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How to Write Villains Advice

Forget the tragic backstory for a second. Instead, picture your villain from the perspective of someone who has to work for them. Like… imagine being their underpaid assistant, or their intern, or maybe the poor demon who handles their calendar.

What are you complaining about in your group chat? “He monologued at the printer again. I haven’t eaten in nine hours. He made me rewrite the evil plan because it didn’t ‘spark joy.’ Also, he quoted Nietzsche in my performance review.”

Suddenly, you’re not writing some generic evil overlord, no my dear, you’re writing a nightmare boss who micromanages world domination and is emotionally unavailable and somehow still insists on holding weekly stand-up meetings. That’s fucking scary.

The goal here is to make them feel real enough that your reader starts sweating when they show up, not rolling their eyes like “Yes, here comes Dramatic Cloak Man again.” Villains are people too (horrible, exhausting people), and the more grounded you make their awfulness, the more powerful they become. And it’s way more fun to write someone who’s both horrifying and petty.

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how to outline a story:

write a bullet point list of everything that happens

realize it doesn’t make sense

cry

start writing anyway

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Hey, ive been really interested in your book but ive heard a whole lot of chaos that comes from companies taking money from the authors and since I dont know anything for sure, do you have a place where I can buy your book and be sure you receive as much as possible?

The main place to get my book would be from Amazon at the moment. I will look more closely at other options, but as of right now, they're the only ones who will print on demand and take care of basically the whole process for me when someone orders. They aren't much more helpful with selling than traditional publishers, but the main thing they are is *accessible*

If someone finds me a service that's easy to use, easy to access, does all the work like Amazon does, and pays better, I desperately hope they'll let me know because there are eleventy billion publishers out there and they ALL SWEAR to be the best thing for authors on the planet.

Researching this type of thing is extremely time consuming and I don't know if I can trust aggregators to compare and contrast them in an honest way so that I can make the best decision

Because when I choose a new publisher, I would like them to be my publisher for life. I don't want to make this choice again. This has been years, and it's only getting harder and more companies are being scammy and stupid and predatory. At least with Amazon I know what I'm getting

Goodness, I kinda didn't mean to info dump like this, but I need to put this information out into the world because I actually need help with this. Everybody thinks *their* publishing company is the best, but then when I look into them, there are massive problems even getting the book into their system. Or it costs money. Or the quality sucks. Or the wait times suck for customers. Or the pay rate isn't any higher after all the fees

I'm not just writing. I have an entire life to take care of, and this would take many, many, MANY hours to research.

Please, if someone is willing to help????

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i loveeeeeee nonlinear storytelling. show me where we are. now show me how we got here. the end before the beginning. show me how it was inevitable or how many chances we had to change things(nothing was ever going to change). let's meet in the middle as all the puzzle pieces slide into place hell yeah that's the good shit.

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This obviously needed its own post and here it is, a collection of blog posts and resources I have found and used for my own writing, I hope they help you too! Go forth and write that spice!

The Smut Writers Dictionary By @maybeeatspaghetti Seriously, how many different way are there to write cock? Does anyone else wonder if they've used the word 'lips' too many times? Well, this is a good place to start!

The Ultimate Guide to Writing Smut This is the first one I found and I go back to it frequently! There's also some great information about specific areas of sex that may not be common knowledge for first time writers!

How to Write Smut By @urfriendlywriter Another great source of information from different verbiage to use and a few tips to hel you along (giggity)

Smut Thesaurus By @prurientpuddlejumper just what it sounds like and you can never have too many words at your disposal.

6 Steps to Writing Better Sex By @chaoschaoswriting If you're at a loss or just want some more help this is antoher fantastic blog!

Writing Prompts NSFW By @seidenbros Need some dialogue? Or a story idea? Have a look!

#100 NSFW/Smut Dialogue Prompts By @a-cure-for-writers-block More? More. This is also a fantastic writing blog with lots to offer!

Intimate + Sexual Headcannon Questions By @petalsprompts Good questions to ask your characters to get to know them better and make more well rounded characters!

Smut & Mature (18+) Master List By @pendarling A great list dialogue prompts, scenarios, and helpful bits!

Poly NSFW Alphabet By @smaoineamhsalach Another great way to get to know your characters and maybe a handful of ideas for story ideas.

