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Something that I get chills about is the fact that the oldest story told made by the oldest civilization opens with "In those days, in those distant days, in those ancient nights."

This confirms that there is a civilization older than the Sumerians that we have yet to find

Some people get existential dread from this

Me? I think it's fucking awesome it shows just how much of this world we have yet to discover and that is just fascinating

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When I am appointed to represent a child, my first action is to separate them from their parents and tell them the following things:

1. I am their attorney. I do not work for their parent or the judge or the cops. I don’t care what any of those people want.

2. My job is to listen to them and try and make what they want happen in court. (At this point I make a joke about how most people want me to get them out of trouble but if someone wanted to be in trouble I would do my best.)

3. What they tell me is confidential. It goes nowhere unless they agree to it. (If old enough, I talk to them about mandatory reporters, and how I’m a mandatory non reporter.)

4. I will give them lots of advice because I’ve been doing court for a while and I know a lot about it, and they don’t. It’s all really complicated, and if they don’t understand what’s happening it’s my job to help them figure it out.

5. They will make the decisions. (At this point I usually have to reassure them that I’ll help, I’ll speak for them in front of the judge, and I’ve got their back. It’s scary to have an adult say you’re in charge, most of the time.)

6. I tell them I know it’s absolutely wild to have some stranger come in here and say “hey, you can trust me!” and that I get if they don’t believe everything right away, because I plan to show them through my actions and my words that I’ll fight for them.

7. But nonetheless, I will treat them like a person who can make decisions, because they are living their life and I am not.

I do not:

Pretend to be cool.

Try to be their BFF.

Overwhelm them with detail.

Let their parents in the room until the kid asks for them. (I provide openings for this, and ask if the kid wants their parent to help them remember and understand.)

I want to emphasize I went into this job knowing nothing about how to interact with vulnerable populations, especially children. The training was minimal, and my role means that I can literally walk into a facility and get an unmonitored visit with a minor client one on one.

In my years of practice I have never felt threatened by a child, even one that was “violent” and “unstable.” It turns out just saying “hi, I think you’re a person with thoughts” is wildly successful? Now people treat me like I have special Child Whisperer powers. My powers are that I ask the child what’s up and I’m not scared to say things that are objectively awkward. I know nothing about anything.

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Shaun Tan, The Vision (2016)

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immortality as theft (you have to steal life from something else) immortality as parasitism (there is something else inside You that is keeping you alive and you become less of yourself more and more the longer it stays in you) immortality as violence (everything is trying to kill you because everything is supposed to die and the universe will always try to find a way to right the wrong that is You) you understand

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Hiii, I was just wandering if you wouldn’t mind blabbing about the symbolism and stuff behind some of your design choices with the horse men that you might not have mentioned. Like with pestilence and death specifically I feel like there’s a lot of symbolism I’m picking up on without fully understanding. Like with Death’s sickle, both a homage to the classic scythe and a nod to the “reaping/harvesting” of souls. And with pestilence I feel like there’s something that I’m skirting around without grasping. The multiple legs strike me as a deliberate similarity to insects, and if I’m right I think that the rider is bound in a body bag type deal, similar to how disease and pestilence is so often both spread through the improper disposal of body’s, and how wide spread pestilence leads to mass graves filled with disease and the horrible anonymity that comes with being just one face in a pit of hundreds etc? All of this is, ofc, to say that I’ve adored your series of the horsemen so far and would go absolutely rabid for some insight on some of your design choices<3

My horsemen of the apocalypse! I will add the original commentary and some extras, less about the symbolism and more about what brought me to design them the way I did.

The symbolism is for you to chose, there is no wrong answer.

WAR

I can't bring myself to represent war with a cool knight. It's horror. War is a bound child crowned with shrapnel, tied to a wounded horse that is being pulled forward by unseen people.

I've read a handful of books regarding war. A lost quote said that it should be shown as horror, it should make generals vomit, it should make you sick. I haven't seen war but my family has.

It was the first horseman I've designed, and it was in my sketchbook for months (maybe over a year, maybe even more) before I had the courage to draw it. I was really scared about how people would react to a mutilated child.

Recommended reading: The Red Crown - Mikhail Bulgakov, a short story about a man coping with the loss of his brother in the war

FAMINE

Someone who lived thro a famine shared that their head was only occupied with thoughts of food. Famine consumes your mind. All animals were eaten. Neighbors gave their pets away cuz they couldn't do it themselves. People walked around town as if in a dazed dream, slowly

Recommended reading: The Last Witnesses - Svetlana Alexievitch, a collection of testimonials of people who were children when WW2 began. Some quotes below;

'''A cat! A cat!' Other children saw it and started chasing it. The educators were local habitants, looked at us as if we were insane. In Leningrad there were no living cats left...A living cat was a dream. Food for one month...We talked about it, but they didn't believe us.''

