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Check this out on Amazon

EVENFALL OF THE HELICAL https://www.amazon.com/dp/B09ZLGJGKF/ref=cm_sw_r_awdo_CAFCNCEHF9HYZS2WV108

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Markets and "The End"

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(via Quote: THE PRAXIS CONTINUUM (A. Glass 2018))

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(via Quote: KALAS (A Glass))

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(via Yohji Yamamoto. Fall 2022 Menswear - Tokyo, Japan)

“...Is it all about aging? In some ways it is, the pandemic has slammed into the older generation in a brutal and unforgiving way, when, in some cases the viral contagion only mildly affected younger people it was the aging citizens and the immune compromised that were devastated by this horrible disease. Sans, the spreaders of misinformation downplaying the severity, this pandemic has been a scourge which has killed so many. The aging process humbles us, knowing that nature is the ultimate power, to which we may offer a rebellion against in our effort to survive its ferocity – but, in the end we accept that the process of birth and death is inevitable. This could be Yamamoto’s retrospection of the four decade old fashion designer who, in his stalwart manner, has been able to define not only Couture but also the avant-garde as distinctly an imprint of Yamamoto’s influence on the fashion industry....”

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(via Quote: "Machines of the Occultus" from novel THE GRAFT OF SHADOWS (A. Glass 2019))

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(via Yohji Yamamoto. Fall 2022 Menswear - Tokyo, Japan)

"Yohji Yamamoto after forty years of runway showings, has, like most fashion designers, being affected by the global pandemic, with its on and off again fashion weeks since the 2021 openings, once again is at the mercy of restrictions which have been implemented across Europe in lieu of the this new viral outbreak. Thus, Yamamoto has held his Fall 2022 collection at his labels’ flagship store in the suburb of Aoyama, in Tokyo, maintaining the recurring theme since is Fall 2021 showing of the furlong and worn look of an aging master, with models hair streaked gray, with a deliberate effort to remove some of their youthful glow. This is Yamamoto playing around with his own aging stature, in a paradoxical and not so subtle reflection of schooling the youth of what it is to age and become older, he turned 78 in October 2021..."

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(via XENOSTRUCTURALISM II catalogue)

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(via XENOSTRUCTURALISM I catalogue.)

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"Rick Owen’s Lido, Venice beach shows maybe in the shadow of the 2020 and 2021 pandemic, where he and his wife Michele Lamy spent the good part of the viral outbreak away from their Parisian home on the beaches of Lido. Returning to Paris for 2022 fashion weeks, this tumultuous period in human history is still upon us, which has further defined Owens creative direction. No stranger to his own doomsday manifestations that is of his own signature aesthetics, Owens has been able to maintain his styles within the dichotomy of light and darkness, stark metaphors which reflect and absorb energy and within their essence are indicative of both life and death.    Owens’s ability to criss cross his influences over the last decade by showcasing his 1970s hedonistic glamor, with 1980s excess, fused with the over confidence and hyper-reality of digital media, he is one of the last independent luxury designers left..."

(via Rick Owens. Fall 2022 - Paris)

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(via "KALAS" (A.Glass 2020))

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(via Quote: "KALAS" (A Glass 2020))

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(via A-Cold-Wall. Fall 2022)

"Probably one of the quintessential outwear and architecturally inspired designers in the fashion industry at the moment, is Samuel Ross of his own label A-Cold-Wall, which, being only five years old, has been able to deliver an array of seasonal styles distinct to Ross’s vision of the avant-garde. The young designer who was once an intern for the late Virgil Abloh of Off White fame, who passed away this year,  Ross has continued to sharpen his streetwear appeal, formulating a uniqueness in representing his urbanism inspired fashion manifesto..."

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(via Rick Owens. Spring 2022 Ready-to-Wear. Paris Fashion Week.)

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(via )