#creatingblackcharacters

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[6edbuge]

My art for @creatingblackcharacters' Black History Month Challenge !! @feliville tagged me to participate and I am delighted to : -]

I wanted to draw my black oc Rosalynn to convey positivity and joy to my black viewers through my art! She uses magic to light up the world around her; I want it to say, You're beautiful, you're bright, you light up the world :D

I looked into black hairstyles for her; the two braids at the front are Twists, and I found a ref for the texture of her ponytail, i hope I have portrayed these well It was very fun to draw!!!

Ik the month is coming to an end so no pressure if there's not enough time, but I tag @skullsenpai, @mikak-kristiak and any1 else who might wanna participate <3 Happy black history month!

[mimitay-art]

I drew something for @creatingblackcharacters Black History Month Challenge!

Wanted to make fanart for one of my fave Black musical artists- Chenayder!! She makes sort of lo-fi pop/R&B that has a really dreamy vibe to it. Such a huge talent n so young too 😭

Obv a song I'd recommend is 'Colors' that she did with MAVI!!

What I want to say to my Black viewers with this is, like Chenayder, keep being unapologetically yourself and make the art, music, writing, etc that you want to make! It’s the importance of self expression, and I support you 100%

For tagging friends... let's go w @ashestoashesjc (ur another fave 🫶) and @julevanwilde It doesn't have to be a drawing! But there's also a week left so don't feel forced lol

Might also make a second piece for this with my oc Basil before the week ends!

[creatingblackcharacters2]

Did you know that the creator of #Inktober stole his work from a Black artist?

Now you do!

I want to kick off October by talking about #Blacktober, an event for supporting Black and Black biracial artists that ran from 2020 to 2023!

According to the organizers' own website:

In response to the creator of Inktober plagiarizing his art book from Alphonso Dunn, and the antiblack harassment Black cosplayers and artists face for re-imagining their favorite characters as Black in media and an art community where we're underrepresented - we created #Blacktober in 2020 in hopes to celebrate ourselves, nurture the community and create a positive, empowering space for Black creatives.

Any Black creative and/or cosplayer can tell you that creating or cosplaying beloved characters while Black will lead to vitriol. From comments as supposedly "harmless" such as "oh thats the "Black version" of [character]" (instead of acknowledging that they are the character), to more overt antiblackness like "n***er [character]" and "[character] isn't Black!" with the intent to mock both the creator and the character in question. They suggest that the Blackness is an insult to the character, that it's not accurate. Far less normalized is anyone saying "white [character]" or "cracker [character]" about white people cosplaying nonwhite characters.

Virulent antiblack racism towards organizers and participants was amongst the main reasons that the organizers had to let go of hosting Blacktober.

We've had a blast with everyone these past 3 years watching fan art to original creations be born out of a passion for seeing ourselves in media. However, we, the organizers, are no longer able to keep going with this event, especially with the current state of social media. We've had to combat a lot both on the front lines and behind the scenes. Not just the organizers, but also those participating. This, along with time, was two of the few reasons why we've decided to sunset.

While Blacktober itself is unfortunately no longer an organized event, Black and Black biracial artists might still choose to draw something for the month under the #Blacktober tag.

No, this is not for nonblack creatives to participate in themselves. Not for you nor your Black OCs!

It's a shame that racism constantly seeks to destroy what Black people create, and that it's so common to steal, take credit for, and benefit from our work. But you can avoid being a part of that by supporting Black creatives in your space! I am sure they are there, if you put in the effort to look for them! Search the tag- you might find old AND new work! This also includes standing by them when they speak up on mistreatment within your communities. When you don't speak against antiblack racism, it means you tolerate its existence. And when you tolerate antiblackness, guess what it makes you? We can't say fandom is for everyone, and then not act to make it so. Let's do better.

Happy Blacktober!

