things that are cool: scifi, bigfoot, mushrooms. probably other stuff?
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This is who is leading the NYC mayoral democratic primary rn
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OH??? a parade for creatures with exceptionally long moustaches???
I really like the motif in paprika's soundtrack, too bad the original isn't up on spoti ;' D
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First time visiting my friend’s dorm room (who’s also a snake)(I forgot)
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she's dead. she's alive. she keeps coming back. everything just keeps happening to her. she fights until the bitter end. she has glowing recommendations from practically everyone she's given an order to. she wants to go home so, so badly. she's only had that mission since the start. that, and revenge. she got shot once but she got better. she can do things all on her own without anyone's help. you've never been as scared as she has. she cares about other people so much. she got to say fuck.
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the legend must appear here too. designed her for a photoshoot and over on twt it kinda... seeped into the mass depiction of fem!harry. also I really wanna get on vgen, so can u guys help me out with comments?


https://vgen.co/AlmightyNit
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Walter Molino
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I love that psychic powers are still "allowed" in science fiction. They're an acceptable part of the aesthetic. Like you can't have magic, but you can have brain magic, because it's more Science.
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How come semi trucks in Europe look like “toot toot :)” and in North America they look like “HONK HOOOOOOOONK >:|”
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one of my favorite twitter accounts that is defunct now is it was this account called like Crazy Optical Illusions or something and they would just post popular optical illusions but edit them so they werent optical illusions anymore and they would just pretend and people would be very confused / angry in the comments
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my contribution to the wolf 359 fandom and its 5 other active fans
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in a similar vein to maxwell's phrasing/course of action in memoria mirroring cutter's threats to hera in her live show performance review, there's a scene in controlled demolition that makes me uneasy.
first: maxwell inserts herself into this conversation to reveal personal medical information of hera's. she apologizes to hera: "i'm sorry. i wasn't sure about the best way to broach the subject." and hera doesn't object, but, well. it's not really her subject to broach, and it won't be the last time she ignores hera's privacy to serve her own needs (notably: need to know.)
second: compare this to the exchange in decommissioned where rachel tells hera, "don't think of it as 'dead.'" this isn't hera clarifying or making a comparison herself; it's just one more person defining her experience for her, and using dehumanizing language to do it.
... and that exchange is followed up by this one. it's insidious because it could be harmless, it could even be well meaning, if we didn't know what we know. over time, a clearer pattern emerges of maxwell speaking for hera, speaking over her, ignoring her privacy, telling her how she should feel and how to define her own experiences, which of course culminates in something much more severe, but the red flags were there from the start. they were there from the moment she came on board and made hera call minkowski "lieutenant" (again, a direct parallel of something done to her by someone who violated her; in that case, hilbert.) but it's true that maxwell can help, and that hera needs help, and that she outwardly appears sympathetic in a way hera isn't used to, and so hera just... doesn't see any of that until it's too late, because she doesn't want to see it. it's painfully real.
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