Taylor (she/her), 26, teacher, writer, lesbian, trying my very best to be insufferable
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It is actually vital for my health that I come home from work and immediatley sprawl in my hammock for a beer and a cig in the afternoon sunshine
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Working in a dead silent coffee shop today when suddenly the phone of this elderly(!) woman at the table next to me starts absolutely blasting a tiktok video with ai narration “TOP FOUR UGLIEST HOLLYWOOD CELEBRITIES—“
#forget the kids are not alright what about the octogenerians#also yes she cut it off before the video could finish#I guess I’ll never know the top four ugliest Hollywood celebrities :((#text post
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Oh ok so it turns out ive been borrowing grief from the future ! it turns out ive been preparing to lose the things i love rather than basking in the light of them while they last. Maybe i should nt do that
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the problem with having a decade old tumblr blog is that there are posts on it from a decade ago
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painting this on the ceiling above my bed so it's the first thing i see upon waking in the morning and the last thing i see before falling asleep at night
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Mark Laver, "I'm gonna shine out in the wild silence" / "Everything looks beautiful, when you're young and pretty" / "I may never be unhappy again"
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i want to live in your fishbowl (before aquatint)
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demonic possession wouldn’t even affect me, i would just assume it’s The Symptoms
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“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets.
Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”
–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.
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