creatingblackcharacters - Tumblr blog

creatingblackcharacters · 6 hours ago

Text

"Calling Out Racists? Help!"

(shout out to the situation sender who's chosen to remain anonymous!)

NOTE: People of color, if you feel that your efforts would be in vain or cause more pain than it's worth, I fully respect not doing it. I've been there, and tbh I usually don't. But white netizens, I expect boots on the ground. Racism festers when no one does anything about it.

So, it's finally happened! You've come face to face with antiblackness in your fandom space. You never thought it could be this bad! Naturally YOU don't condone this behavior, so you take steps to remove yourself from this person.

However! Your friends and other fans are still happily sharing from someone that you KNOW is capable of this. Would they still be comfortable knowing they're yapping amongst racists? And then you wonder- should I tell everyone about them? I mean, surely everyone should know?

Thus we've come to the decision:

The Callout

In my honest opinion, callouts are morally neutral. When used to reveal consistent harmful beliefs, intentions, and behaviors to other people, usually of marginalized identities, I think they're critical. Our safety and humanity matters far more than someone's internet fame. If I can't stop someone from being a racist, I at least don't want their vitriol on my dash, and I ALSO don't want people thinking I agree! Racism shouldn't be tolerated at all, but unfortunately, many an antiblack racist has a popular following and will not be removed. Anything less overt than a slur like the example above is more often than not, not a dealbreaker for many.

On the other hand, when it is maliciously weaponized to drag someone down on nothing but hearsay and rumor, it can be devastating. It has often been used as retaliation against those very same marginalized peoples to shut down discussions of racism and other forms of bigotry. In my opinion, you should not do these sorts of things when you don't have any solid proof or an actual education on what you're talking about. Period.

I say that all to say, be intentional. Use your discernment and some critical thinking.

How Ice Deals With It

Let's say you see something that concerns you. First, you need to pay attention to if other Black fans have noted this person's behavior. Has it been previously noticed, have they seen dogwhistles you've completely missed? Keep in mind as well, antiblackness does not have to come from a white person. Don't let "I'm brown" fool you.

If you're confident: confront the person on the particular issue you've noticed.

‼️‼️‼️ For the maintenance of your mental health, you CANNOT go into this expecting to change someone's mind and behavior. If you do, 9/10 you will face demoralization. You cannot walk into these thinking they care. Most people don't, and will deny the harm of their behavior. It sucks, but it's the truth. Change your perspective. The only goal you need to have is pointing out the harm done, so that this person loses the excuse to be racist out of "ignorance". Once you've spoken up, ball's now in their court.

Confrontation doesn't have to be negative! It can be as simple as "hey, what you said was not okay, here's why, and I hope that you can learn from this to do better for yourself and for your fans." Simple, to the point.

‼️Keep in mind, from Fans of Color: the private confrontation is a sign that we're trying to give you a chance to do right. Everyone's not going to receive that grace, nor do I expect every fan of color to offer it. It might just be up with you and your racism that day. 🤷🏾‍♀️ I would take the chance if offered.‼️

We're going to go two routes here.

1) It works

If it works, then what should come next is 1) a full acknowledgment of the violence and harm, 2) visible steps to ameliorate that harm, and 3) an apology to those harmed.

It doesn't have to be a complex apology (unless the situation itself was that large). But it has to be genuine and the change needs to be seen.

Very often you'll see apologies for antiblackness... To white fans. You cannot apologize for your actions to people who were not harmed by them, because they are not the ones with the right to accept the apology!!!! It's not a real apology. They've just covered for being exposed, is all. Be willing to hold each other accountable!

2) It doesn't work

This might still happen after the "it works", btw! Some people genuinely just want the appearance of progressiveness.

Here's where it gets gritty and you'll experience the most discomfort, I'm just being honest:

They might fucking suck!

They might suck, they might make it a point to share with their followers that you suck, and those same followers might also suck! You know how they sound? Like those people who fought for rapist Brock Turner because "he had a good future and this shouldn't ruin it". Yeah.

Recognize that this backlash you may experience from strangers is not coming just from their need to be entertained, but from a realization that if their fave is antiblack and they agree, then THEY are being antiblack too.

That acute pain you're feeling from this effort- you're now feeling a part of the chronic pain that is being a Black fan! And if you're white, you just temporarily sacrificed your whiteness to defend what was right, and now you are seeing a piece what that whiteness shields you from. Idk how else to put it.

