of @projecthearing What we'll cover during this virtual panel: ✅ Maximizing Engagement with Texhnology ✅ Advice for producers and content creators on closed caption and best online and offline practices ✅ ADA (Americans with Disabilities Act) Regulations and compliance’s ✅ How to maintain your connections in an even more digital era ✅ Top tips for navigating virtual interviews/rehearsals/meetings etc. In addition to time for live Q&A, the majority of the questions I ask as the moderator are from attendee questions sent in advance. So be sure to shoot me some of your questions! ⭕️ Closed Captioning Available through Blue Jeans hosting services. See you tonight at 7pm (EST). Register for the event on Eventbrite https://www.eventbrite.com/e/producing-circle-how-to-make-your-online-event-accessible-tickets-104338392942 (at New York, New York) https://www.instagram.com/p/B_5M-NApfTX/?igshid=1etgo2348up6d
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A lot of Virtual Events and online engagement happening since #covid19 and @blacktvfilmcollective and I want YOU to think about ways your events can unite all people, especially those with disabilities. Don’t lose out on a potential viable audience by not having essential components to meet accessibility guidelines. From films, TV, Virtual Events content online and offline, I have called on some amazing panelists to discuss this and give tips insight on maximizing engagement for #blacktvandfilmcollectives weekly #producer Circle. This Thursday, May 7th, 2020 7-9pm (EST) Click the link in my bio for more information and share with all event organizers, producers and content creators you know. See you then! 💕 https://www.blacktvfilmcollective.org/events/accessibility-online-engagements/ #quarantine #filmmaking #diversity #inclusionrevolution (at New York, New York) https://www.instagram.com/p/B_02j76p10k/?igshid=1bzyq80ejaelf
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I miss my friends 😭. https://www.instagram.com/p/B_n-32dJXTE/?igshid=1wig2vddkaeb6
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In a loving relationship with my bed ❤️ #cuddleseason #withmyself #rest (at Hibernation) https://www.instagram.com/p/B6aoUelpE9N/?igshid=1v5xex8qj221u
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Title: IGNITE
Directed by Brittany Franklin
Genre: Erotic, LGBTQ+, Experimental
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I’m thankful for boss women, Strong women with no limits. You can’t miss em. They don’t listen sometimes, cuz they just wanna be heard... #afreestyle #imarapper #micdrop #thankful @erikalust #xconfessions (at New York, New York) https://www.instagram.com/p/B5dWeXnJGgb/?igshid=z1eseiiogbwg
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It’s a WE thing not a me thing. Swipe right to see how many people can fit in one bed. 🤔 📸 by the mystical @totheppl @erikalust #Xconfessions #nyc #tbt #brooklyn #bed https://www.instagram.com/p/B5Iz8YVpWQz/?igshid=1l1jasb1frlgl
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This spoke to my soul
i don’t want to look “hot” i want to look alluring, haunting, bewitching. i want to look like the kind of person hozier would write a song about.
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Ganja & Hess Restored
A true gem is coming to Metrograph on May 30th!
Bill Gunn’s most under appreciated film, Ganja & Hess returns to theaters in a new and - in my opinion - better way! Restored from 35mm negatives, the newest version of Ganja & Hess captures the essence of Gunn’s artistic vision, which was suppressed in a time where gatekeepers were reluctant to release, and unable to appropriately identify, such a provocatively haunting masterpiece; Hollywood wanted to make black versions of white movies - i.e. Blackula, Shaft, and Super Fly. The final draft of Gunn's commissioned work turned out to be—not that.
Marketed as a "grindhouse blaxpoitation" the film follows the life of an anthropologist, played by Duane Jones (Night of the Living Dead), as he succumbs to blood-lust after being assaulted by his mentally unstable assistant (Gunn). Layered with the nuances of being black in America, this rebellious and emotionally jarring thriller is a film aficionado's dream and not one to miss!
The glorified directors cut of Ganja & Hess will be presented by Kino Lorber at Metrograph Theatre in NYC for a limited one week run. It has been restored by the Museum of Modern Art with support from The Film Foundation.
“I want to say that it is a terrible thing to be a black artist in this country — for reasons too private to expose to the arrogance of white criticism.” – Bill Gunn, The New York Times (1973)
I wrote this article in 2018 for BAUCE Mag and am still in love with this film. It has inspired many of my own personal art since. I wanted to throw it back in light of the release of Dolemite, Is My Name currently streaming on Netflix. What’s your favorite film from that era? Sound off.
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