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a good sailor will always return to the sea

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Tell us about slurs, white European

You are not ready to learn about white-on-white colonialism.

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a feel like the new generation of fanfic readers NEED to understand that clicking on a fic (interaction) does nothing. ao3 has no algorithm. your private discord discussions of fic do not reach the authors. if you do not actively engage with writers they will stop posting. this isn’t social media this is community.

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a woman being feminine is right-wing coded which is masculine coded. a woman being masculine is left-wing coded which is feminine coded. this disproves the existence of women

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due to inflation the answer to life the universe and everything is now 48

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The Sopranos

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going wild thinking about the use of Rocky Road to Dublin in Sinners. It’s a really tight microcosm of a lot of the film’s themes just by itself. Credentials: I’m a retired Irish dancer, I went to worlds and the whole bit. My family is appalachian and I grew up on bluegrass

It’s played on a banjo, an instrument with origins in West Africa formally invented in the US by enslaved people (and then popularized in Irish music through Irish American immigrants, largely in the South and Appalachia). Even the instrument telegraphs an attempt at cultural exchange morphing into theft and exploitation, especially because the history of the banjo has been purposefully obscured by white people

It’s got a strong down beat, making it the musical opposite of the swung blues sound (emphasis on 1/3 as opposed to 2/4). The scene is clearly meant to evoke klan imagery, and giving it this marching feel ABSOLUTELY contributes

It’s in 9/8 meter (with some mixed—it’s a uniquely weird song), making it, traditionally, a slip jig. Historically, this is a light shoe dance for women only (he’s dancing hard shoe in the movie) meaning that Remmick’s attempt to reclaim his own culture has been botched, obscured, and lost as he’s been alienated from it and co-opted into the symbolic hive of American whiteness/cultural orphanage/cultural patricide.

The song itself is about a guy cutting a shillelagh (a walking stick/club with a folkloric purpose of warding off evil spirits) to protect himself on his journey to Dublin, but winding up using it against a few Englishmen mocking him for his Irish accent. It’s a parallel to exactly what Remmick was not able to do—protect himself from monsters, and protect himself from colonization. It also highlights that this number is being used to threaten violence against the leads

It’s such a clever combination of inverting swing/jazz sounds and showing ways Remmick is missing the point. Since he sold his soul for power, comfort, and conformity, he’s only able to access a shadow of his culture, while misunderstanding and misrepresenting major pieces of his own traditions. Even his attempts to culturally “share” through the banjo is plowed over by his use of it and Black bodies and voices for his own individual pleasure and as a threat of further violence. It’s such a smart pick

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Oh my GOD saw Sinners again… everybody trying to take Sammie’s voice (Remmick wanting to take it and use it for himself, his father telling him to give his voice to God, even Smoke telling him to give up the blues for his own good). But in the end his voice belongs to HIM!! it’s HIS gift it’s HIS power and he holds onto it and builds a life for himself with his music!!! It’s is his connection to his past and his avenue to his future

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I do want to touch on one more thing. When black people were stolen from Africa and put on those ships. They stripped us of our culture, our language and our history. A lot of us in present day can’t even say where our ancestors came from exactly, we can’t speak the language, we don’t even know the names of our forefathers.

That music scene was so moving because it highlights that despite all of the terrible atrocities, we are connected. Past, present and future. It’s in our soul, it’s in our very bones. We will always carry each other. It’s spiritual and it’s unbreakable. That power is our birthright.

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"There are legends of people born with the gift of making music so true, it can pierce the veil between life and death. Conjuring spirits from the past and the future." SINNERS (2025) dir. Ryan Coogler

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Isn't it fucking insane that so many people think that IQs are real. Like people genuinely believe you are born with one set level of intelligence that can be measured on a scale from 1 to ~200. As if intelligence wasn't extremely nuanced and completely subjective. And the fact that the majority of scientists that have advocated for IQ tests in the past have been eugenicists doesn't seem to concern anyone either