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So, fun fact about the skinned FurReal pony - I got the ID wrong, but only because Smores and Butterscotch's necks are semi-fixed in position, and I didn't think to google if the image I had of Butterscotch was mirrored.
The skinned horse IS Butterscotch, not Smores, but all of that's besides the point.
The reason I'm making this post is that y'all need to know that they skinned Butterscotch to turn her into a flamethrower

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everyone trying to minimise their intake of microplastics is going to be so mad when we invent the blood filter that can extract it and everyone who was plasticmaxxing gets a cool toy made from their poison blood as a souvenir
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being gay in the early 2010s was crazy people would walk up to you and say "did you know neil patrick harris is gay" and that would be the whole sentence
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STOP! before you decide you are irretrievably doomed, try one of the following options:
transition
bdsm
iron supplements
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the mind of a new baby god has been congealing around some deep sea thermal vent -- word is it just figured out sodium-gated ion channels. so we're gonna head down there and start feeding it gatorade limon pepino to gain its favor early if u wanna come
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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DAN AND PHIL - THE TERRIBLE INFLUENCE TOUR
TICKETS ON SALE FRIDAY 12PM LOCAL TIME danandphiltour.com
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phil basically just said watch less tiktok write more stories about me having gay sex
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Mari Lwyd meme.
“I wish all [PEOPLE WHO HAVE HOUSES]
A very [LET ME IN]”
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youtube
Dan and Phil React to Every Phil is not on fire! (part 1)
#rawr x3#im in my dan and phil phase again#and i bought the fucking sweater#i will be wearing it#legalize them
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nurse feratu and dr. acula are ready to see you for your blood tests
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