creeped-out-ranked

[creeped-out-ranked]

Creeped Out is a horror anthology series shown on CBBC in the UK and available on Netflix elsewhere. It’s an excellent show, fun for kids with loads of crossover appeal for adults. But the big entertainment sites tend not to cover it, and I haven't been able to find a definitive ranking of all the episodes anywhere. So I decided to create my own, because why not?! This list includes season 1 and season 2; I’ll add further episodes as they’re shown.

Before we get into this: there are some spoilers in here. I’ve tried to keep them to a minimum but sometimes, to describe what's good (or bad) about an episode, I need to discuss elements of the plot.

Every episode of Creeped Out, ranked from best to worst

1. ‘Slapstick’ (Season 1, Episode 1)

The first episode of a series is rarely the best, but Creeped Out bucks the trend—‘Slapstick’ hasn’t yet been bettered. It’s the perfect combination of cozy and creepy, with a quintessentially British setting (a seaside town complete with Punch & Judy shows), a puppet antagonist who’s somewhere between unnerving and amusing, and a relatable main character. Even the score is the best of the bunch: its sinister take on fairground music really adds to the atmosphere. The plot—Jessie wishes her parents were ‘normal’, and lives to regret it—is compelling, and in contrast to some of the weaker episodes, you actually understand why the characters do the things they do (even the bully is given a bit of a backstory). ‘Slapstick’ is a gem, and more than any other episode, it stands up to repeated rewatches.

2. ‘Trolled’ (Season 1, Episode 3)

Sam leads a double life: he’s secretly NoFace, an online troll who often targets his closest friends. When he ignores a message warning him to stop trolling, things start to go very wrong. This episode is set in the plush surroundings of a boarding school (one of Creeped Out’s more notable backdrops) and the contrast between Sam’s environment and his online life is both palpable and believable. The dynamic between Sam, Fitzy and Naini is established very effectively—you really feel Sam has something to lose. Extra points for the properly bleak ending, too.

3. ‘Kindlesticks’ (Season 1, Episode 9)

This episode is a fan favourite, and it’s not difficult to see why. ‘Kindlesticks’ came out of nowhere, landing in the middle of a few mediocre episodes, and doesn’t seem at first glance to have the most exciting setup: a bad babysitter getting her comeuppance. Yet you’ll likely find that the tale of Esme, her charge Ashley and his imaginary friend Kindlesticks will drag you in, spit you out and leave you reeling. It’s a simple idea executed perfectly, with what is undoubtedly Creeped Out’s best delivery of a twist. Seriously, I didn’t see that coming at all.

4. ‘Splinta Claws’ (Season 2, Episode 10)

Admittedly, it isn’t difficult to make a Christmas episode good—add lots of sparkly decorations and a bit of ‘Carol of the Bells’ and you’ve already nailed the atmosphere. ‘Splinta Claws’, in which two boys get trapped in a department store along with a possessed animatronic Santa, builds on that to create an inspired take on PG-13 seasonal horror. It’s the self-aware script that really makes this episode; the ‘frenemy’ relationship between anxious Mikey and street-smart Lawrence, plus the characters’ recognition that the slow-moving Santa isn’t that scary (despite its nightmare-fuel face). An effective combination of action, emotion and humour results in a spooky festive treat.

5. ‘Tilly Bone’ (Season 2, Episode 9)

Telling a story backwards is a bold move, and initially, it makes ‘Tilly Bone’ confusing. Some viewers might find themselves wanting to switch off as they wonder what the hell is going on. But stick with it, and a fascinating tale unfolds, with layers, details and clues to be picked apart, nods to classic horror, great performances (especially Alice Franziska Woodhouse as the disquieting Junebug) and some of the series’ most original and surprising ideas. It’s formally innovative, daring and altogether one of the most impressive pieces of work Creeped Out has yet produced.

6. ‘Marti’ (Season 1, Episode 4)

Kim is initially delighted when her new phone’s AI helps her to become more popular, but things take a turn for the sinister when ‘he’ claims to be in love with her. ‘Marti’ cleverly uses this premise as a kid-appropriate way to explore themes of coercive control and abusive relationships. I have a feeling this episode may have been inspired by the 2016 movie Bedeviled—there are lots of similarities, right down to Marti’s voice—and it says a lot that in 25 minutes it crafts a better, more meaningful story than a full-length horror movie for adults was able to manage. Often unfairly slept on, ‘Marti’ is the talented underdog of the series.

