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We looked inside some of the posts by camerondavidhood-blog and here's what we found interesting.
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Daniel Pflumm’s career as an artist grew with his career as a club owner, DJ, and promoter in 1990s Berlin. In 1992 he opened the illegal spot Elektro, which was soon followed by a string of other clubs: Panasonic, INIT-Bar, and Galerie Antik, which closed in 2003. In 1995, he also a co-founded the label Elektro Music Department with Klaus Kotai and Gabriele “Mo” Loschelder, the DJ duo Kotai + Mo, and his graphic designs graced the covers of the label’s records. His best works are in video, evolving from exhibitions he would stage in the chill-out rooms of his clubs. Fast-paced cuts, like Logo auf Schwarz, are loops of appropriated commercial clips, breaking down corporate logos into their most basic aesthetic elements and providing visual stimulation to match the club’s audio.
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CXEMA
Ukraines 2014 revolution led to escapism in club culture ---- birth of cxema.
Crisis resulted in job loss which led creater to make cxema
started as escapisim - scaled up
safe space
creativity flourishing in fashion skate culture
“CXEMA has a really hard atmosphere. I dont think people fall in love there. Its quite the opposite, it looks like theyre fighing while dancing”
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carpet crossing concept - does the club act as a catalyst for change in opinions / views? metaphorically carpet crossing
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