farinhademandioca

[farinhademandioca]

I'm currently writing for a fandom with all of seven people in it but still I'll post an update to a fanfic and look at my notifications every five seconds hoping someone will interact with it and it's KILLING ME

[farinhademandioca]

Masai: Sorry, I can‘t deal with grief

Cleon: (coughing up blood) Yeah, I can tell.

[farinhademandioca]

Oh fox how i miss you girl.. * guzzles down a beer and slams it on a table *

[farinhademandioca]

📣📣📣 AND ANOTHER THING ABOUT SWAN, I shout into my empty room. @sun-mo0nshine reblogged my post about Swan being the baddest bitch and said they love the way Jasmine says, "Swan". And I have a headcanon about it that idk maybe y'all would like?? So here it is lol. Sorry it's monsterously long.

We all have animatics in our heads, I'm sure. Or full stage or cinema productions or whatever. We're picturing it as we listen. I have a full stage production in mine. There's a few parts that are questionably possible with today's technology, but whatever. It's entertaining and gets me through very long hours at work sometimes.

POINT IS, in my head, Swan almost never smiles. She sounds nearly bored the very first time she says her name in Survive the Night. But we know her better now! We know she was worried even then!! And all the girls are saying their names in ways that seem to match how they'd be feeling in that moment.

Cochise, vibey, positive. Shown by her share of the lyrics in the rest of the song, because she's the one that sings about Cyrus holding the crown and wanting to see what happens with Cleon.

Cowgirl, more excited and rambunctious, down for a good time. That one is simple lol.

Fox, short and fierce. She's already trying to show she's tough in the first moment of her in this. You can hear her lifting her chin when she fuckin' says it.

Cleon, the loudest and most open voice of all of them. Representing basically her whole character in her intro. She is the one that believes fully in Cyrus and is open to her dream.

Ajax, just above monotone, a little extra emphasis on the "s" sound. It feels a little darker, even snake-like for a moment. Not to say she's a snake by any means, but she is ALMOST an antagonist for her own crew throughout—questioning Swan over and over, picking the fight that ends up taking her away—and this bit of darker voice and imagery kinda hints at that to me.

Rembrandt, always saying her name in two parts, the last syllable usually leaning more toward her feelings. (For example, the first time Mercy adds herself to the Roll Call later, Rembrandt speaks after her and there is very clearly a ???? In the middle of her name and an annoyed emphasis on the T at the end, like she's thinking, "who is this bitch? It was MY turn next.") And in this first Roll Call, her voice seems to fall somewhere between Ajax and Swan's vibes. Not as worried or displeased, but in between. Which makes sense because she is the one that echoes Ajax when she openly questions the plan throughout this song.

NOW. Swan. Worried. Monotone. Mind elsewhere, on what the future is about to bring them. I do not picture her smiling in this.

In Warriors' Cypher is the first time we hear some brightness in her voice, but even then she's talking about "peace so far" and stating that she has everyone's backs if that changes. She's STILL worried, even while they're fooling around and having fun. I do picture her almost exasperatedly laughing at the others' parts or smirking at Cowgirl's line, but not full on grinning. She's still focused on her worry, but she's allowing the bit of fun. And, in If You Can Count, I do see her starting to smile as it seems like the peace is going to be a real, lasting thing.

But, as Swan later says in A Light or Somethin', everything goes wrong from then on. Cyrus, running for their lives, the Turnbull ACs trying to kill them, the track fire. In Track Fire and a Phone Call, everyone is again kinda goofing off. Blowing off steam, razzing each other. But Swan is serious and stern. "When we get there, that's when we've made it." No smiling. She's too focused on protecting her crew.

Then we get to Orphan Town and THIS is where I think Swan's first full, genuine smile would come in. Again, she's worried, she's strategizing. The Orphans are taking some convincing. Swan and Fox start their flirting, where I imagine she would have a placating smile on, at least. Then Mercy comes in.