7. ‘Takedown’ (Season 2, Episode 8)

‘Takedown’ is intriguing because it departs completely from the series’ typical aesthetic—there's lots of shakycam, a grainy feel to the cinematography, a muted colour palette. It’s shot more like an indie film than an episode of a kids’ show. It focuses on Alexa, the only girl on her high school wrestling team, who uses a weird chain text to wish for more strength. Since this is Creeped Out, it’s no surprise that her ‘gift’ comes at a price. With its gritty feel and the authentic friendship between Alexa and Lucky (‘cheers to root beers’, anyone?), this episode is something really different, and all the more memorable for it.

8. ‘No Filter’ (Season 2, Episode 6)

Like ‘Trolled’, ‘No Filter’ is a thoroughly enjoyable example of what a series like this should be aiming for, which is essentially a junior version of a Twilight Zone episode. There’s a recognisable starting point—who hasn’t used filters or Facetune to make their selfies look better, and who bothers reading all the T&Cs?—and when Kiera’s eroded face is revealed, it’s one of the few moments in the series to create a genuine shock. Plus there’s a proper pantomime villain, just as it should be. The ending might be a little jumbled, but it’s entertaining enough that that can be forgiven.

9. ‘Cat Food’ (Season 1, Episode 2)

Happy-go-lucky prankster Stu pretends to be ill so he can skip school, but gets more than he bargained for when he discovers the elderly neighbour, Mrs McMurtle, is actually a shapeshifting monster. ‘Cat Food’ is a fun, comedic episode (the only one yet to make me laugh out loud) and, while there isn’t a great deal of substance to the story, it’s efficiently told and neatly resolved. Rhys Gannon is great as Stu and it’s just an all-round fun time.

10. ‘The Traveller’ (Season 1, Episode 11)

While the vast majority of Creeped Out episodes take place in a distinctly middle-class milieu, ‘The Traveller’ switches things up by focusing on Jodie and Brandon, troublemaking kids on an inner-city estate. They come across a device that can pause time, and it’s all fun and games until a blue-skinned man starts hunting them down. The plot is a bit more Doctor Who than your average episode, and the combination of urban setting and sci-fi story is surprisingly successful. There’s also an emotional gut-punch of a moment when Jodie finally understands the problems she’s been creating for her mum.

11. ‘The Call’ (Season 1, Episode 6)

‘The Call’ isn't one of the strongest stories in Creeped Out’s repertoire. An unpopular girl is drawn to an environmental activist and discovers she’s a siren, gaining powers into the bargain—interesting enough, but not enormously original, and inevitably a gateway to slightly tedious lecturing about plastic etc. It stands out mainly because of a stellar performance from Rebecca Hanssen, who reminds me of a young Olivia Colman. Hanssen really inhabits the character of Pearl, and shows how excellent acting can elevate an ordinary plot and script.

12. ‘The Many Place’ (Season 2, Episode 4)

With their holiday scuppered by torrential rain, three siblings wander a hotel and find themselves lost in a maze of realities. ‘The Many Place’ is designed as an homage to Stanley Kubrick’s The Shining, and spotting the references is part of the enjoyment here. The story takes advantage of the liminal, disconcerting nature of a large hotel to craft a series of alarmingly plausible terrors, and the ending features the best twist since ‘Kindlesticks’.

13. ‘One More Minute’ (Season 2, Episode 1)

‘One More Minute’ kicks off the second season with a pure hit of enjoyment that doesn’t take itself too seriously. When Jack can’t tear himself away from his favourite videogame, he finds time passing quickly—scarily quickly. While it may not be among the best, everything about this episode is solid: it’s (appropriately) well paced, the relationships are soundly fleshed out, and it’s all wrapped up well.