Now what?

Well first, this shouldn't make you go "oh well there's no point in fighting racism bc they're so mean." Why do you want to identify with the people who just acted like that lmao. Antiracism is hard, but the right thing isn't always easy. Stand up and dust yourself off, soldier.

Take the steps to protect yourself. That might be a break from socials to decompress. Block people as necessary, use the tag blocker thing.

Recognize that you are not in the wrong for wanting this harm to be accounted for. If this person didn't want to be seen as a willful racist, they should have chosen to do better. They didn't want to, they chose to triple down on their racism, which they are now aware of doing! They just don't care. And that's not within your control. They wanna be a racist, let them be treated like one!

"Curate your space" as they say, and recognize that antiblackness is going to have you potentially removing folks you thought were cool left and right. You might see some people close to you show their true colors. It's time to make some tough personal decisions. I can't walk you through that. But I don't want to be around people who treat antiblackness with apathy, because birds of a feather... 👀

I obviously didn't cover every single scenario here. And this is only *my* way of dealing with these things (if I do at all, anymore). Some folks may go about it differently. But yeah, in summary, go in to point the racism out, and don't let the response determine your self value. 👍🏾

#just bc it came up the other day

666 notes · View notes

creatingblackcharacters · 7 hours ago

Text

“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

youtube

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

#I WISH SINNERS HAD BEEN OUT WHEN I WROTE THIS 😭😭😭😭😭#creatingblackcharacters #long post #writing black characters #black character design #black history #media history #black horror

1K notes · View notes

creatingblackcharacters · 7 hours ago

Text

“On Human Dignity.” Blackness, Gender & Sexuality

Two things:

As usual, there’s historical and social context that I need explain! This lesson is not what sexuality is, or ‘how to write being gay while Black’. That’s… not that different from you. What this lesson is, is context on how Blackness plays a role in our presentation and understanding of gender and sexuality (as well as your perception of it), and how that’s something you should consider in your characterization, writing, and character design.

I DO NOT KNOW EVERYTHING! The reason this took so long was because I read multiple books and wallowed in my remaining lack of understanding. I cannot join The Tumblr Discourse so do not ask. I tried to be as inclusive as I could, but I learn something new on this app every day, so if I miss something- and I’m bound to- I apologize in advance. Please have grace with me.

TW: Sexual assault mention, homophobia, misogynoir, cannibalism, misgendering

“That’s that White People Shit"

I’m putting the hardest part first; walk with me, you’ll be fine!

I will be honest: this section here, while I do think you should know, I don’t really expect nonblack people to incorporate it in depth. Not because it cannot be done, but because it is a sensitive topic that we ourselves are still struggling with. If you have struggled with anything else while writing Black characters up to this point, this one certainly isn’t for you to touch. Just keep in mind!

There’s an idea I’ve heard before on both sides that Black people are more likely to be homophobic, that queerness itself is white. That is a ridiculous belief, but the root of it ends up right back where you think it would: slavery! I’m sure that you saw me post while I was reading The Delectable Negro by gay Black author Vincent Woodard. I shared those increasingly uncomfortable quotes on purpose! If you have a desire to understand Black culture and Black thought, that means being willing to acknowledge Black pain. How can you avoid stereotypes if you avoid learning their source?

While I will be using quotes from the entire book, the specific chapter of “Eating Nat Turner” is a succinct explanation of why admitting to the presence of homosexuality, gender fluidity, and queer identity within the Black community is so difficult for my people. While I highly, HIGHLY recommend reading this chapter yourself, it essentially comes down to how admitting to such a potential vulnerability in the armor of Blackness, in gender identity and particularly Black masculinity, would allow white supremacy to destroy us as a people, to do validate doing even more cruel things to us when in a position of power over us. It’s a defensive reaction based in trauma that disregards and discards the queer members of our own community as a threat, a liability when it comes to fighting against the ubiquitous presence of white supremacy.

“Intuitively, Black gay men understood the issue of homosexuality during slavery as a complex phenomenon shaped by a number of factors, including the nation’s unresolved relationship to the legacy of slavery, Black liberatory ideology dating back to slavery, and, most importantly, the maintenance of traditional notions of family and community that originated in the eighteenth and nineteenth centuries. The legacy and memory of slavery had a powerful effect that left many Black gay men feeling isolated from and rendered invisible within Black communities.