[kiirodora]

My piece for @creatingblackcharacters' Black History Month Challenge! This is Barbara, a character from a story idea I'm still working on. She's the daughter of the town's baker, and has an undying passion for baking herself. I wanted to reflect her beaming joy upon finally getting a cupcake right, after countless attempts. My message to my Black viewers: Whatever you are dreaming of, as long as you keep chasing it, you WILL get there! I filled up the background behind Barbara with doodles of her various failures to emphasize nothing has to be perfect first try. You can always try again, and every time you stand back up, you'll have more knowledge to achieve what you want! Oh, also! While searching for inspiration for this piece, I came across this blog post written by Chef Carla Briggs, the owner of Viola's Heritage Breads in New Orleands. I learned a lot about how much Black people contributed to the food industry from that read. Norbert Rilleux singlehandedly revolutionized sugar processing-- that's chemical engineering in 19th century! Here I'll be tagging some of my friends. I am terribly sorry to post this late into the month so it leaves very little time to contribute, but if you could that'd be awesome! @feluka @talasem @onedumbazz Finally, I'll put here the initial sketches I made for Barbara's attire and hairstyle in this piece:

And one more sketch showing Barbara's father Helios eating one of her failed attempts with glee (it's still cake, after all!)

[icarus-in-the-sheets]

-----------⛦˙☠︎︎⋆Fear (he/him)⋆☠︎︎˙⛧-------------

aka Ekilar Diocles, Guardian of the Rhean Rescue.

Created for a diplomatic mission that needed another background character who was a martial fighter, but who has become a vital and staple member of the focal location of my D&D world-build.

Fear is coming in as both our Gay Pride character and as I had originally intended before it was suddenly June, an exercise in my studies of CBC's Lesson 1.5: Hair for Thought. Find character building processes, original sketch, and backstory below the cut!

He is Gay Romantic and Demisexual. He is slow to love, loyal and steadfast in his love, and lets heartbreak linger a little too long. My default for characters is bisexual and polyamorous until proven otherwise unless I have a specific plan for them. I did not have a specific plan for Fear's sexuality and let him guide me. He guided me to one of @ceruleanties' characters named Hank, a dilf of a graviturgy wizard with a kind heart and smile. I related personally to the stubbornness and aversion to change that Fear was developing as a character, and re-imagined it alongside a Demi identity as well [I do not identify as demi myself but my allo identity is in question often enough in my head that demi is relatable to me plentifully].

Fear's physical design went through some iterations before becoming what it is here. His first design was rather generic, as I was just wanting to draw a randomized character design. I used a tail and horn art reference chart from DeviantArt to design him, and I notated that he had dark blue skin and cyan accents and drew him in a generic leather outfit that was notated as being white with simple straps/belts.

When I started looking for characters in need of overhaul for CBC's course I was looking primarily at dark brown characters like Finley who were designed with a human or human approximate skin tone, but without a racial intention. However, I noticed that as a dark-skinned man, he also may have needed attention, despite not having a human skin tone. Other things about the importance of his faith and the community he adopts and protects also reminded me of positive tropes associated with strong Black characters, and I felt the change would honor that.

In regards to Lesson 1.5 and his hair specifically, I have pictured above two styles - sponge twists and long locs in a bun. I came up with these two very different styles in response to two very different times in his life.

For his younger years living in the cold depths of Hell, when keeping up appearances and masking his identity in a false persona of violence and anger, he took time to style and color his natural cyan-white hair into a black-tipped sponge twist and kept it short for the mercenary-style work that he did so that it would stay out of his way. The style was about appearances - something he could put effort into controlling while the untrained eye would see it as effortless.

After he dropped the toxic masking of his youth, Fear moved out of Hell and adopted a community, giving him time to heal and grow -spiritually and mentally. His protected locs represent the growth and healing he found in that recovery. They are something he nurtures, showing that he isn't just a warrior and protector of his community, but also learning to protect himself.

I have *a lot* more to say about Fear. As well as a lot more research to do on his characterization and probably on his design. For example, I discovered while writing this that I have research to do on the specific fashion choices I've made for him and the ramifications that have for him as a Gay Black character. He means so much to me and his story is near and dear to my heart. I love him so much and he keeps coloring outside the lines and throwing me new surprises.

[theblasianwitch]

@creatingblackcharacters Is currently hosting an event for Black History Month. And I for one am so for it!!

Please have a look if you'd like to learn more about their challenge and participate

Not sure who to tag as I'm not sure how many people I know on here are artists or writers, but if you make things of any kind you can still participate. @crazycatsiren @thecomfywriter @venusrrvelez

For my contribution (the word feels wrong but my brain doesn't know what word to use at the moment): Szar Rei Ra, Jay Benu, Anthony Benu, Bora, Fiona Ra, and Xana.

