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The Book Of Leaves from bfophoto on Vimeo.

This is the complete leaf sequence used in the accompanying short film LeafPresser. While collecting leaves, I conceived that the leaf shape every single plant type I could find would fit somewhere into a continuous animated sequence of leaves if that sequence were expansive enough. If I didn't have the perfect shape, it meant I just had to collect more leaves.

Music: Slyungda by jm france Images: Brett Foxwell

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M.H.C. - What is real? from Ash Thorp on Vimeo.

“M.H.C. is our love letter to the automotive icons of our youth.” Carlos Pecino + Ash Thorp

A film by Ash Thorp, Colorsponge & Pablo Pecino CGI - Colorsponge & Ash Thorp Music - Simon Leoza - Alcatraz Music Publisher - Kay Productions Musique Graphic design - Narita Drone footage - Gabriel Tineo

makehastecorp.com

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Motion Graphics Term from JM Blay on Vimeo.

Interviews by JM Blay | Los Angeles 2007 -Kyle Cooper, Danny Yount, Richie Adams, Brandon Martinez, Jamie Caliri and Garson Yu Video created for the final dissertation of the PhD: NEW LANGUAGES OF DESIGN: MOTION GRAPHICS QUESTION STATE AND COMPARATIVE ANALYSIS OF KYLE COOPER’S WORK (PhD supported by Kyle Cooper)

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Photocopy Dance 01WD from Mark Daw on Vimeo.

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HUXLEY - Main Trailer from Sava Zivkovic on Vimeo.

Patreon - patreon.com/SavaZivkovic

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“Stumbling upon a forgotten treasure map in the form of an ancient sentient robot, two post-apocalyptic scavengers find themselves amidst a mystery of a galactic scale.”

Written and illustrated by Ben Mauro, HUXLEY is the world’s first graphic novel released in the NFT format. Moreover, HUXLEY is an entire world rich in history, intrigue and R-rated action, and it is currently being developed into a feature film and TV series. This trailer only shows a glimpse of things to come.

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Directed by - Sava Zivkovic Produced by – Sava Zivkovic and Ben Mauro Design and Art Direction – Ben Mauro Lead Character Artist - Antonio Esparza Character / Asset Artist – Mihailo Radosevic Character Artist – Sergi Bigorda Rigging and Additional Modeling – Lucas Salamon Matte Painting / Environment TD – Steven Cormann Motion Capture and Animation – Take One Environments / Animation / Lighting / Compositing – Sava Zivkovic Music by - Iz Svemira Sound Design / Audio Production - Marko Zivanovic / Devotion Studios Voice Talent - Bogdan Milosevic Voice Talent – Aleksandra Pavlovic

TM & © 2021 HUXLEY LLC. All Rights Reserved.

Process – vimeo.com/679097024 Behance – behance.net/gallery/137698133/HUXLEY? Artstation – artstation.com/artwork/Ary8qe Patreon – patreon.com/SavaZivkovic

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Green Life from Russ Etheridge on Vimeo.

A behind the scenes look at how CG animated short films are made.

Directed, Desiged and Animated by

Ricard Badia ricardbadia.me/

Russ Etheridge russtheridge.com/

Milo Targett milotargett.co.uk/

Sound by Mutant Jukebox mutantjukebox.co.uk/

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Adobe "Color" from Antfood on Vimeo.

Client: Adobe Production: Oddfellows Original Music & Sound Design: Antfood

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INORI (Prayer) from nobumichi asai on Vimeo.

INORI (prayer) Super High Speed Face Mapping (1000fps) Making vimeo.com/210565827

This project is achieved as collaborative work between AYABAMBI, Ishikawa Watanabe Lab,TOKYO, responding the call for collaboration by Nobumichi Asai (WOW).