And I think Mercy amuses Swan. I think she comes out, singing about the Orphans, saying "Witcha hand on your BCACK" and, in my head, Swan laughs, startled into amusement, then quickly hides it so Sully won't turn on her. Then Mercy turns on her.

She starts demanding Swan's vest and this is the first and only time in the album that we hear Swan sound a little dumbstruck. That "What?" absolutely sounds like 0.0 She recovers, offers to try and get Mercy one if she helps them through, and Mercy says she wants the vest off of Swan and what do we hear? A laugh. A small one, entwined with her, "No chance" but a laugh. The only amusement we hear in Swan's voice until A Light of Somethin'. So yeah, I think Swan finds Mercy ridiculous and unhinged and kinda hilarious. Still though, I don't see a full-on smile happening here.

But then everything goes sideways, Swan defends Mercy, Sully changes his mind about letting them pass, and Swan decides to blow their shit up. They start putting together the molotov and it's when Swan calls for a piece of fabric and Mercy offers it up that I see the smile happening. The line "Let's make their world a little brighter" is the brightest we've heard Swan's voice be. In my headcanon, feature film, stage adaptation, I see Swan asking for the fabric and Mercy jumping forward to offer it up and Swan, startled again into amusement and gratefulness, fully grins.

I think it goes away very quickly as she focuses on her task and puts back on her leader face, but I think that quick look is when Mercy starts falling.

Back to everything is hard and sucks for a while. Swan is busy trying to ignore Ajax and Mercy's beef and protecting her crew. Her sole focus is getting them home. Then they lose Ajax and she has to lead the cops away. Mercy goes with her and they end up alone.

Which brings us to A Light or Somethin'. We know Swan was likely freaking out inside. Her Warriors are out there somewhere and she can't help them, can only hope they're waiting for her at Union Square. Ajax is gone, Cleon is gone. So she's quiet as they walk through the tunnel, understandably. But, again, Mercy manages to amuse her. You can HEAR the amusement in her voice. She laughs, saying Mercy won't like initiation. She is playful when she says, "Well, you split from the Orphans, are you loyal?" It's a legit question, but it's said with such a lighter feel. You can tell Mercy has broken through the stern, stoic face she's been putting on for just a moment. I think this is the closest we get to another real smile before the Finale. Not the full blown grin I picture in Orphan Town, but a smile nonetheless.

And when Swan rejects Mercy, her voice drops back down to that more monotone, worried voice we're used to. Except it also has a bit of a rasp to it now. A pain. She doesn't want to be pushing Mercy away. Desperation and agitation fill the rest of the song and then it's, once again, everything sucks and we're running. They lose Fox.

And I feel like there's a smile after the kiss in Same Train Home. It definitely feels like there's a few in the Finale, when Swan says "Anyone sick of runnin", when she tells Mercy she's a Warrior, when Cleon shows up, when Swan and Mercy sing "When I am with you" together.

But I think the only full, unguarded or untinged with sadness/worry, grin is in Orphan Town. When this woman Swan doesn't even know shows up and startles her into genuine happiness she wasn't expecting to find anywhere. Much less on the run for her life.

[farinhademandioca]

How the Warriors created a fantastic opening.

When it comes to setting the tone for a concept album, the opening tracks are everything. For The Warriors album, the first three songs—Survive the Night, Roll Call, and The Warriors Cypher—do exactly what they need to do: introduce the world, set up the stakes, and give us everything we need to know about the characters. By the end of these tracks, not only are you fully immersed in this reimagined New York City, but you’re already seeing themes unfold that will circle back perfectly by the finale.

"Survive the Night"

The first track sets the scene in a big way. DJ Lynn—our Greek Chorus and guide for the album—takes the mic, introducing us to the chaotic world of NYC and the boroughs the Warriors have to escape from. This is genius for two reasons.

The Radio as the Storytelling Device: In the movie, everyone listens to the radio to keep tabs on what’s happening. The album leans into this, using DJ Lynn to tie together the narrative. It’s a nod to the original and a creative way to keep the story moving.

