incredibly fucked up you can put off things for “tomorrow” and then. and then tomorrow comes
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"He's so babygirl" and the man I'm talking about is The Hound from Game of Thrones
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some of you guys have GOT to remember about fun
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Sarah Michelle Gellar as Daphne Blake
SCOOBY-DOO (2002) dir. Raja Gosnell
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gooooood morning!! except to the people that think daryl and beth should’ve been together romantically, y’all can have a sucky day
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there's so much pathologizing over why enemies to lovers is a popular trope (something something the normalization of abuse something something) when the simplest and less moronic answer is that narratives thrive on irony and reversals, and there's no greater irony than characters going from hating each other's guts to loving each other unconditionally. raw thesis-antithesis-synthesis.
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i love going back to the beginning of a piece of media with the full weight of knowing how it ends. you see characters get introduced and it’s literally like
[id: the ‘they don’t know’ meme edited to say ‘they don’t know the profound and life-changing effect they will have on each other’. it shows a simple drawing of a guy with a party hat standing in the corner of a room, looking at two couples who are happy and dancing. the guy is edited to have shiny, tearful eyes. end id.]
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eldest sibling competition (final round)
because he had to be more than just a brother, he had to be a father, and he had to be a mother!
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