michelle ✦ 34 ✦ she/her just a burnt-out loser on the internet
Don't wanna be here? Send us removal request.
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"you are annoying about x & y" okay. this is the being annoying website.
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Istanbul, 1997.
Photographs by Gueorgui Pinkhassov
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Ffamran Mied Bunansa
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A very quick study of John Singer Sargent’s “Portrait of Madame X,” except with Vivienne. Because, you know- fandom trash.
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tumblr is such a different animal than other social media platforms for so many reasons obviously but one thing i really find funny about it is how on other sites if i see something that doesn't interest me i don't follow or don't like the post. but on here if someone i follow starts posting exclusively about something really niche that i have no interest in my reaction is never to unfollow. its just part of the natural environment. like oh mutual is now really into pro wrestling? ok i guess ill be seeing these guys around now
#people on my dash keep yelling about a horse girl game#it's like i'm being transported back to elementary school#i don't get it but i'm happy for y'all#keep sharing your horses
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i needed to read this today so im sharing it to all of you!!
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Another The cat returns human version redraw ヽ(=^・ω・^=)丿
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i think i've finally reached a point in my life where i now know my limit when it comes to pushing myself out of my comfort zone.
a lot of my burnout was because of my career, yes, but my career also forced me to put myself out there when i otherwise wouldn't, which is a good thing! i honestly wouldn't have been able to learn a lot of the skills that i know and use today if i didn't work in the field that i do.
the problem was that in trying to learn these skills, i pushed myself to the point of burnout. not good.
but nowadays? i know when to challenge myself and push past the discomfort or pull back when it gets to be too much.
shit, i think this therapy shit is working
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june snapshots
summer cabins and cloudy beaches and baking and reading with cat cuddles, oh my!
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Wanted (2008) dir. Timur Bekmambetov Mamushi - Megan Thee Stallion (2024) dir. Kevin "Onda" Leyva
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