The Voices of the Boroughs: Instead of showing us gangs heading to the summit, the album gives the boroughs themselves a voice, starting with Chris Rivers as the Bronx.

The Bronx speaks on its struggles—how systemic change is the only way to stop the violence that’s tearing it apart. Rivers, as Big Pun’s son, brings an extra layer of depth. He’s literally continuing a legacy, which mirrors how various warriors end up inheriting the will of Cyrus like Cleon or how Fox herself ends up taking after her fellow Warriors Swan and Ajax.

Nas follows as Queens, representing struggle and perseverance. He speaks to the creativity and resourcefulness of people born into tough circumstances, as well as the constant threat of being seen as a danger by the system—even when you’re just trying to rise above.

Nas himself grew up in the NYC projects in queensbridge and has directly suffered from Reaganomics growing up, and all of that turmoil caused him to become a rapper so he can literally ride his way out of the situation.

Came’ron as Manhattan shifts the tone, highlighting the borough’s wealth and privilege. Manhattan doesn’t face the same struggles as the others, and the disconnect is clear.

Manhattan out of all of the cities represents the class divide that we see throughout the album as due to lavish the city is it doesn't have to worry about how it's going to survive because it's the upper echelon of New York City.

The Staten Islands, are voiced by Wu-Tang’s Ghostface Killah and RZA which while it's just an elongated joke about how far they have to go to get to the summit there is a lot of insightful meaning here.

Firstly, the Wu-Tang clan renamed the Islands Shaolin to reclaim the image from the media as it being a inhabitable ghetto and to reflect how growing up there in the community made them who they ultimately became.

Reclamation is something many marginalized communities do be it with harmful words used by their oppressors or images that society tries to tout.

Swan does this with Luther's "Going Down" leitmotif before she eventually ends him.

Busta Rhymes closes out the borough roll call as Brooklyn, the most welcoming of all. Brooklyn celebrates diversity, something the Warriors embody as a group. They’re a mix of different backgrounds and styles, but their differences make them stronger.

Busta was a rapper that eventually took off by being a part of their groups and would often participate in various freestyles (his work with A tribe called quest is legendary) so he speaks to the truth of forming a found family within the rap community

"Roll Call"

The second track is quick but effective. It introduces the Warriors as a team and establishes Cleon as their maternal figure. Cleon insists they’re going to the summit, and while not everyone agrees, they all respect her enough to follow.

This track subtly establishes the sisterhood among the Warriors. They may bicker or disagree, but they have each other’s backs no matter what.

"The Warriors Cypher"

The final piece of the opening trifecta gives us a deeper look at the individual personalities in the group.

Cochise: The loyal soldier, always ready to support.

Cowgirl: Wild and free-spirited, she brings the positivity the group needs.

Fox: The youngest and prettiest, with an almost RPG-like growth arc that makes her fun to watch.

Cleon: The fearless leader and heart of the group.

Rembrandt: The introspective artist who sees what others can’t.

Ajax: The temperamental muscle, tough but with a hidden soft side.

Swan: The aloof but big-hearted leader, second only to Ajax in battle-readiness.

By the end of this track, you know exactly who the Warriors are. Their personalities bounce off each other, and you can already feel the respect and trust they have as a team.

After everything is settled you basically understand all you need to know so the musical can surprise you with various twists and turns but regardless of what new themes get added you already know the essentials

[farinhademandioca]

"Luther yells as he flies towards Cleon. Cleon throws Luther off of her, using his own momentum. Luther falls. But Cyrus' gang, the Gramercy Riffs, dont believe the woman. Reflexively, they believe the man, Luther, and attack Cleon from all sides

Cleon shouts out a last command to her crew before she disappears beneath the Riffs blows."

