Have some Wine and enjoy some memes. Here is a blog of your wildest dreams. From a girl who fangirls and rants to deaf ears. But also creates in hopes of some cheers. Welcome lovers of LoL and esports galore. As well as anime fans who fight shipping wars. Let's not forget TV shows a plenty. From trashy to classy, I post about many! From all the users who have fought log, we hope you stick around and perhaps reblog! Beware new traders but never fear. There are My Hero Academia spoilers here! Other series I may spoil as well. But I hope you stick around in this little pit of hell!
Honestly, Gentle and La Brava’s livestream is so chaotic with 0 context. Like, the YouTuber known for petty crimes suddenly appears to save the world class hero high school that is free falling to the ground for some reason while the kid who broke his bones like it was nothing on national television is the only one facing off against the worst villain Japan has ever seen then it changes over to the number one hero and his entire family being barbecued in the sky and then frozen on the ground then it changes to Twice? Who everyone thought was dead but is now back in full force until it’s stopped by two teenage girl’s crying into each other’s faces, one of them naked, mind you, is that allowed on Twitch? Then it changes back to All Might who is iron man now?! Facing off against some maniac teenager with a million quirks who is apparently All for One, by himself. He’s about to get snapped in half by said teenager until BOOM! The sludge villain kid rushes to the bone breaking kid and holds his hand before being thrown like a bullet to rescue All Might. Then BOOM! BOOM! BOOM! BOOM! All for one is now a baby. Oh- now he’s gone. BACK TO THE BONE BREAKING KID! They’re in Mt. Fuji now for some reason. And the world seems pretty doomed until suddenly the kid becomes a being from your worst nightmares and now you’re watching him do acrobatics with his nightmare tendrils and hoping he doesn’t die.
Sam Lansky has such a wondrous way with words, and I’ve loved reading his pieces for over a decade. If you’ve ever been around him, you know he’s just the best type of person: Curious. Interested. Hilarious. Intriguing and intrigued. I have tRuSt iSSueS when it comes to interviews but I couldn’t be happier that I did this one with him. I was blown away to see quotes from people I adore and admire like Stevie Nicks, Greta Gerwig, Shonda Rhimes, Phoebe Bridgers, Natalie Maines, Kenny Chesney, and Lucian Grainge. I was so happy he spoke to fans Madison and McCall who were so eloquent, loyal, and kind. I’m really reflecting on this year, and all the years that led up to it. Can’t say thank you enough times. 🥲
This week’s initial tentative super rough/literal translations under the cut.
1
このままいけばあなたは敵と対峙し
このままいけばあなたはヴィランとたいじし
kono mama ikeba anata wa VIRAN to taiji shi
If you continue like this, you will face a villain
2
言い表せようもない程…凄惨な死を迎える‼︎
いいあらわせようもないほど…せいさんなしをむかえる‼︎
ii arawaseyou mo nai hodo...seisan na shi wo mukaeru!!
and die an unspeakably...gruesome death!!
tagline
No.404 大好き‼︎オールマイト���︎ 堀越耕平
ナンバー404 だいすき‼︎オールマイト‼︎ ほりこしこうへい
NANBAA 404 daisuki!! OORU MAITO!! jidai no owari, soshite---- Horikoshi Kouhei
No. 404 We love you!! All Might!! Kouhei Horikos
3
風が
かぜが
kaze ga
The wind
4
吹いていた
ふいていた
fuite ita
was blowing.
1
今日はパイでもつくろうか
きょうはパイでもつくろうか
kyou wa PAI demo tsukurou ka
"Shall we make some pie today?"
2-3
遠くの危より今日の締切じゃボケ!
とおくのきよりきょうのしめきりじゃボケ!
tooku no ki yori kyou no shimekiri ja BOKE!
"Today's deadline is worse than some distant danger, idiot!"
4
気流がおかしい…
きりゅうがおかしい…
kiryuu ga okashii...
"The wind stream is strange..."
5
メリルさっきの放送事故
メリルさっきのほうそうじこ
MERIRU sakki no housou jiko
"Meryl's broadcasting blunder from earlier"
6
もうアップされてる
mou APPU sareteru
"has already been uploaded."
7-8
今後ジェット気流に乗ってーー北米にも影響を及ぼす可能性があります
こんごジェットきりゅうにのってーーほくべいにもえいきょうをおよぼすかのうせいがあります
kongo JETTO kiryuu ni notte--hokubei ni mo eikyou wo oyobosu kanousei ga arimasu
“From here on, there is a chance it could ride a jet stream and affect North America as well.”