In my series "Different Yet Same" I have many characters of varrying backgrounds. Everyone's background, upbringing, family history, and culture are as diverse as they are. I'm going to describe all of them, but put certain emphasis on one's I feel embody Black History and have something to offer in terms of being more culturally sensitive and understanding.

Szar Rei Ra is the main male character in my story. Without spoiling too much, he is a descendant of the Egyptian God Ra and has a heart for the people that was noticed and taken advantage of. Realizing and breaking away from that leads him into making a community of diverse individuals to help him with his role as an important figure for the future of the world on a whole.

Fiona Ra is Szar's older sister who was quite literally bound to the body and whims of a man via a curse placed by their older brother. She was released once the old patriarchal system was destroyed and is now trying to live life and use her divinity to help others while recovering from her trauma.

Jay and Anthony Benu are a married gay couple. Jay is from Libya and Anthony is from a secret society deep within West Africa. The creatures they are are based off of are from various African mythology but would be recognized, I hope, by my future readers from certain pop media of the 2000s where these creatures were white washed and Asian coated. The creatures they are heavily impact their outlook on life as Jay is more protective and pessimistic and Anthony is a symbol of life, prosperity and safety and is very optimistic. They serve as a hidden Easter egg to educate others on the origins and true nature of the creatures they are.

Bora is an intersex demi god who's upbringing led them to isolate themselves from society. In my second book they are forced to face the fact that they are one of the few gods on earth allowed to actually do anything for the people who have and still are suffering from the African Slave Trade and African Diaspora. The second book is very heavy on humanity suffering the consequences of their actions via divine intervention and having to come to terms with what they do and a need to change.

Xana is a North African bouda, a hyena shifter of African folklore and mythology, sometimes called a werehyena. Her story is part of the second book as well. Hyenas are a very female led and dominate species so her character and her people are used to show the determination and strength of Black women and just how much women do for society. Her people are one of the few matriarchal societies throughout the series.

I do hope people give my story the chance when it's first book is released in April. As a mixed race person who has suffered from all ends of my spectrum it serves to show just how connected we all are and to remind people of the humanity that exists within all of us. "There is nothing in this world that humanity hasn't done to another human." That is a quote that has stayed with me throughout my life as it is repeated quite a lot by my mother whenever injustice happens. World history, TRUE world history proves that and shows why so many people seem afraid of another set of people. Fear drives people more than anything, but we should not need to fear each other because we all bleed red; we all live on the same earth; we all are capable of the same emotions and therefore capable of both love and hate. All my life I've chosen love and only suffer from those who don't.

[onedumbazz]

my submission for @creatingblackcharacters' CBC Black History Month Challenge [sorry for dropping this late]

Jessabelle is a gall that likes the simple life, and enjoys crocheting, fashion, strawberry picking and spending an unholy amount of hours in mmos or stardew valley.

this was the og doodles of her

My message to Black viewers: you lot are like stars, forever shining valiantly even in the darkest hours. all of you are strong and beautiful and don't ever let others tell you othewise

Black Creators: all of the ones i'll list are on youtube

T9 [also on twitch]: a great lad to watch play games in the horror genre and gives out good critique/reviews of games

Definitely Bored Oranges: cool lad that covers dramas and do good reviews also

KaypeaCreations: a wonderful gal that makes the cutest poseable dolls and others out there

3KageSummit: i've only recently started following them but they did a great and interesting video about racism in anime

GoldFro.: Also another creator i've started to follow recently but he did an amazing video on the Ugliest Trope in Modern Horror

tags(hope yall are alright with being tagged): @goonsgospel @selfindulgentfandomstuff @champyisthere

[creatingblackcharacters]

I feel like a good chunk of why all of this is so hard for folks is because of this need for instant gratification. “I have to have it now”, “I want to do it now”, “I want to say something right now”.

You don’t!

If you’re not going to contribute to the best of your ability, and it’s not going to make anything any better, it’s a far better use of your time to continue to learn and listen!

I can say this is probably true for every marginalized group who looks at potential allies- when you wait, when you listen and learn, then when it IS your turn to speak, you will more likely say something of value! And that is what we need!

