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no sorry i dont really use instagram, i can contact you via ouija board, spirit box, fluctuations in temperature, flickering lights, and certain rituals. i am also on tumblr.

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When it was discovered that Zalim (ironically meaning, cruel) was in the company of two very young cubs, those at Ranthambore feared the worst: that, as an adult male, he would kill them. Instead, he surprised naturalists with his “motherly” behavior when he took in his twin daughters following the death of their mother.

At this time, science stated that tigers were only as social as mothers and cubs could go and that tiger fathers rarely interacted with their offspring. Zalim changed that when he was witnessed, month after month, caring for his daughters and teaching them how to hunt. Their relationship eventually ceased when the two girls were shifted to Sariska Tiger Reserve and Zalim went on to father another litter with the then-dominant tigress Sundari, the so-called Lady of the Lakes. When she too mysteriously disappeared, Zalim unsurprisingly took care of their cubs as well.

Ranthambore National Park, India Photograph taken via camera trap

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i must be a clitoris the way yall r rubbing me the wrong way

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i actually do think it’s anti-feminist to be fatphobic and yes i do mean that

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Stolen from reddit where it wasn't being properly appreciated

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IT FUCKIN YURI DAAAAAAAAAAAY

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I knew you'd help me.

Grace & Daniel Le Domas Ready or Not (2019) dir. Tyler Gillett, Matt Bettinelli-Olpin

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HOMEM COM H / LATIN BLOOD — THE BALLAD OF NEY MATOGROSSO (2025) – dir. Esmir Filho The relationship between artist Ney Matogrosso and Brazilian poet and singer Cazuza transcends the fleeting nature of romantic love; it is remembered by Ney as a profound and enduring connection, marked by passion, rebellion, and tenderness. They met when Cazuza was still young: a fiery spirit, impulsive, fearless, and unapologetically alive. Though their romantic relationship eventually dissolved, what remained was something far more lasting: an unbreakable bond of affection, friendship, and mutual admiration that persisted until Cazuza’s premature death from AIDS at the height of the global epidemic. In the final chapter of Cazuza’s life, frail yet defiant, he embarked on a farewell tour. Every show was masterfully directed by Ney — an act of love, care, and artistic kinship. It was during this period that “O Tempo Não Para”, now a timeless anthem in Brazilian music, was born. Ney, upon hearing the song only once, immediately recognized its brilliance and insisted that Cazuza include it in the setlist. That single decision transformed the song into one of Cazuza’s most powerful and lasting legacies. Decades later, Ney still speaks of Cazuza with a mixture of reverence and tenderness, often confessing without hesitation that he never stopped loving him. Their story lingers not only in memories but also in the poetry Cazuza left behind. One, written for his paternal grandmother, Maria José, was found by his mother after Maria José passed away. Upon reading it, she entrusted it to one of Cazuza’s former bandmates, who instinctively reached out to Ney. It was Ney who breathed life into the poem, transforming it into the hauntingly beautiful song “Poema”, which became one of his most celebrated hits. Far beyond the confines of romance, their bond became a testament to chosen love, enduring friendship, and the sacred intersection between art, memory, and resistance. Ney and Cazuza continue to echo through Brazilian cultural history as symbols of artistic freedom, vulnerability, and the refusal to be silenced.

HAPPY PRIDE! 🌈

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Patreon Love Letter tier a4 print for April!

Join here!

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its me. the anonymized person of the global south

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disappearing like the roanoke colonists but carving "I NEED A FAT BITCH" into a tree instead of "CROATOAN"