Joseph Beam said it first and best: “I cannot go home as who I am. . . . When I speak of home, I mean not only the familial constellation from which I grew, but the entire Black community: the Black press, the Black church, Black academicians, the Black literati, and the Black left… I am most often rendered invisible, perceived as a threat to the family, or am tolerated if I am silent and inconspicuous.” … As Philip Brian Harper has noted, the Black homosexual functioned in the twentieth century as an index for Black masculine anxieties. These ranged from the very personal and painful anxieties of lynching, castration, and the denial of civil rights to a larger set of anxieties rooted in historical erasure and cultural genocide.”

“Sex and gender they also conflated with homosexuality, made out to equal effeminacy. Many Blacks linked homosexuality to castration and the recent history of Black men who had been lynched and Black women who had been raped in the Jim Crow South and in the North. Homosexuality, in its metaphoric power, had an exhaustive function: It is equated with the absence of family, hatred of Black people, estrangement from one’s kin and culture, and all of those horrific aspects of Black experience about which Black people would rather not speak.”

An example of why nonblack people should consider the depth of such a topic- and their place to do so- before incorporating it into their story comes in the form of Styron’s Confessions of Nat Turner, and the backlash he faced from the Black community for such a sensationalized story from a white author.

“The ten Black male contributors [who wrote Ten Black Writers Respond] coupled cannibalism (overtly and covertly) with homoeroticism and effeminacy. For these Black men, homoeroticism became a way of circumventing and projecting their experiences and pain onto certain “effeminate” Black men: the consumed Black man these Black men equated with the homosexual man. Homosexuality served as a means of containing certain unwieldy and historically difficult topics pertaining to Black masculinity, such as the need for intimacy, gender variance, sexual and emotional vulnerability, and violation. It was as if, in this very powerful and discursive moment, threads that had been all along winding through history wove together in a manner that illuminated the past as much as they clouded and blocked full access to its complicated meaning.”

“On the surface, at least, I do not disagree with these Black men and women. I think their analysis regarding historicity and the diminishment of Black communal ties was mostly correct. Styron’s novel was historically inaccurate, depicting Turner as raised by whites rather than the Black parents and grandmother Turner spoke about in his original “Confessions.” Styron depicts aspects of Turner’s sexual life that are not validated in any documentation coming from the time period, and Styron’s exhaustive probing into the racial hatred and self-hatred of Turner clearly reflected something in his own psyche and white identity that he felt compelled to project onto Turner. Black men were put on the defensive by both the novel and by the institutions (literary production, the media) and individuals who supported Styron as an authentic interpreter of Black historical experience. Many Black men, like Bennett, felt that Styron was waging a literary war that paralleled the contemporary political and police state war against Black men…”

The problem with this mindset and approach within the community is that, while it attempts to protect our community, it silences both the prosperity and the pain of an entire section of it, as well as shutting down important conversation that needs to be had even by nonqueer members. And it’s doing it all to fight against a force- white supremacy- that is going to commit violence against us regardless! Respectability politics forces many Black people to stay silent, to not speak up on things that may rock the boat- but the boat needs to be rocked! Blaming fellow victims of racism is not going to save us!

“That was the irony of this moment. Black people invoked the cannibal discourse that could have freed up and complicated Black male perspectives on everything from social consumption to homoeroticism only to defend Black masculinity and Black culture. Black men were not interested in, nor capable of dealing with, the complex legacy of cannibalism and homoeroticism that so powerfully shaped their responses to Styron’s novel.”

But that does NOT mean that it’s a nonblack person’s place to make that argument! While I cannot stop you, I do want you to keep in mind that- as always with sensitive topics- you may have to face Black people who may rightfully be offended by your depiction if not done with care. Styron studied James Baldwin himself- who faced backlash on his end for saying that it was time for the Black community to face such a conversation- and even then, he still projected his white pathology and opinions onto the story of such a prolific hero in our history. Tread lightly!

“Well they don’t seem gay to me.”- A Eurocentric Standard of Passing

How many times have you heard this about a Black character? And if you’re Black and LGBTQ, how often have you heard it about people (or maybe even yourself?) How do we ‘not seem gay’? What is gay supposed to be? There’s this denial, almost, of Black LGBTQ folks, based in a complete disconnect of understanding of our own forms of gender expression and sexuality.