I'd rather you say something of value once, than useless things numerous times. Tips like this and more, coming soon when I can get this Streamed Lesson posted 👍🏾

[creatingblackcharacters]

Are there any special considerations to make with black characters who are autistic? Cause I've just gone with basing their experience of autism off my own even though I'm white. Operating on a different body language, accent being quite different from other black folks, not caring about "fitting in" and having a very strong sense of right & wrong. As well as having their special interests and issues with various sensory related things.

That is a lesson I have cooking up!

Well, just as everything else with Black people and characters, it might not manifest differently than white people, but it's going to be treated differently. Everything I've discussed up to this point in all my lessons is gonna apply. I hate to say this, but society doesn't care if you're Black and autistic (or have any other mental or developmental health issues) because it's already judging you for the Blackness.

You don't have issues sitting still, you have a bad attitude. You don't have ADHD, you have ODD. You don't have a... what do they call it here, a hyperfixation, you're just "very passionate". My Uncle (rip🙏🏾) was visibly autistic, from the stimming to the echolalia to all the rest of his patterns, and people that didn't know him still saw him as a 6'2 large fat scary threatening Black man.

Hell, they barely consider women with autism, and they CERTAINLY don't consider Black women and girls with autism. I've known a few of us, and we usually get the "mean uppity bitch" stigma because no one cares that you might be overstimulated or anxious, or that you are really devoted to a pattern that you see, or that you're trying to express yourself with clear, assertive language, they just think you're being aggressive and hurting their feelings (which is what they expect from Black women).

Point is, we don't "look" autistic, and that's why it doesn't get treated the same, because what does it look like, then? 👀 The same behaviors indicative of autism in me might be the same as in you. Now, when it comes to being Black and autistic, I also think it's important to recognize that a lot of us don't get diagnosed, because of aforementioned things.

My family was far more aware of autism and how to deal with it (at least, for the visibly autistic children, the rest of us had to hack it), but I can't give you a generalized experience. I would suggest researching stories of Black families with autistic children, as well as Black autistic experiences to better buffer your writing.

[creatingblackcharacters]

Guiding Your Own Research!

The Livestream I did on tips for self-guided research for Black character design. Also helps in general, really!

Thank you all for your patience as I got this lesson up! I did my best to edit the stream down to the powerpoint itself, so it's 31 minutes. Feel free to just listen to it as a podcast if you must. I have added this to the syllabus as well, for easy finding. Please be nice to me 👉🏾👈🏾 I did my best.

Time markers underneath for each section as well.

Intro: 0:00

#1: 1:56

#1.5: 3:59

#2: 5:28

#3: 7:08

#4: 11:29

#5: 14:05

IMPORTANT! 17:15

#6: 20:45

#7: 24:39

[creatingblackcharacters]

Antiblackness Isn't Sexy!

As #Kinktober is upon us, I want to take this time to remind everyone that certain things may not carry the same "sexy" connotation for everyone! This isn't just a "your yuck is my yum" situation, this is a "hey, you're being racist" situation. Now if that's what you enjoy, I can't tell you otherwise. But if you'd like to be considerate towards your Black readers and peers, here are *some* (not all!) things to keep in mind:

1) Objectification is not respect. You can think Black people are sexy- I certainly do! That does not mean treating us like sex toys. An example: if your first thought when you look at a Black male character, is "This'll be good smut, I bet his dick is gigantic"- if your first thought is about their genitals and that they're a good fuck... That is weird. Abeg. Nothing else stood out to you? Just ye olde "Black men have big dicks?"

There's a racist and dehumanizing history behind the oversexualization of Black men, Black bodies in general. Sure, big penises are not insulting or bad, but just as you don't want to be brought down to your bits... Don't do it to us. We can be sexy without being objectified. You can think we're sexy without objectifying us!

2) Making your Black character more sexually aggressive (if fic: -than their canon counterpart). Your Black character having a high libido is fine, but if you've essentially written a sex pest, especially in comparison to a nonblack counterpart... Why? Why do you think that they're automatically the one that would be like that? One example of that is the whole "step on me mommy" thing with confidently sexy Black women. What makes you deem she's the "aggressive" one? She could be a gentle pillow princess.