Hey boppers, quote from the warriors lyric book, its juicy and has art?? much recomendation! for today I was thinking about how Luther acts like he has so much power like when he gets to the warriors in the finale hes like your gonna die now i killed cyrus as in he can easily kill them too. And its cool cos he has one kill in the entire story and its this peace activist, with no warning and no retalliation against him cos he immediately blames the only person who could hold him accountable. Then fighting the warriors hes immediatley bested. Like all obvious stuff but just thinking about it :)))

So yeah glowing red cleon shes a warrior she carries on cyrus' message. The pointing Luther with the still smoking gun??(ngl bro I was giggling and going this is too devious tee hee). The Gramercy Riffs being a pack of snarling lunging beasts cos like they just unleash this rage onto the first person they are pointed at and do not listen at all yikes. 6 red stars hmmm :)). Umm also I would have added more dramatic lighting n stuff like more harsher contrast but then it suddenly wouldnt let me draw or erase, everything else worked so i was like ITS A SIGN and just decided to post.

Have a wonderful evening lovelies remember to drink water and stretch and go on a cheeky walk :*

p.s. EVERY COMMENT AND LIKE AND REBLOG IS TREASURED AND MAKES ME RUN AROUND AND KICK MY FEET AND TWIRL MY HAIR if anyone wants to message to scream at me about warriors i would go :O :)

p.p.s. I got a helix yesterday!! this has no relation to the post but yippeee and also yikes!! it horts :p

p.p.p.s. ONE MONTH TILL CHRIMUS!!!!!! :D

[farinhademandioca]

Listening to Warriors reminds me how strongly I support women's wrongs

[farinhademandioca]

[farinhademandioca]

"Hey youve gotta be nice to me ive had a chomp taken out of me"

"wait someone bit you?? I had absolutely *no* idea why had noone told me about this. If only someone had been here to remind me of it every two minutes."

" >:P "

Hey boppers for your eyes today i have created some cuisine. The flavour is scrumptious? I dunno why i love cochise and cowgirl so much when they're just kind of along for the ride. Listen guys they are very dear to me also cochise sticks her tounge out when shes concentrating I dont make the rules.

ALSO when I was drawing I suddenly thought cowgirl has a septum and ugh i love it forever unfortunately it didnt look right in this doodle i tried but! next time i draw her for sure.

If its not clear cochise is painting cowgirls toenails and they're having a yap session. <3

I was craving some silly sketchy doodles today so I wasnt looking too hard at references for it GUYS go and do some silly sketches! >:) also makes sure to stretch out your hands after drawing for ages

Okay also also i know I do a lot of yapping on these posts but I wanted to say thankyou!!! again for how lovely everyone is :'''') all the reblogs and comments pointing out stuff and details from my drawings that i liked made me like YIPPEEEE

Ive finally looked at the lyric book guys go look at the lyric book it has given me so many ideas so expect more art :D

anywayyyyy lots of big kisses to you all and especially @circeneedsahobby for showing me warriors, enabling my obsession by screaming about it with me and hyping me to post on here. GO LOOK AT THEIR ART! :))

[farinhademandioca]

Warriors Finale Spoilers⚠️

I gotta be real, I’m surprised the warriors didn’t crash out harder when they fought Luther

Maybe it’s just me but if I lost 3 of my closest friends, including one of them getting brutally hit by a train before my eyes when I was powerless to save her, only to find out it was all caused by some random lowlife

And when I ask him why he decided to commit murder, his answer is literally just “no reason, I’m just a crazy wild guy lol😜”

I would ruin him

Whatever the Gramercy Riffs did to him in the finale was not enough

I want something worse

[farinhademandioca]

I wanna write a fic about fox's funeral SO BAD, about the Warriors grieving, and FUCK Ajax is trapped, I'm sure she would blame herself for not being there to protect her girls, blame Swan for not doing enough (she's not belive it at real ((and Swan blames herself enough)) ). Thinking about how the warriors reacted when they noticed that Fox wouldn't be back. to. home. never. makes me feel THINGS.

Fox was the youngest warrior, i only can see her the same way I see film Rembrandt, he is so fucking young compared to the others :(( she dont deserve this :((

But my final dissertation is on next week soooo none fics for me until 🕊️🕊️🕊️

[farinhademandioca]

"What music genres do you listen to?"

Warriors.

"..what?"

Warriors.

[farinhademandioca]