9
マルティンごはんよー
MARUTIN gohan yoo
"Martin, food!"
10
オールマイト…
OORU MAITO...
"All Might..."
11
死んじゃやだな
しんじゃやだな
shinja ya da na
"I don't want him to die."
1
小僧!
こぞう!
kozou!
"Kid!"
1
再び"変速"を発動すれば今度こそ反動からは逃れられん!
ふたたび"へんそく"をはつどうすればこんどこそはんどうからはのがれられん!
futatabi "hensoku" wo hatsudou sureba kondo koso handou kara wa nogareraren!
"If you activate Gear Shift again, you won't be able to escape from the backlash this time!"
2
勝ち筋を見出してからでなければーー…
かちすじをみいだしてからでなければーー…
kachisuji wo miidashite kara de nakereba--...
"Unless we find a way to win--..."
3
おまえの中のオールマイトがーー
おまえのなかのオールマイトがーー
omae no naka no OORU MAITO ga--
"The All Might inside you--"
4
曖昧な姿だったのは本人がまだ生きていたからじゃないのか?
あいまいなすがただったのはほんにんがまだいきていたからじゃないのか?
aimai na sugata datta no wa honnin ga mada ikite ita kara ja nai no ka?
"Isn't the reason why he looked so unclear because his real self was still alive?"
5
それが今形を成し始めているのはそういう事じゃあないのか?
それがいかたちをなしはじめているのはそういうことじゃあないのか?
sore ga ima katachi wo nashi hajimete iru no wa sou iu koto jaa nai no ka?
"Isn't that why he's starting to take shape now?"
1
世界に夢を見せた男の死で
せかいにゆめをみせたおとこのしで
sekai ni yume wo miseta otoko no shi de
"With the death of the man who showed a dream to the world,"
2
夢は現実に還るんだ
ゆめはげんじつにかえるんだ
yume wa genjitsu ni kaerunda
"the dream will return to reality."
1
誰かの握った拳が
だれかのにぎったこぶしが
dareka no nigitta kobushi ga
Someone's clenched fist...
2
誰かの吐息が
だれかのといきが
dareka no toiki ga
Someone's long sigh...
3
あなたが殺される…未来を変えたくて
あなたがころされる…みらいをかえたくて
anata ga korosareru...mirai wo kaetakute
I wanted to change the future...where you will be killed,
4
変える術を探ってきた…
かえるすべをさぐってきた…
kaeru sube wo sagutte kita...
so I have been searching for a way to change it...
5
…エネルギーなんじゃないか…と思うんだ…
…エネルギーなんじゃないか…とおもうんだ…
...ENERUGII nanja nai ka...to omounda...
...It's some sort of energy...I think...
6
己が強く望む未来…
おのれがつよくのぞむみらい…
onore ga tsuyoku nozomu mirai...
A future for which I wished strongly...
tagline
ただの鼓舞ではない、その叫びは確かな決意‼︎
ただのこぶではない、そのさけびはたしかなけつい‼︎
tada no kobu de wa nai, sono sakebi wa tashika na ketsui!!
It's not just for encouragement, that shout is certain determination!!
Uh oh, it's sleepy grumpy Pika. Y'all know what that means, right?
It means I have no filter for my opinions.
If you're dissatisfied with the way Katsuki's bullying of Izuku is handled in MHA because you expected him to be confronted by someone else about it in some way, it's probably because you are unaware of the difference between bullying and attitudes towards it in Japan versus in your country of origin. I believe everyone would benefit from researching bullying in Japan. They do NOT view it the same way the west does, y'all.
And I guarantee when you learn about it, you're gonna find some stuff that makes you uncomfortable and horrified, because it's gonna take a while for you to get enough information to give context to a lot of the history and attitudes you'll find. AND EVEN THEN, EVEN WHEN YOU HAVE THAT CONTEXT, you're still definitely not going to like it.
However, with any luck, you'll see how MHA's portrayal of Katsuki's bullying is shockingly sympathetic and heartwarming to many people. It's because, from the perspective of a Japanese audience, Izuku was not targeted and bullied by Katsuki in the way we're used to seeing such situations portrayed in the west. Izuku was bullied by everyone. His classmates, his teachers, the pro heroes he encountered, and society in general ALL participated in the bullying of Izuku, because societal pressures to conform in Japan are MASSIVE, and that can often manifest as one form of bullying or another.