Staff

Nobumichi Asai [Creative Director | Technical Director - WOW] Shingo Abe [CG Director - WOW] Atsushi Yoshimura [Programmer - WOW] Ayaka Motoyoshi [Assistant Producer - WOW]

Eiji Tanigawa [Director | Editor - TOKYO] Senzo Ueno [Director of Photography - TOKYO] Toshiyuki Takei / Shinya Masuda [Producer - TOKYO] Minami Chiwaki / Yuma Yoshimura / Kohei Takayama [Production Manager - TOKYO] Suzuko Ohgaki [Making Director - TOKYO]

Aya Sato [Choreographer] AyaBambi [Cast] Oi-chan[Management]

Shootings

Tomorio Takahashi [Gaffer] Hisashi Morikawa / Mie Inaba / Akihiko Imai [Light Assistant] Takashi Ideguchi [Camera 1st Assistant] Shibuya Hiromi / Fujii Ryosuke [Camera 2nd Assistant] Setsu Fukushima / Ryosuke Taniguchi [Music - Ongakushitsu Inc.] Yosuke Nagao [Music Composer]

Yasuo Fukuda [Colorist] Ryota Abe [Online Editor] Mizuki Kawano [Mixer - TAIYO KIKAKU co.,ltd]

Special Thanks

Yoshihiro Watanabe [Ishikawa Watanabe Laboratory,University of Tokyo] Masatoshi Ishikawa [Ishikawa Watanabe Laboratory,University of Tokyo] Tomoaki Teshima [Exvision]

TOKYO ELECTRON DEVICE LIMITED Takeshi Yuasa / Kiwamu Sumino / Hiroshi Watase /Toru Yamashita Atsuko Kushima / Tomoaki Kiguchi

nobumichiasai.com

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First, the soundtrack was composed according along the theme "Life". Nobumichi Asai and Shingo Abe was inspired by the music and then made face mapping work. Aya Sato designed choreography. TOKYO completed the project by making the video work.

The music brought Asai the image of “the radioactive.” The destructive force of the radioactive could cause “death,” “suffering,” and “sorrow.” And “prayers” could overcome them. These subjects infuse AYABAMBI’s powerful performance. Their performance crushes and conquer black tears, skulls and the Heart Sutra. We built up the concept during the production and Abe designed animation for face mapping.

There was a big challenge in technical aspects. We realized the new mapping system that allows us to follow intense performances by using the latest 1,000 fps projector, DynaFlash(*1) and a super speed sensor. It is very new and it had not been done before. Projected images become part of their skin and they transform their faces.

At the beginning of our development, there was an issue, AYABAMBI would loose freedom of performances if we accelerated the tracking speed. Asai, Yoshimura (WOW), Lecturer Watanabe and Teshima (EXVISION) explored how we could keep the tracking speed securing the freedom of performances, taking three months of trial and error to reduce a few milliseconds. And we finally developed this system(*2).

*1 “DynaFlash” is developed jointly by Ishikawa Watanabe Laboratory, the University of Tokyo and is commercialized by Tokyo Electron Device Limited.

*2 For tracking hands, we use the dynamic projection mapping technology developed by Ishikawa Watanabe Laboratory, the University of Tokyo. For tracking faces, we use the face mapping technology developed by the visual design studio, WOW inc.

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RCUPay Promo (In-Branch Display Version) from Eric Peacock on Vimeo.

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RCUPay Promo (In-Branch Display Version) from Eric Peacock on Vimeo.

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RCUPay Promo (Social Media Version) from Eric Peacock on Vimeo.

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S.L.U.G.Z. from Steve Smith on Vimeo.

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SNOW.B Short animation from :DELPIC design studio on Vimeo.

Creative Director : Yvonne Ng

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The Last Train from Ross Hogg on Vimeo.

An observational animation exploring the behaviours and interactions of a diverse cross section of tired, drunk, disgruntled, joyous and riotous strangers, pushed together within the confines of the last train home.

Year of Production: 2019 Running time: 2 minutes 27 seconds Direction & Animation: Ross Hogg Design & Illustration: Sean Mulvenna Original Music: Simon Liddell & Andy Monaghan Sound design: Keith Duncan BBC Exec Producers: Stephen James-Yeoman & Pauline Law A Ross Hogg/LUX Scotland Production for Now & Next

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SKY: Children of the Light (2021) from Evan Viera on Vimeo.