Kink Prompts Another from the previous blogger above and I didn't know what half of these are! I'll work on a kink dictionary next!

Writing Smut 101: Overcoming Smut Shame @slightlyrebelliouswriter23 There's a lot to be said for this particular subject! It's hard to write stuff like this, so how do you get over it? Start here!

How to Write a Kiss Scene By @youneedsomeprompts Yes!!! I still struggle with this one! There's a thousand ways to kiss, find your favorite!

Smut Oneliners By @deity-prompts you can never have enough one-liners!!

How to Write a (Great) Sex Scene Another great article for new smut writers

9 Tips for Writing Steamy Scenes More tips to help you wirte good steamy stuff!

How to Write Erotica and a Damn Fine Sex Scene A WEALTH if information on writing, structuring, and helpful tips!

@saradikahas a fantatic blog with graphics for you to use to add some fun to your posts. Things like MDNI Banners, 18+ Content Warnings, Support Your Favorite Writers and Reblog banners! They are free to use but she does ask that you reblog her stuff if you do! She's also a very talented writer and she writes some AMAZING Din Djarin stories!

Gay Sex Positions Guide This is a WONDERFUL adition and thank you so much @b7bubby for bringing this to my attention, I didn't have any resources for writing M/M fairings but this is a much needed addition to the spicy community! i've never written an M/M pairing and I feel like such an idiot for overlooking the need for a resource like this!

Writing the Perfect Kiss Scene provided by @writers-potiona fantastic little guide to writing better kisses!

If you find any other great smut writing resources feel free to tag me so I can add them to this list! Good luck with your writing! Now go write that story and LET THE SPICE FLOW!!!!

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Unmarked masked men (aka secret police) claiming to be ICE arrested Brad Lander, the NYC comptroller and current mayor candidate, and refused to identify themselves or produce a warrant when asked.

Shits bad, y'all

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"what's the worst thing you can do as an artist" is not "shade with black" or "not use references" or whatever the worst thing you can do as an artist is hate yourself. and that includes the person you used to be

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Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

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New writing rule: Checkov’s friend

If you introduce a named character with a relationship to a protagonist, their character arc must be resolved in a way that feels reasonable and satisfying

Which is to say: they can’t just dissappear when they’re no longer a convenient plot device

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Something I'm fond of saying is "The villain drives the plot but the hero sets the tone." Something that's very important about this is that the resolution to the conflicts presented need to match the hero's tone. If your story doesn't believe problems can be solved the way the hero wants to solve them... why is this the hero?

If you want your problems to be solved with brutal catharsis, then your hero should be someone who believes in brutal catharsis.

If you want your problems to be solved with forgiveness and reconciliation, then your hero should be someone who believes in forgiveness and reconciliation.

They don't have to begin there. This can be something they come around to over the course of the story, as they grow and change per their character arc. But by the time of their ultimate encounter with the villain, their values should be the values that drive the story forward.

There's this thing in D&D that some DMs do. Where, when you roll enough damage to deplete the monster's hit points, they'll turn to you and say, "That's a kill. Describe for the group how you take the monster down." And you're allowed to come up with some cool maneuver or something that your character did in order to deliver the finishing blow.

The hero's ultimate triumph over the villain is a lot like this. More than any other part of the story, this moment is their apotheosis. It should be a celebration of everything they are and everything they stand for.

You have defeated the villain; Now describe for the group what form that victory takes.

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How to Write a CHARMING Villain

Everyone loves a good villain, and they especially love a charming one. If you want to write an antagonist who's both evil yet irresistible, look no further!

1. Show Their "Kindness"

Kindness? Wait, I thought you said we're writing a villain today.

Yup, I mean it--make your antagonist appear kind. Realistically, someone who's polite and friendly is often considered more attractive than someone who's rude and judgmental, so make them kind. It doesn't have to be honest kindness, but you want your readers to doubt the malevolence of your character, if that makes sense.

You can show this kindness through small, daily actions; they don't have to have a lot of impact on the story. Something simple like leaving a big tip, granting a minion a vacation, letting someone go first in the line, and holding open the door all contribute to this image.

2. Smooth Talker

Effective communication is everything. If your villain is eloquent, they seem more capable and intelligent! However, if you're looking to expand further, explore what they can do with their speech.

