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TO CATCH A THIEF (1955) dir. Alfred Hitchcock

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RANDOM HARVEST (1942) dir. Mervyn LeRoy

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Fox and His Friends (Rainer Werner Fassbinder, 1975)

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The Magnificent Ambersons (1942)

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“[The] strangeness of Russian Ark, its connoisseurship of time, is an accurate description of what it feels like to visit the [Imperial Hermitage Museum]. All great old museums are places where time stretches, floats, accumulates dust, even has an odour (in Sokurov’s film, people sniff paintings). You lose yourself, cut free from linear time into something more oceanic. The Hermitage has the same historical thickness that all museums have, but to an infinitely more fermented degree.” (The Guardian)

️THE BUILT ENVIRONMENT IN MEDIA (🧱) RUSSIAN ARK (2002), dir. Alexander Sokurov — and the Hermitage in St. Petersburg

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The Age of Innocence (Martin Scorsese, 1993)

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Maybe Mr. Fabre’s a better judge of character than you, Charlie. – Ask your buddy who Ed Fabre is, Tyler. Go ahead, ask him who he is. – We got work to do.

EDGE OF THE CITY 1957 | dir. Martin Ritt

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French postcard featuring Buddy Ebsen and Fess Parker in DAVY CROCKET: KING OF THE WILD FRONTIER (1955), directed by Norman Foster for Disney

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Kay Francis in One Way Passage (Tay Garnett, 1932)

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Jean Harlow-Franchot Tone "Busco un millonario" (The girl from Missouri) 1934, de Jack Conway, Sam Wood.

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Bessie Love and Anita Page in "The Broadway Melody" (1929.)

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Midnight (Mitchell Leisen, 1939)

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Fred and Ginger in The Gay Divorceé (1934) dir. Mark Sandrich

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Thelma Todd in Call Her Savage (dir. John Francis Dillon, 1932)

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the keyhole (us, curtiz 33)

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Man of the West (1958)

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Elio (2025), dir. Domee Shi, Madeline Sharafian & Adrian Molina