he/she/they | aspec | 18+ | spoilers everywhere | I would like a nap pls
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My silly little queer game about lesbians getting involved in ancient feuds between old gods is finally launching! On the 24th!
It's really REALLY choice driven - multiple endings and paths through the story, if you get into the lore you'll be playing it again and again.
AND it's super queer!
You can wishlist it here and there's a intro demo for it there too :)
https://store.steampowered.com/app/3100650/Quantum_Witch/
edit: WOW FOLKS! You have made an INCREDIBLE difference over the past few days!! We have a real chance of hitting the magic 7500 wishlists that it takes for steam to actually care about showing the game to people!
So if that happens before launch, I'll donate the first £1000 of sales to Mermaids, a charity here in the UK that helps trans kids.
Seriously, you've made this big ol' gay gal making this from her back bedroom do a little happy cry.
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reminder that gazafunds is a great website.
each time you load the site, it shows one randomly selected, verified fundraiser that's low on funds.
extremely straightforward, & an easy to remember url. it's my go-to when I'm able to give; removes any room for procrastination or overthinking.
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BENEDICK: I will live in thy heart, die in thy lap, and be buried in thy eyes; and moreover I will go with thee to thy uncle's.
Why this is a perfect love confession:
It has poetry, it has the promise of loving for eternity, it has passion, but then it ends with a practical and immediate offer of service. Benedick doesn't just promise to love Beatrice, he is there for her now.
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the greatest tragedy in all of shakespeare is that beatrice didn't get to eat claudio's heart in the market place
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full offence to Anyone But You but the perfect, modern Much Ado About Nothing adaptation already existed and it was made on YouTube by a bunch of New Zealand teenagers in 2014. Does Glen Powell sit in a bathtub and drunkenly complain about Beatrice calling him 'Pedro's bitch' during a party while dressed in a knockoff Batman costume? No? Then get it away from me. Nothing Much To Do supremacy.
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You know what's so devastating to me about "God that I were a man"? It's the way that in this situation, Beatrice is not exceptional. In the first acts, she appears to be exempt from the gender roles that everyone around her complies with: she has avoided marriage so far, and she has license to playfully criticize and reject being "over-master'd with a piece of valiant dust" (2.2.55-56). She even suggests to Hero that she claim some agency over her engagement: "it is my cousin's duty to make curtsy, and say, 'father, as it please you.' But yet for all that, cousin, let him be a handsome fellow, or else make another curtsy and say, 'father, as it please me'" (2.1.48-51). Beatrice has carved out an existence for herself that everyone else tolerates; her wit allows her to live outside of people's expectations of womanhood.
But Beatrice is not exempt from being a woman. When it actually matters, when Hero is disgraced by powerful men with no regard for her wellbeing or humanity, Beatrice can't do anything about it. And "God that I were a man" is so painful because it reminds us--and Benedick--that no matter how transcendent Beatrice appears to be, she is still constrained by her role in Messina's society. Back in act one and act two, the reason that she was allowed to poke fun at men wasn't that she couldn't be stopped; it was that it didn't matter. She has no actual power to change the order of things, and so her verbal sparring is not a threat.
(An aside: I think that Benedick is taken aback by "God that I were a man" because this has never really occurred to him. He sees Beatrice as his intellectual equal, and he has watched her carve out space for herself effectively (they know each other of old). In the 2011 production with David Tennant, the costuming and acting choices show how Benedick starts actively performing masculinity only when he accepts Beatrice's request to kill Claudio--when he has to "be a man for [Beatrice's] sake" (4.1.314). In the first acts, he wears tight clothes, a crop top, and a miniskirt. From the wedding on, he wears his military uniform and then a suit. His body language also changes; he abandons physical comedy, stands tall, and emotes less when he speaks to Claudio and Don Pedro. He wields his masculinity as a weapon because he now realizes it's a weapon that Beatrice cannot wield herself.)
The crashing realization of Beatrice's limits is so devastating to me because it's so familiar. I can only speak from experiences I've had, but as a queer woman I know that tolerance is different than empowerment. That having grown up evading dating and romance with made-up excuses to hide my queerness, having realized the extent of the misogyny in an organization I cared about and having grappled with how that misogyny prevented me from effecting change, being allowed to exist is not the same as being able to participate, to make things different. God, that I were a man. I would eat his heart in the marketplace.
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grabbed all of the ebook versions of the folger shakespeare library's annotated versions of shakespeare's plays (+sonnets and poems) and put them all in one place in case anyone is interested
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“i asked chatgpt—”
well i asked the kind old friar and he told me to fake my death. immediately
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Much Ado About Nothing is really funny bc it’s a Shakespeare play where one of the couples already love each other before the play begins and one of them start the show by calling each other brainless backstabbing insufferable whores and you’d think the ones that like each other would be the easier ones to get together but Here’s The Thing
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From a project I was working on before going in another direction, but still wanted to post this. Inspired by this photo of mourning doves nesting in the fossil of a triceratops, and how it tells us that the world can end, just not forever.
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whenever I watch this scene I keep thinking abt that one episode of The Hang With Ramin Karimloo where he and Sierra talked abt the 25th so... here's a cast commentary style edit i guess
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3/7
Why so silent, good Messieurs?
Did you think that I had left you for good?

Tbh one of the most difficult illustrations for this project (esp for my laptop which kept turning itself off while i was trying to finish this artpiece lol)
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Angel of music, hide no longer / Secret and strange Angel…
The Phantom of the Opera
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more phantom of the opera
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Leitmotifs drive me insane, like I hear *repeated melody that has an association with a person, idea, or situation* and I go *tears up the fucking rug like a dog*
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