Does everyone pay attention when they start speaking? Are they able to calmly resolve conflicts verbally? Are they really persuasive? Do they speak elegantly?

Show the effects of their communication skills!

3. Good leader

Make them a good leader. Make them consider how their subordinates might feel. Make them choose good decisions. Perhaps they give their workers days off when they need it. Perhaps they engage with their followers often. Perhaps they're more down-to-earth.

A solid leader looks respectable while a poor one looks ridiculous.

4. Intelligent + Logic

I say this all the time, but make your villains smart, make them logical, make your readers understand where they're coming from. Some of the best antagonists I've ever seen are not the ones that seem excessively evil or unhinged, but rather the ones that seem logical in their actions. And knowing that they're well-aware of their actions and the consequences makes things that much scarier.

if you want a charming villain, you have to start with someone who is competent.

5. Conflicting Moments

At the end of the day, your character is still the antagonist. Yes, they might appear kind, but that's not going to last forever. There will be times when they act unnecessary cruel, and that's okay.

Your audience might be unsettled and confused from the whiplash, and that's okay. Don't force your character into being someone else to satisfy the readers. Embrace the difference.

6. Backstory

Backstories matter for all different types of reasons. From establishing the basis to one's goals, morals, and values to providing the foundation for their character, an effective backstory can do a lot.

However, I want to specifically talk about how the backstory demonstrates someone overcoming their obstacles. If they made it to the present, then they really defied all odds to be here, and honestly? That's admirable (and attractive), no matter what kind of person they turn out to be.

Now, if you're thinking "what if I don't give the antagonist a painful backstory?", I'll address that real quick. You don't have to give them a super depressing past, but there will always be pain and hurt in their past, even if it isn't something "lifechanging" or there 24/7. There is no such thing as a perfect, happy past.

CONCLUSION

To quickly conclude, a charming villain is often not one who appears visibly evil, but one who appears compassionate, intelligent, well-spoken, and acts like a good leader.

Happy writing~

3hks :)

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(tweet 1) (tweet 2) (article)

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someone on twitter is trying to claim that use of an em-dash is an indication of AI-generated writing because it’s “relatively rare” for actual humans to use it. skill issue

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writing is just staring at a blank document thinking, “this is the year i revolutionize literature,” while frantically googling synonyms for “walked.”

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“Be curious about what you’re writing about” is not stock Common Writing Advice but it really, really should be. There are a lot of written works that fail due to the authors just being obviously incurious about what they are writing about.

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Do you have any advice for writing with brain fog? I've always struggled with putting my thoughts into words, but it's been getting more difficult lately (and so has thinking tbh)

Brain fog, unfortunately, is not something you can work yourself out off. Whatever the cause, your brain needs time to heal, and that can be a long, frustrating process.

But you don't have to assume you will never write again. People can and have written books while dealing with head injuries, recovering from long covid, and more.

Find those periods of productivity. Brain fog saps your energy, and trying to push through a lack of energy is only going to make it worse. Before you force yourself to sit down and write, take a week or so tracking the moments of your day when you feel like you have more energy. If you can, carve out those moments to sit down and write.

Rest when you need to rest. Don't beat yourself up if you got an hour of writing done one day, but only fifteen minutes done the next. Energy comes and goes, and being willing to listen to your body and being flexible will work much better than trying to force yourself to a rigid schedule.

Leave a lot of gaps. Can't figure out a scene? Write down your goals for it and keep going. Can't work out that complicated fight scene? Note the results and move on. You can tackle these parts when you have the ability to focus on them. Don't let the hard parts paralyze you from making progress.

Change the medium (and/or environment). Staring at a screen could be part of the issue. Try drafting by hand. Hell, get a typewriter if you can afford it and see if that helps break through some of the slog. You can also try switching up where you write as well. If the weather's good, try writing outside for awhile. A public library might have quiet rooms you can reserve to use to write. Some people get much of their writing in the bathroom. Whatever works!

Use the rubber duck method. The "rubber duck method" is basically having something to talk through your plot problems at. It can be a buddy, a teddy bear, or your cat. Talking out loud about something allows your brain to think about it in a different way. You can also try recording your plotting thoughts while writing or walking.

Please feel free to try the above one at a time, and give yourself some time to adjust to see if it is working for you. You can do this!