Directed by Evan Viera Produced at Illusorium Studio Original Score by Austin Wintory

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Moby - 'Why Does My Heart Feel So Bad?' (Reprise Version) Official Video from Steve Cutts on Vimeo.

The official music video I created for Moby: 'Why Does My Heart Feel So Bad?' (Reprise Version).

Written, directed and animated by Steve Cutts.

Created in Clip Studio Paint, After Effects and ink on paper.

Buy/Listen to 'Reprise' here: moby.la/repriseYo More info about 'Reprise': moby.la/reprise-homeYo

Subscribe to Moby: moby.la/subscribeytYo

For info on Moby music, merch, tour dates & more, please visit moby.com/

Follow Moby Instagram: moby.la/instagramYo Mailing List: moby.la/mailing-listYo Facebook: moby.la/facebookYo Twitter: moby.la/twitterYo Twitch: moby.la/twitchYo Spotify: moby.la/spotifyYo Apple Music: moby.la/apple-musicYo Amazon Music: moby.la/amazon-musicYo YouTube Music: moby.la/youtube-musicYo Bandcamp: moby.la/bandcampYo

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PILE from TOBERG on Vimeo.

Water then food. Agriculture then industry. Old then new. Critical then extra. Simple to complex. Concrete to abstract. Dirt to clouds. Real to unreal.

"PILE" is this week's Staff Pick Premiere. Read more about it here: vimeo.com/blog/post/pile-by-toberg/

Computering: Toberg Sound Waves: Ben Goodall Additional assets: Leto Meade, Jim Cheetham, Matt Taylor, Anita Gill, Linyou Xie, Michelle Brand GAN animation: Erik Lintunen Thanks to all Å(u)berg people and RCA Animation 2019 With thanks to Neville Astley, Phil Davies, and The Elf Factory LTD MA Graduation Film, Royal College of Art

Distribution by Miyu: miyu.fr/distribution/

FESTIVALS: BFI LFF 2019, Anibar 2020, Anifilm 2020, Anim'est 2020, Anima 2020, Animac 2020, Animakom 2020, Animanima 2020, Animaviso 2020, Animateka 2020, Annecy 2020, BIAF 2020, Bit Bang 2020, Bolton 2020, British Shorts 2020, CICAF 2020, Cinanima 2020, Cannes Cinéfondation 2020, San Sebastián IFF 2020, Euroshorts 2020, Fest Fest Anča 2020, Festival Tous Courts 2020, First Crossings 2020, Florida Animation Festival 2020, Fort Lauderdale IFF 2020, Hiroshima International Animation Festival 2020, Imaginaria 2020, LIAF 2020, Linoleum 2020, MAFICI 2020, Monstra 2020, MUMIA 2020, Pictoplasma 2020, Pittsburgh Shorts 2020, Pixelatl 2020, Ars Electronica 2020, PSIAF 2020, REX 2020, Santa Fe Independent Film Festival 2020, SIGGRAPH Asia 2020, Sweaty Eyeballs 2020, Urban Films Festival 2020, Viborg Animation Festival 2020, Warsaw Animation Film Festival 2020, WFAF 2020, Animation Dingle 2021, Animocje 2021, Annapolis Film Festival 2021, Cairotronica 2021, Festival Premiers Plans d'Angers 2021, FIAF 2021, Framed 2021

AWARDS: Annecy 2020 - Jury award for a graduation short film Ars Electronica 2020 - Honorary mention in computer animation competition Santa Fe Independent Film Festival 2020 – Best experimental short, tied Fort Lauderdale 2020 - Best animation Animakom 2020 -Innovation award Florida Animation Festival 2020 -Honorable mention student animation 3D/CGI MAFICI 2020 - Special mention for best direction Mumia 2020 -3rd place international competition PSIAF 2020 - Best global issues & environmental concerns animated short