eddierotshadtomove

[eddierotshadtomove]

this blog is now an archive ; i'm still over at @eddierots

my tags got fucked so i had to move eddie to a whole new blog. i have already followed every single one of my moots that are still active on their blogs. as nothing in character has been posted as of yet, everyone who is a mutual and liked my starter call or sent me in meme's will have their threads posted on the new blog. you don't need to re-send the meme's or anything of the sort, i already got you covered. <3

[eddierotshadtomove]

Did I miss following any of my mutuals over on the new blog?

[eddierotshadtomove]

this blog is now an archive ; i'm still over at @eddierots

my tags got fucked so i had to move eddie to a whole new blog. i have already followed every single one of my moots that are still active on their blogs. as nothing in character has been posted as of yet, everyone who is a mutual and liked my starter call or sent me in meme's will have their threads posted on the new blog. you don't need to re-send the meme's or anything of the sort, i already got you covered. <3

[eddierotshadtomove]

this blog is now an archive ; i'm still over at @eddierots

my tags got fucked so i had to move eddie to a whole new blog. i have already followed every single one of my moots that are still active on their blogs. as nothing in character has been posted as of yet, everyone who is a mutual and liked my starter call or sent me in meme's will have their threads posted on the new blog. you don't need to re-send the meme's or anything of the sort, i already got you covered. <3

[eddierotshadtomove]

yup, i have to move blogs. i'm already over typing everything all over again for my tags. i'm just glad i haven't posted any of those starters or meme replies yet, so this is going to be fairly easy

[eddierotshadtomove]

fuck

my tags are fucked. i'm probably gonna have ot move blogs and i don't wanna

[eddierotshadtomove]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

[eddierotshadtomove]

𝐙𝐎𝐌𝐁𝐈𝐄 𝐀𝐏𝐎𝐂𝐀𝐋𝐘𝐏𝐒𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒. (𝐏𝐓. 𝟏)

so i’m rewatching a number of shows based in the zombie apocalypse genre atm, but let’s be totally brutally honest, all of us are dead are absolutely responsible for this! anyway, these are all dialogue prompts, i’m only on episode 1 of twd so be ready for like, a LOT of parts of this!! basically, don’t add to this list, okay? okay. i hope ye enjoy them!

“ how have you survived all this time on your own? “

“ there’s strength in numbers, you know. you should come with me. “

“ i know a place. it’s secure, isolated… it’s safe. if we get there, we stand a good chance. that is… assuming you wanna team up with me? “

“ i’ll keep watch tonight. you try and get some sleep, okay? “

“ what do you miss most? about before? “

“ you won’t get far if you don’t know how to use a weapon. i can teach you, if you like? “

“ if we could get to the airport, or the coast… they’ve got to be evacuating people, right? “

“ let’s set up camp here for tonight. we’re no good if we can’t keep our eyes open to see what’s coming for us. “

“ the radio works. we can’t call for help, but… i found a station that’s still playing music. “

“ is… is that a bite? “

“ no! no, don’t come any closer… i got bit. “

“ no… no, no, please… tell me you didn’t get bit trying to save me. “

“ it’s my fault you got bit! “

“ hey, hey… we don’t have time to argue, love. okay? i got enough time to get you somewhere safe before i turn, but… only if we go right now. okay? “

“ what should we call them? zombies feels kinda silly, doesn’t it? “

“ they’re faster than i thought they’d be. usually… i mean, in the movies… they’re usually so slow. “

“ aim for the head! haven’t you ever seen a zombie movie before?! “

“ listen… we have a camp set up nearby. there’s a group of us; strength in numbers, you know? why don’t you join us? “

“ you’re really naive if you think for one second that the government’s gonna fix all this. we’re on our own. us and the infected. “

“ let’s stop for a second, okay? if that wound of yours gets much worse, the zombies might not have to kill you. “

“ jesus… i’ve never seen a horse that big before… “

“ it’s… it’s crazy, i-i’ve never seen one… never seen one up close like that before. “

“ did you get bitten? scratched? anything? “

“ give me a hand boarding up the windows, will you? “

“ we need water, medicine, ammo and food. in that order. okay? “

“ it’s okay… it’s okay, they won’t be able to get through that barricade, i promise. we’re safe. we’re safe. “

“ your wallet’s useless now; it’s just bits of paper. the world we knew is gone. we’ll be paying with bullets and antibiotics from now on. “

“ you think they can smell us or hear us? you know, which of their senses is stronger since they turned? “

“ i don’t know who the bigger threat is; the dead, or the living. “

“ hurry! that barricade won’t hold them off for long! “

“ damn it! we’re out of gas… looks like we’re gonna have to walk the rest of the way. get your weapons out and ready, and keep quiet, okay? “

“ i heard it on the radio a couple of days ago. it sounded too good to be true, at first. a camp of survivors, food, shelter, protection… but maybe we should try and find it? “

