camus01boy-blog
Everything's Boy
Come Out of Nowhere.
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Eternal Sunshine of the Spotless Mind (2004) dir. Michel Gondry
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Carefully hidden in the background of these stillscreen shots from End of Evangelion are sketches of Misato, Asuka, and Rei in various sexually-fueled scenes – Misato reading a newspaper, Rei toweling off her hair, Asuka lying down, Misato bending forward, Asuka running to school, and a depiction of menstruation – from Shinji Ikari’s perspective.
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