It’s extremely bizarre, because so much of pop gay culture as we know it is from Black LGBTQs (please refer to my infamous AAVE lesson), but… when we imagine an LGBTQ person, they're white.

If you’re Black and queer, you have to be this stereotypical, flamboyant RuPaul-esque figure. Can’t be regular degular. If you’re gay, you gotta be Uber Gay™. If you’re trans, you better pass with Complete Gender and Pizzazz. If you’re nonbinary, you’re not ‘androgynous’ enough. If you’re intersex or asexual, you’re practically not real. If you don’t fill this (white, western) mold, you must not be right. When all you have to be in order to be gay… Is be gay.

I shouldn’t have to put on extra performance to qualify as queer in your eyes! Do you know what looks are considered “androgynous” in my community? What behaviors are deemed “masculine” versus “feminine”? Do you know anything about my queer culture, or are you subconsciously comparing it to your own?

I want you to recognize that whatever image of queerness you have in your mind for your favorite or original characters, if Black people of all shapes and sizes aren’t included, there’s a problem! Because what are you seeing in others, that you’re not seeing in us? Is that, perhaps, a you problem? And why are we not worth the added effort of queer layering that others are?

THAT SAID!

“Oh I know what that’s like, I’m gay-”

This one mostly- if not always- comes from white queer folk. I’ve linked The Last Interview with James Baldwin. It’s so short. PLEASE take the time to read it. I’ve always adored how James Baldwin expresses himself, and while I could never stand so close, I have studied how he conveys his thoughts. But there’s almost nothing I could say that he doesn’t say better.

“A Black gay person who is a sexual conundrum to society is already, long before the question of sexuality comes into it, menaced and marked because he’s Black or she’s Black. The sexual question comes after the question of color; it’s simply one more aspect of the danger in which all Black people live. I think white gay people feel cheated because they were born, in principle, into a society in which they were supposed to be safe. The anomaly of their sexuality puts them in danger, unexpectedly. Their reaction seems to me in direct proportion to the sense of feeling cheated of the advantages which accrue to white people in a white society.”

The idea that “I know what it’s like to experience this oppression as a Black person because I’m gay” is not true. It’s like saying “oh look at my tan, I’m as Black as you now”. Stop it. Think back to that first section on history we discussed- no, you and I are not the same. We can discuss our existing connections, our intersection and have sympathy and empathy with one another on human dignity. We don’t have to act like we’re the same to do that! So don’t go headstrong into your writing (or life) saying “oh I get that completely, it’s because I’m queer”. There are more tactful ways to express your intent of solidarity.

'Queer' vs 'The N Word'

We’re gonna nip this one in the bud, because we’re leaving that argument in 2024. You know the one- “saying queer is like using the N-word- as a reclamation/slur!” What this argument reveals, used by EITHER SIDE, is how y’all don’t actually have community with Black people.

It implies that either “we don’t like it” or “we do”. Yet another binary that does not exist! There are plenty of Black people that despise that word, regardless of context. That think it brings us down. And then there are those that use it as a reclamation of an identity that was used to demean and dehumanize. Either way, one party is not going to walk up to a stranger and force it on them- that would cause an actual fight! It’s not improving your argument. As a whole, I would say stop using Black politics in general to improve your arguments when you are unaware of the overlap, or maybe the lack thereof, between Blackness and queerness in your argument. It shows. I’m not your tool; I’m not your Negro!

I’m not here to tell anyone whether queer is a slur or not. I don’t use it as one, but I recognize when people are uncomfortable, when it is being used as one, and I will use different language when I am speaking directly to someone who says “I do not like that word, describe me as __”. I am just here to say that we’re leaving that argument behind.

Black =/= Gender

Blackness and the concept of Gender have a fraught, confusing history. Not human enough to have rights, but human just enough to fail to meet Eurocentric standards of gender.

One example of this is the term “stud”. Studs are an example of Black women traversing gender presentation, the origin of which is because Black people are perceived as having “lesser sexual dimorphism”- i.e. you can’t tell who’s a woman or not. It’s an in-community joke that doesn’t make sense spoken outside of its historical context (thus, no, your white butch is NOT a stud within this context).