“ what did you do? you know, before? “

“ you’re bleeding… from a bite? scratch? anything from one of those dead monsters?! “

“ i used to be with another group. it didn’t last long. “

“ hey, hey, don’t add so many logs to the fire. the dead might see it. “

“ you know what i don’t miss about before? traffic jams. “

“ do you think we turn regardless? or do we have to be bitten first? “

“ hey, i’m thinking of heading out later for a supply run. wanna join me? “

“ maybe it’s just us. maybe the rest of the world is okay, zombie-free. “

“ do you think we might be the only people left alive? you know, other than the infected? “

“ we need to find somewhere more long-term. with land to farm and fresh water, somewhere high up and isolated. somewhere we can survive and live until this mess is over. “

“ hurry! come with me, they’ll have heard the gunshot! “

“ hey… listen, we… we gotta go now. you can’t stay with them. they’re gone, you know it, they know it… it’s too late for them now. we need to move away before they turn… “

“ no sense in leaving now, they have us surrounded. we’ll camp here for the night; they’ll be gone by morning. “

“ did you know anyone who got bit? who turned? “

“ you think they remember anything from their past, after they turn? “

“ we just need to wait until the scientists come up with a cure, that’s all. “

“ promise you won’t let me become one of those. promise… promise you’ll stop me before i turn. “

“ they’re not alive. okay? it’s not like killing an actual living human being. they’re dead, and they’re starving, and they’re dangerous, and you have to be ready to kill them in a heartbeat. “

“ there’s an evacuation centre up north. if we get there… even if we don’t get on a plane, we could stay there. they say the cold affects the dead. “

“ i’m gonna teach you how to shoot, because the way things are looking now, you’re a bigger danger to yourself than the dead. “

“ use your knife, the gunshot’ll draw more! “

[eddierotshadtomove]

can't decide if i like these or not

[eddierotshadtomove]

Scream (2022) dir. Matt Bettinelli-Olpin, Tyler Gillett

[eddierotshadtomove]

𝐡𝐚𝐥𝐥𝐨𝐰𝐞𝐞𝐧 𝐩𝐥𝐨𝐭𝐬  𝟎𝟏 / ? .

muse a is a vampire , alive for years , and each year they look for the lover which was ripped away from them . enter muse b , a scholar , with a keen interest in worldly tragedies and a dark family history not even they are fully aware of . muse a knows they are the reincarnation of their lost love , even though they don’t exactly look the same , but there is a detail , and they have been looking for them for so long . in the interest of getting near who they long for , muse a donates a hefty amount to the museum which muse b is a curator , and in order to thank the generous donator , the museum puts up a charity gala , which is where muse a and muse b come face to face , and there is absolutely no denying the pull muse a has over muse b  —  there are a few hindrances , however , muse a is responsible for slaughtering muse b’s family and muse b is engaged to be married . will those secrets ( and many other more ) get in the way of muse b fulfilling their destiny beside muse a ?

[eddierotshadtomove]

please like/reply to this post for a starter from ed boi. lengths may vary

[eddierotshadtomove]

†   *   ˖＊♡   —      ᶰᵒʷ   ʸᵒᵘ   ˡᵒᵒᵏ   ᵃᵗ   ᵐᵉ   ˡᶤᵏᵉ   ᵃ   ꓛꓤIWƎ   SꓛƎNƎ   .   

[eddierotshadtomove]

B40//TRIBRID. a promo template inspired by hope mikaelson.

a 540x450 two panel template.

includes my old psd CORDY CORD. turns most into a softpurple shade vibe.

PSA: this template requires some mild knowledge of clipped masks, layers on photoshop. everything is labelled but please keep this in mind. as well, to remove backgrounds, you need a free internet background removal page.

remember to reblog if you save/use. credit somewhere if you use.

fonts used are :   BlackFlag, Myriad Variable, Plain Germanica.

consider donating through paypal or buy me a coffee through ko-fi.it truly helps me a lot.

this template is FREE or 5 DOLLARS DONATION. if you only use one panel, still has to credit me.

ALSO FOUND AT DEVIANART.

[eddierotshadtomove]

**𝓗𝓒 ;

i know that my eddie is not based in the st.ranger things fandom, but it doesn't change his back story of him literally having to crawl his way out of the upside down after the demo bat swarm that fed on him and killed him. that's literally the only tie to st.ranger things that eddie has, other than that he has no memories of hawkins unless specified otherwise.

if you are a st.ranger things muse that knows eddie, i'm sorry but you'll have to remind eddie of who you are and what you mean to him etc. that being said, he will have small flashes of memories pertaining to chrissy and what happened to her but that's about the extent of it, he doesn't know who she is exactly, he just knows that she was someone of importance to him.

[eddierotshadtomove]

send “☎️” to receive a midnight phone call from my muse

[eddierotshadtomove]

please like/reply to this post for a starter from ed boi. lengths may vary