14. ‘Itchy’ (Season 2, Episode 2)

It may have one of the show's sillier premises—the villains are... head lice—but I have a soft spot for ‘Itchy’. Perhaps it’s the setting: a military academy on an English island feels fresh when you compare it to the many identikit homes and high schools in the series. Perhaps it’s the strong performance from Oliver Finnegan as protagonist Gabe. Either way, there’s something low-key charming about this episode.

15. ‘Side Show’ (Season 1, Episodes 12 and 13)

This two-part season finale is set in the early 20th century and centres on a troupe of circus performance whose ringmaster won’t allow them to venture beyond a magical barrier. Overall, ‘Side Show’ isn’t especially creepy; it’s more of a fantasy story that feels like it could have been its own separate series. The advantage of this is that there’s more space for character development and worldbuilding. The disadvantage is that it doesn’t truly feel like part of the Creeped Out universe.

16. ‘A Boy Called Red’ (Season 1, Episode 5)

Vincent and his dad aren't getting along, but when they go to stay at the latter’s childhood home, Vincent finds an unusual way to reconnect: via a time-travelling portal. The switches between past and present are handled admirably, and Boris Burnell Anderson is a standout as AJ. There’s a lot to like about ‘A Boy Called Red’; it just doesn’t stand out as especially memorable when compared to some of the stronger Creeped Out stories, perhaps because there’s no real antagonist. 

17. ‘Bravery Badge’ (Season 1, Episode 7)

A troop of Girl Guides—sorry, ‘Hedgehog Rangers’—head into the woods for a camping trip. When the girls start falling into a strange trance, it’s up to a moody, reluctant Ranger to save the day. The setting here is promising, the campfire scene is a highlight, and the urban legend about the missing troop is a great touch. Unfortunately, the good stuff is undermined by questionable acting and a somewhat ridiculous supernatural menace. Though I will admit the singing is quite creepy.

18. ‘Shed No Fear’ (Season 1, Episode 10)

Set in the 1970s, with some decent period detail, this episode follows two boys as they battle a mysterious shadow-creature inhabiting an old shed. It’s cute to see Greg and Dave rekindle their friendship and tell the smarmy football captain to get lost, but the threat of the Shade is never particularly well-developed. The title also annoys me. Outside the context of this episode, nobody has ever uttered the phrase ‘shed no fear’. It isn’t even a good pun!

19. ‘The Unfortunate Five’ (Season 2, Episode 5)

Five kids in detention meet their match in a seemingly sweet, yoga-loving teacher who pits them against each other. Establishing five protagonists and two villains within the space of 25 minutes is a tall order, and it’s one this episode doesn't meet. ‘The Unfortunate Five’ has a good concept and also boasts one of the series’ goriest images (when Faye attacks Hawkins and blood spatters across the glass—I’m kind of surprised CBBC didn’t cut that). But the flimsy, unmemorable characters doom it to the lower reaches of this list.

20. ‘Only Child’ (Season 2, Episode 7) 

This could have been great: the story of a girl being menaced by her demonic baby brother, while her parents are convinced she’s just jealous, has lots of potential. Yet ‘Only Child’ doesn't really work. The denouement is rushed and muddled (exactly how does Mia identify the link between the baby’s power and the feedback sound?) and the low-budget special effects don't help. It also suffers from being set entirely within the Tuthill family’s apartment, which looks like a cheaply decorated show home. 

21. ‘Help’ (Season 2, Episode 3)

A very meh installment about a brother and sister who are overly reliant on their family’s Amazon Alexa-like virtual assistant. It’s basically a weaker version of ‘Marti’ with a much less impactful message. The siblings are barely fleshed out, and the episode shares with ‘Only Child’ a sterile-looking set that doesn’t resemble a real family home at all.

22. ‘Spaceman’ (Season 1, Episode 8)

If episodes like ‘Trolled’ and ‘No Filter’ represent what a show like Creeped Out should be, ‘Spaceman’ is exactly what it shouldn’t be. If ‘Cat Food’ proves how well humour can work within a scary story, ‘Spaceman’ shows exactly how it can go wrong. The tale of unlikely pals Spud and Thomas finding a crashed spaceship is by far the worst thing Creeped Out has come up with—it’s implausible, unfunny and not remotely creepy. Avoid.