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Polaroid Autofocus 660 Transparent Edition (1982)

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Naiomi Glasses ( via AC : )

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Yvette Vickers, Russ Meyer

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GRAFFMATT, Paintings.

Excellent urban works by artist GRAFFMATT.

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Marvin Koner. Miles Davis. Jazz club Cafe Bohemia. New York City. 1956

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Vector work.

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@artonwheelsgarage’s beautiful BMW K100 with custom @jonichwheels_official 🔥🔥Nice work!

#croig #caferacersofinstagram #caferacer #bmw #k100 #womenwhoride https://www.instagram.com/p/CIAEjSbnzJ3/?igshid=1q1f42qvqzj91

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18-year-old Japanese student Mikael on the street in Harajuku in the rain with a black face mask, long green jacket, shorts, LV bag, and over-the-knee boots. Full Look

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nature series 18/∞

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Tech Nouveau

Details, I wanted to mix geometric shapes with organic brushes. Punch you in the face with biomech feels. After a bit of fucking  around, I noticed you could break brushes in illustrator so they spilled out these vector wave shapes, like a feedback error, so I tried incorporating them into the art.

#ctrlaltdesign #dustrial #vector #art

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Zoë Rose photographed by A.J.H. For Atelier Bordelle.

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Nature Morte, Frederico Pestilli

Federico Pestilli conveys an important message of truth. His ‘Nature Morte’ photoseries sheds light on the global environmental crisis, threatening life on earth and jeopardising the inherent beauty of the natural kingdom. 

Serving as a metaphor for humanity’s fragile connection to nature, this series features a collection of powerful images of flowers wrapped in plastic: a daisy covered by an empty bottle, a bouquet of roses clustered in a plastic sleeve, and a tulip stuck in a condom. These seem to struggle for survival against a backdrop of saturated blue skies.

‘Nature Morte’ is the ultimate still life: while utterly vivid at first glance, each work is an imperative reminder of the incessant destruction of our environment.

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** Text and Images sourced from Wallpaper **

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Ronch is a punk surrealist painter obsessed with details.

The main feature of my work is the meticulous attention to detail in microcosms crowded and dense with situations, through a miniaturist approach, supported by the use of a magnifying glass to define every square inch of the painting.

Urban contexts are dismembered in a dream-like swarm of architecture, forms and social relations disrupted, provocatively juxtaposed with no apparent order. Childhood memories and paranoid nightmares are recomposed with graphite or color on canvas and paper, often through pareidolia, returning a duel between the freedom of the absurd and arbitrariness of the rule. The masters that have most influence on my work ranging from Leonardo to The Clash, Brueghel, Dali, from Hieronymus Bosch to Dead Kennedys.

The above post was submitted to Cross Connect Mag.