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Record-00

idk what I’m doing

ANOMALOUS PHENOMENA 84TH

CLASS: GLEOXA SAFETY: PATHOSLEE

A.P-84 is a broadcast on Vizo Bharatu Television Station on The 30th of May 2007 airing precisely at 22:41 NST ted as a rerun of a historical documentary titled “Legacies of the Southern Reef,” diverged from its scheduled content approximately 13 minutes into the runtime. A Creature similar to A.C-39 “the red mimic” with a female figure, appeared onscreen, displacing the narrator's voice with static and a deep, slow cadence that repeated the phrase: “I REMEMBER THE BRINE.” with the A.C-39 intense opening its knee and birthing open from its joint with a sickening crack, revealing within a mass of kelp-like tendrils coated in brine and fibrous flesh. The figure’s eye sockets glowed with a subdued bioluminescence, pulsating in sync with the voice’s cadence. The broadcast feed flickered, warping between frames of the original documentary and unknown seabed footage—dark, abyssal, and populated by skeletal coral formations never recorded by any oceanic survey.

At 22:44 NST, viewers reported a sensation of intense pressure behind the eyes, followed by involuntary lacrimation of seawater mixed with an unknown amber-red resin. This effect lasted precisely 1 minute and 36 seconds.

At 22:46 NST, the entity raised one arm—its hand terminating in five translucent hooks—and pointed toward the camera. The voice shifted: “THE SALT REMEMBERS WHAT THE LIVING FORGOT.” 

At 22:47 NST, the feed abruptly cut to static for 4 seconds before coalescing into a low-resolution grayscale shot of a rocky shoreline under moonlight. A solitary figure—slender, curved spines bristling along its back, limbs tipped with the same translucent hooks—crawled out of the surf. It paused, head cocked, and emitted a series of clicks and resonant tones. These sounds, when processed by audio‑forensics teams, formed an intelligible phrase in all of Czeckiland’s official languages:

“THE TIDE TAKES WHAT WE DENY.”

At 22:49 NST, the image shattered into vertical bands of muddy cyan and viridian, and the broadcast fell silent. Within the next ten seconds, hundreds of SMS complaints and emergency calls flooded in, reporting:

A sudden taste of brine on the tongue despite no ingestion of seawater.

A flash of phosphorescent green light perceived at the periphery of vision.

Spontaneous memories of drowned loved ones—many previously bereaved—surfacing with traumatic clarity.

By 23:05 NST, local hospitals in The Bharatu Municipality, North Jade logged twenty‑three admissions for acute psychogenic shock and idiopathic corneal irritation, describing patients “weeping seawater” and refusing to blink. All affected individuals denied any prior exposure to marine environments beyond standard urban life.

At 23:11 NST, a final anomaly was detected: a brief, subsonic pulse emitted across multiple bands from the Vizo Bharatu tower site—despite its power core being confirmed inert. Acoustic analysis confirmed the pulse matched whale-song patterns once observed off the southeastern coast of Czeckiland before a catastrophic reef collapse in 1984. However, this specific song included reversed phonemes that, when sonographically mapped and linguistically interpolated, revealed a phrase only partially translated: “BELOW THE MEMORY OF WATER, THE BODY WAITS.”

A subsequent investigation by the Secretariat of Federative Investigation Telecommunications Unit and The Czeckish Television Union into the transmitter revealed the broadcast tower had not received power for over 6 years, having been decommissioned in 2001, A.P-84 has remained dormant in active bandwidths since the incident, but repeated scans from mobile listening stations at Site-Baghahé-Prime indicate that A.P-84's signal signature persists as a kind of subcarrier “residue.”

Moreover, the timing of the anomaly—precisely thirteen minutes into a rebroadcast of a documentary on the Southern Reef—suggests that A.P‑84 may have exploited residual archival footage or metadata embedded in the original transmission. This raises the possibility that the entity or its imprint has, over decades, learned to interface selectively with audiovisual media, leveraging human attention as a conduit for cross‑dimensional or cross‑environmental influence.

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Gonna buy a Samsung Blu-ray player without a remote, hope some app on my phone can suffice as a hacking tool