Katsuki's bullying is just the one that the story chooses to flesh out. It's the one that Horikoshi develops. Katsuki is the bully that changes his own perspective first and drastically, the one who realizes the greatness in Izuku and accepts that and comes to his side long before the rest of society can catch up. It is largely understood by the Japanese audience that Katsuki in middle school didn't seek Izuku out and follow him home every day to beat him up; Katsuki mostly ignored Izuku until Izuku would do something to remind Katsuki of his insecurities, and so he would lash out. And no one else at let's say Izuku's middle school would understand the true reason why Katsuki would lash out because what he does resembles what all of Izuku's bullies do to him: pressure him to conform. Pre-One For All Izuku stands out as different and constantly tries to rise above his position to become something society decrees he cannot be. Therefore, a significant part of Japanese society will generally approve of attempts to make him conform, even when some of those attempts are harsh and cruel and unreasonable and reactionary. MHA presents a caricature of that in the form of Izuku's middle school.
The fact that Katsuki identifies this toxic behavior in himself later in the story and decides to actively do something to change it IS the radical part. It's the piece that fits into the themes of MHA. It highlights a generally-accepted behavior in society that maybe society should rethink. It's asking for society to reconsider how it pressures people to conform, that sometimes nonconformity is good or at least should be tolerated to some degree. That's why Katsuki's story focuses so much on how his old behavior stems from fear. From the perspective of a "properly-functioning" collectivist society, pressure to conform should be done for the good of everyone in the society, not out of fear and misunderstanding. Katsuki's character arc provides one potential map for others in society to see the light and get to where he does.
And that's to say nothing of how Japan's versions of confrontation or retribution often look different from how they do in the west, that many of the forms of confrontation some people in the western fandom cry out for with regards to Katsuki sound absurd to an audience in the know. The karmic punishments Katsuki endures throughout the story are often overlooked by western readers, and is it any surprise? That readers from some societies--societies that laud nonconformity, tolerate counterculture, openly criticize the systems that be, preach about individual freedom and responsibility and justice and fairness, and watch and make movies and TV shows and other media about how victims of bullies achieve their righteous revenge--often miss how MHA doles out subtle, divine, poetic, karmic consequences for Katsuki's actions? That such readers often don't feel satisfied by MHA's dramatic ironies which serve more to guide Katsuki in a harmonious, productive direction rather than vindictively punish him and rest on its laurels as it laughs at his deserved misfortune? I don't blame anyone for feeling unsatisfied when their own societies have built up their expectations in such ways, but I do hope to draw your attention to it.
Now, does that mean you have to like and accept the Japanese attitudes about bullying? That you have to agree with the framing of pressure to conform as beneficial and productive? That, if you're triggered by the lack of overt condemnation of bullying in the story, you still have to like MHA? That, if you have personal traumatic experiences with Japan's bullying situation, you should shut up about it and accept that it's a good thing? No! In fact, I personally would hope that you don't! I think everyone should always have their perspectives on ANYTHING challenged so they can rethink and improve them, and Japan's attitude towards bullying is no exception! (And MHA actually does that in its own way!)
(And even saying that, I will always acknowledge that my perspective and opinions on this issue are heavily colored by my own experiences in life and the society in which I grew up and the ideas to which I've been exposed. This is and always will be my bias.)
But the question of what's the correct take on bullying is an entirely different beast. The question at hand here is about understanding the story and its characters as presented in MHA. If you don't come at this with a basic acknowledgement of how Katsuki's story reads to a Japanese audience in-context, you're going to be upset about what you see (which is a reasonable reaction). But I think if you're going to read a story, it's only due courtesy to understand the context surrounding its creation before you try to hold it to far-removed, foreign standards. There's a reason literature classes go over the history and context surrounding the older works they study. MHA is a Japanese story written for a Japanese audience. To focus on how it does not adhere to the typical western narrative of a bully's character arc is to miss the point entirely. If you are reading the story outside of Japan in a language other than Japanese, it is being translated so that you can read a Japanese story, not a story from your own culture. It's rude and self-defeating to expect stories from other cultures to suddenly cater to your own.
TL;DR Understanding the social context that informs bullying in MHA just might actually make the story more comprehensible and enjoyable for anyone who dares to learn about it, what do you have to lose?