3) Making your Black character more physically hulking (if fic: -than their canon counterpart). They don't look like that, you know they don't look like that, and you need to consider why you felt the need. Especially in comparison to their nonblack counterparts.

4) Chains and whips, Specifically the large, hulking Black or Brown character in chains held by a skinny white character. Especially if they're like a werewolf. You know why these visuals can be questionable! I know the intended symbolism is supposed to be steamy and animalistic, a bodice ripper deal. But think about it- how often have you seen the opposite- with a skinny Black person holding a hulking, animalistic white person in chains? What imagery are we evoking when we draw this, constantly? We are not animals, we are not raging, uncontrollable sex beasts.

Consensual sex and kink are supposed to involve respect between all parties. Respect, communication, vulnerability, and trust. You can have an interesting, sexually active, high libido, kinky Black character without morphing them a stereotype to be used for the sexual satisfaction of white viewers. Just as white people that do kink are humans with inner lives, so are we. Do better by your Black characters, and your Black readers, by showing us that respect. 👍🏾

[creatingblackcharacters]

How many of these sound familiar?

Congratulations, you're utilizing AAVE!

How often do you find yourself recognizing when you are? Do you actually know what these words mean? Do you know when they're being used improperly? Are you interested in learning to respect the history behind the dialect?

This thought process, and others, are discussed in my lesson, "It's Giving" AAVE, and the Denied Yet Undeniable Impact of Black Culture.

[creatingblackcharacters]

“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

[creatingblackcharacters]

Before writing that Black queer &/or trans character, ask yourself:

Another set of resources that I've typed up for my upcoming lesson. I'm sure that even more questions could be asked; I hope that Black folk feel free to include their own additions in the tags! But these ought to be enough to at least get anyone to start self-reflecting during their creation/watching process!

[creatingblackcharacters]

Welcome!

I'm going to update this list as I post more. So make sure to check periodically!

Anon Office Hours: Wed 12:30pm - Friday 6:30pm. (EST)

I DELETE ASKS THAT DO NOT CAPITALIZE THE IDENTITY OF "BLACK" ☺️

"Your posts are too long"- Teacher's Note

Feedback Rules

FAQs!

Please take the time to review the one relevant to your questions! They are long- some longer than others- but they likely have a link contained within that can better guide your research!

📝Syllabus📝

Lesson 1: "White Man Painted Black"?

Lesson 1.5: "Hair for Thought"- how visualizing affects your writing

Lesson 2: “That One Hairstyle? RETIRE IT!” Black Hair is an Art (pt.1)

Lesson 2.1: Addendum to Hair pt 1

Lesson 2: "It Takes HOW LONG?" Black Hair is an Art (pt.2)

Application! Examples of Protective Hair Coverings

Application! Ice's Lazy Loc Wash Routine

Application! How to: Simplified Braid

Application! Daisy E's Simplified Hair Drawing

Lesson 3: "Defying the Default"- Skin Tones and the Presence of Black Characters

Application! What are Black fans looking for in Commissions?

Lesson 4: "Do Black People Blush?" Bringing brown complexions to life

Application! Humanæ- Resource for Skin Palettes!

Lesson 5: "The Same Place As the Music" Lighting & Color

Lesson 6: "Let's Have A Talk, First" Stereotypes, pt 1

Lesson 6: “Why’s she so rude?” (She’s Not)- Stereotypes, pt 2

Lesson 6: "Is He the Threat (Or Are You?)"- Stereotypes, pt 3

Application! How to Spot a Stereotype: An Example

Lesson 7: "That's the Black one!"- Imagery and "Black-Coded" Characters

Lesson 8: “Across cultures, darker people suffer most. Why?” Multiethnic and Multicultural Blackness

Lesson 9: “Romance Will Not Solve Racism”- Interracial/Biracial/Blended Black and White Relationships and Families

Lesson 10: “The Ambiguously Brown Character™”- The Attachment to Eurocentric Beauty Standards

Lesson 11: “No, That’s Not ‘How Color Works’.” - Whitewashing

Lesson 12: “The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

Lesson 13: “It’s Giving” AAVE, and the Denied Yet Undeniable Impact of Black Culture

Lesson 14: “On Human Dignity.”  Blackness, Gender & Sexuality

Lesson 15: How To Guide Your Research