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“Sunday,” Maurizio Cattelan’s first solo gallery exhibition in more than two decades and his solo debut at Gagosian, is now on view at the gallery at West 21st Street in New York. The show is curated by Francesco Bonami (@thebonamist).

In a new installation, “Sunday” (2024), Cattelan compounds the response to economic inequality embodied by “America” (2016), using precious metal to deconstruct the country’s relationship to the accessibility of weapons (a condition against which privilege affords no defense). Panels of stainless steel, plated in 24-karat gold, have been “modified” by gunfire. Follow the link in our bio for more information.

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Claudia Keep (@claudiakeep): best friend’s rock collection

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Hamish Fulton, A seven day walk in the Rocky Mountains of Alberta Canada Autumn 1978, (7 different old ruler collector pieces, painted, with climb text, signed), 1978 [espaivisor – Galería Visor. © Hamish Fulton]

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Hamish Fulton, Tarahumara. A five day walk in the Canyon of the Rio Urique. Mexico 1979, (6 old wooden pieces, painted, with climb text, signed), 1979 [espaivisor – Galería Visor. © Hamish Fulton]

Exhibition: Hamish Fulton: ‘Indoors Outside’, espaivisor – Galería Visor, Valencia, May 29 – September 4, 2015

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Max Ernst at Peggy Guggenheim’s Home, New York City, 1942

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Robert Rauschenberg creating 'First Time Painting' (1961) in 'Homage to David Tudor' at the Théâtre de l’Ambassade des États-Unis , Paris, France, June 20, 1961 [Photo: Shunk-Kender © J. Paul Getty Trust. Photograph Collection. Robert Rauschenberg Foundation Archives, New York]

Plus: Robert Rauschenberg, First Time Painting, (combine: oil, paper, fabric, sailcloth, plastic exhaust cap, alarm clock, sheet metal, adhesive tape, metal springs, wire, and string on canvas), 1961 [Staatliche Museen zu Berlin, Nationalgalerie, Sammlung Marx. © Robert Rauschenberg Foundation, New York, NY]

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From: Emily Dickinson, Herbarium, (1 volume, 66 pages, in green cloth case), ca. 1839-1846 [MS Am 1118.11, Houghton Library © President and Fellows of Harvard College, Cambridge, MA]

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Jumana El Husseini (جمانة الحسيني), Untitled, (mixed media on paper), 2000 [«Jerusalem Story». Courtesy of Jumana El Husseini's sons. © The Estate of Jumana El Husseini]

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DogoD OgoDoG GoodooG OoGoD

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Kishio Suga, “Appearing Space”, 1982

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Imi Knoebel, Raum 19 [Room 19], 1968.

Hardboard, wood, stretcher. Nic Tenwiggenhorn.

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Isidore Isou, Composition lettriste, 1961.

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Isidore Isou, Nombre (XXI), (oil on canvas; from a series of 36), 1952 [Centre Pompidou, Paris. © Adagp, Paris. Photo: © Philippe Migeat/Centre Pompidou]

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Isiore Isou

Les Nombres, 1952

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Rudolf Stingel

Untitled, 2012

oil and enamel on canvas

241.3 x 193.0 x 5.2 cm 95 x 76 x 2 in

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Isabelle Lévénez, Je promets de ne plus me maquiller, (ink and watercolor on paper), 2009 [Galerie Isabelle Gounod, Paris. © Isabelle Lévénez]

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Isabelle Lévénez, Jours de pouvoir, (ink, watercolor and collage on paper), 1998-2009 [Galerie Isabelle Gounod, Paris. © Isabelle Lévénez]