Another example: Megan Thee Stallion is one of the most stunning, feminine women I have ever seen… And her entire career, people have called her a man. Because she’s brown-skinned, Black, confident, loud, and openly sexual, she’s deemed manly. I can’t stand it. Plus her height- and mind you, Taylor Swift, of the same height and probably a higher number of bodies over the years, has never once been called a man or lost any of her “feminine” charm despite it. Why is that? If one of her men had shot in the foot, trying to kill her, there would be an uproar. Why is that?

There is an internal contradiction that being a Black woman is being inherently “gender nonconforming”. The first reason is that I will never be allowed to truly be a “woman” because to be a woman is to be white while doing it. White Tears, Brown Scars by Ruby Hamad is an excellent book on this dynamic in all women of color, and Black activists like Angela Davis and Kimberle Crenshaw have written and discussed the topic as well.

The second reason is I have to play the role of whatever ‘gender’ is expected to get me through this life. I have to be more ‘masculine’; strong, assertive, and proactive, a hard worker willing to sacrifice it all every day, in order to protect my family and myself in a world where a lack of resilience might kill me. I cannot allow weakness to stop me from taking care of my community, because Black women are supposed to show up and save the day. Find a Black woman! they say. She’ll fix it! And odds are, I do know how to fix it because I’ve probably had to address it before.

But then I’m acting ‘out of a woman’s place’ by being so ‘hard’ and expecting people to listen to my authority. So in order to play a Black woman’s place, I have to balance that with… Somehow not intimidating people by being more ‘feminine’, submissive, vulnerable, sweet and motherly (because if I’m not a good breeder and mother, I am a bad woman). I scare people if I don’t. If I don’t do that, then I’m not a good Black woman. But if I don’t harden myself and be strong and assertive to protect everyone, and tough through everyone’s problems with infinite sacrifice, then I’m not a good Black woman… You see how the cycle gets confusing! (The Delectable Negro and Black on Both Sides also speak on this, and how this is rooted in the creation of the Mammy!)

I spoke about it earlier, but that same inability to be defined as a human, defined as white, haunts many Black men in their goals to be seen as ‘equal’ to white men and receive equal treatment. By seeking to fit a standard of whiteness, they are never going to attain it (and often, that comes back home in not-so-good way)! E.g.: this is the original issue that Louis had in AMCs' IWTV- Louis never actually wanted to be a vampire, Louis wanted to be treated like an equivalent human- and that was unattainable to him not because he wasn’t a human being, but because he wasn’t a white one!

The Racist Counterproductivity of TERFs

Sigh. If you are of this belief, but here to better your writing, I feel like I should say this to you. I want you to listen to me. (TBH, I’m going to delete anything asking me for opinions on this because I don’t want to potentially entertain even a singular troll). Besides, my argument is pretty simple and resolute.

The gender binary is rooted in bioessentialism, and bioessentialism is rooted in white supremacy. You know what else benefits from white supremacy? The white patriarchy.

How are we gonna escape from the patriarchy and white supremacy… if the ideology you believe in… is rooted in white supremacy and patriarchy?

And it’s not just the TERFs- look within yourselves as well! How are we going to make the world safer for trans people, including white ones, if you aren’t willing to confront your own racist biases? If you are unwilling to release the shackles of gender essentialism and the benefits of whiteness, none of us are getting out of here. You are reinforcing the very walls you wish to dismantle!

To offer another side of the conversation, Black On Both Sides by C Riley Snorton has been an interesting read! Essentially, the conversation is on how Blackness and transness intersect, how being Black in and of itself can be and is a transitional, gender fluid experience. It, along with The Mismeasure of Man by Stephen Jay Gould and Medical Apartheid by Harriet A Washington, goes into the history of how the Black body was seen as a different species altogether, and how phrenology, biological essentialism, and examples of sexual dimorphism were treated as an example on how we are an inferior group. Yet, this lack of understanding of our bodies (despite the constant access to it) allowed for us to maneuver within such a system.

An example, of how Blackness has an effect on our perception of gender:

"Cobb suggests that this blackening may have been an anticipatory gesture; when James Norcom (Jacobs’s enslaver) published a description of her in the 1835 issue of the American Beacon, he presumed that she would be “seeking whiteness and dressing as a free woman, not accentuating her Blackness” and finding a “cross-dressing” and ungendered mode for escape. Although the description of sartorial arrangements seems to conform to passing’s logic of movement for protection or privilege, Jacobs’s use of charcoal to darken her complexion tropes—by inverse logic—on more commonly held beliefs (and fears) about racial passing.