''During the first year of evacuation, we didn't notice nature, everything that was nature provoked in us only one desire - taste to see if it's edible. Only a year later I noticed the beauty of the Urals''

''I dreamt of catching a sparrow and eating it...''

''A candle burns and the shopgirl cuts the bread pieces. People follow her with their gaze. Her every movement...with burning eyes...crazed...and all that in silence.''

''People walked slowly through the city like shadows. Like in a dream...a deep dream...As in, you see it, but you think you're seeing a dream. Those sluggish movements...floating...As if a person walked on water and not on land.''

''In Leningrad there are a lot of monuments, but one is missing that should exist. They forgot about it. The monument to the dogs of the seige. Dear doggy, forgive me...''

I don't like talking about it. It made no sense to draw Famine with a horse.

PESTILENCE

Based on the notes of a doctor who said the most frightening thing about viral disease was how it didn’t frighten. People didn’t know or didn't care. They lived and spread until it was too late and they became another name on the record

The clothing being made out of shredding plastic is no coincidence; pollution is a form of pestilence too

Recommended reading: Notes from a Countryside Doctor - Mikhail Bulgakov. Roughly translated quote below;

''Ah, I verified that here syphilis was frightening precisely because it did not frighten. That was why I evoked that woman.* I remembered her with a kind of affectionate respect: because she had been afraid. But she was the only one!''

*Early in the chapter, doctor mentions a woman that appeared in the clinic with a letter from her soldier husband, where he wrote that he had syphilis and told her she should go to the doctor too.

DEATH

Recommended reading: Voices of Chernobyl - Svetlana Alexievitch. The Death of Ivan Ilitch - Lev Tolstoi

“Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone - the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.”

Death is the only horseman that doesn’t need to mount their horse; they will reach everyone eventually. Who is the saddle for then? Open ended question because this one you have to figure out personally

Many people pointed out how the horse is a Clydesdale. Good eyes! I purposefully asked a friend to guide me towards what type of horses are the sturdiest and most-friendly looking. I drew the horse grazing. It's not injured, it doesn't gallop. It's grazing peacefully because life moves on.

This is the only design that had a painting serve as a base - The Reaper, by Alexey Venetsianov. Not much or nothing at all is written about, I saw it in a book. It is a literal reaper but it haunted me, as if it's portraying more than a person.

The choice to make it a woman was due to a book about a crematory (Smoke Gets in Your Eyes - Caitlin Doughty) that connected women to death because everyone born is bound to die.

Ahhh, I don't want to give it all away. It's fun to figure things out. About them all. From the enviroment, to the movement, to the horses themselves. Many people even mentioned details that I did not notice and didn't add purposefully that were so inspired and amazing. I truly mean that the interpretations of the public enrich the works even more than my own words. And it's an honor to share that work with everyone.

Thank you anon!

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Four Horsemen of the Apocalypse

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captcha

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by Laerte Coutinho

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"Her eyes opened. A small, astonished smile creased her mouth. The smile transformed her face into an affliction of beauty that Gideon had heretofore managed to ignore."

___

pool scene. literally the gayest shit i've ever read.

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really everyone you love has something miserably wrong with them or an obvious flaw that won't ever be fixed but like it's up to you what kind of person you can and cannot deal with. someone in my family has anger issues which I can handle and diffuse with no problem, but a person who can't tolerate yelling could not be close to him. another person I know is very anxious & needs constant reassurance and she gets along famously with gentler and more straightforward people than myself, but I can't handle being second guessed all the time. someone who is loosey goosey with their morals wouldn't bother me, but a person with a profound sense of justice makes me feel afraid of getting on their bad side. none of these traits actually make someone a bad person & just because there are personalities I can't handle doesnt mean I'M a bad person either. litany against callout posts for stupid shit and simple incompatibilities we all have to live on this earth together & need to learn how to deal with each other

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i'll never get over ianthe being written as thinking of herself as freakazoid prime (and other characters also thinking of her this way) and yet she's still just as disgusted as harrow (a LITERAL NUN) by dios apate minor. it is the funniest thing in the world to me

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early gtn griddlehark has me acting unwise

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Funniest detail in the new Deltarune chapters is that if you try to play Megalovania on one of the pianos Toby Fox's sona runs you over with a Little Tikes car and when you wake up you can't play it anymore

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tlt tumblr: here’s a 52-page treatise on how john’s vision of his empire references the first and second crusades, cross-analyzed with the modern trend of liberal apathy and a layered examination of the complexities of a man from a colonized people becoming a colonizer. almost didn’t post it here because it feels too obvious haha

tlt reddit: can someone remind me who ‘cam’ is?

tlt twitter: guyssss i don’t know if i can finish these books 😭😭 i wanted nice lesbians in space but this relationship is lowkey toxic???

person in real life: hey man how’s it going

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muscle memory kicking in