As “passing” became a term to describe performing something one is not, it trafficked a way of thinking about identity not only in terms of real versus artificial but also, and perhaps always, as proximal and performative. Like a vertical line with arrows on either end, passing is figuratively represented by moving up or down hierarchized identificatory formations. This articulation of vertical identity also coordinates with forms of binary thinking, typified, for example, by the language of “the opposite” sex. …Brent/Jacobs’s blackened blackness gives expression to her condition as fungible within the logic of U.S. slavery, in which the system of colorism, as Nicole Fleetwood has argued, “produces a performing subject whose function is to enact difference . . . an act that is fundamentally about assigning value.”

As it relates to the scene of Jacobs’s brushing past Sands, her status as “it” also indicates how blackness-as-fungible engenders forms of nonrecognition, as Jacobs’s performance elucidates how blackness and going blacker become an embrace of the conditions that might allow one to pass one’s friends and lovers undetected. In this encounter, fungibility sets the stage for gendered maneuvers on a terrain constituted by modes of viewing blackness, in which Jacobs’s blackness and going blacker color her gender as well as her face."

The Black Trans/Nonbinary/Genderqueer Experience

Rather than try to summarize opinions on something I had not lived, I wanted to platform some Black trans, intersex, and genderqueer opinions for you all to consider! I asked three questions, and I’ve typed out the responses and placed them as their own post for the sake of space. I don’t care if it’s long- read them! You want to write these characters; you should hear the perspectives of the people you wish to write about!

The Black Intersex Experience

youtube

Nothing I could say that someone that is actually Black and intersex couldn’t say better!

Here is a page on Tumblr that compiles resources on the intersex community and its history that I found; while it’s not Black-specific, I have seen the page post topics related to.

The Black Aspec Experience

youtube

An interesting thing about identifying as asexual or aromantic while Black is that from all angles, people will simply not believe you because Blackness itself has been sexualized. I talked about this in my lessons on stereotypes, but one of the ways that the sexual assault and violation of Black bodies was dismissed, was to emphasize that not only were we incapable of being r*ped, but that we were naturally inclined to being hypersexual beings and that if we weren’t controlled, we would bring it onto ourselves. Black women were jezebels; Black men were mandigos, vicious savages that would assault pure white women if not chained like beasts.

Here is a page for Black people (!!!) with these identities to gather. Again, BLACK PEOPLE with these identities. Here's another!

The Bit You Actually Showed Up For

So! Given all that historical and social context: really, it’s just about application! You have to ask yourself certain things to catch when you’re about to dip into a bias or stereotype while you’re writing.

Black Queer Joy- A Conclusion

I know I’ve shared a lot of history here, and it’s not been the happiest stuff. THAT BEING SAID!

I must personally say- I am honored to be Black and bisexual. There’s nothing else I’d rather be. I am so happy to be who I am. It’s hard as hell living at the intersection, but the intersection is lit! There’s so much love, history, culture, creation, and so much power here; I’m standing on the shoulders of cultural GIANTS and my chest is full, my chin is high with pride. I love it here!

Being Black and queer itself is not a miserable experience! Your characters should feel joy, because we feel joy! There’s so much that we have to offer the world, it’s practically blossoming from us. I don’t want anyone to walk away from this going “let me go pity the next one I see and tell them how hard their life is”. We don’t need you to feel sorry, we need you to have solidarity! Either show up and do the work, or leave us alone. You can’t join the party at the intersection and then flee when it’s time to fight for it!

Listen to Black queer people in your spaces- dear god, it never fails how conversations of queerness and gender and feminism will leave Blackness completely out, and then be shocked when none of us want to show up. Like I said before- you will never dismantle the walls barring you from your own freedom until you address ours.

Support Black queer creatives, content, perspectives, and people- when you tag on that “support Black trans women” bit at the end of your posts, don’t just speak lightly- understand what that means, and stand on it! Because it’s the thought that counts, but the action that delivers!

#since i been hearing 'im queer i cant be ____' discourse again #black lgbtq experience #creatingblackcharacters #black history #queer history #black queer history

1K notes · View notes